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Todo Snoopy #1
Todo Snoopy. Años 1950-1951
Salvat presenta la colección definitiva de Snoopy. Una edición que reúne, de la primera a la última, todas las tiras diarias del perro más célebre del mundo de la historieta.
Snoopy, Charlie Brown y toda su pandilla han cautivado a varias generaciones de niños y adultos. Ahora, esta edición completa te permite formar parte de un mundo lleno de humor y ternura. Durante medio siglo, Charles Schulz se dedicó cada día a crear sus viñetas. El resultado se puede disfrutar en esta colección única: aquí está toda la vida del único perro del mundo que fantasea con ser, entre otros oficios, un as de la aviación de la Primera Guerra Mundial. ¡Deja volar tu imaginación con Todo Snoopy!
Esta entrega incluye todas las tiras publicadas entre 1950-1951.
Snoopy, Charlie Brown y toda su pandilla han cautivado a varias generaciones de niños y adultos. Ahora, esta edición completa te permite formar parte de un mundo lleno de humor y ternura. Durante medio siglo, Charles Schulz se dedicó cada día a crear sus viñetas. El resultado se puede disfrutar en esta colección única: aquí está toda la vida del único perro del mundo que fantasea con ser, entre otros oficios, un as de la aviación de la Primera Guerra Mundial. ¡Deja volar tu imaginación con Todo Snoopy!
Esta entrega incluye todas las tiras publicadas entre 1950-1951.
168 pages, Hardcover
First published September 10, 2024
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5 people want to read
About the author
Charles M. Schulz
3,023 books1,635 followersCharles Monroe Schulz was an American cartoonist, whose comic strip Peanuts proved one of the most popular and influential in the history of the medium, and is still widely reprinted on a daily basis.
Schulz's first regular cartoons, Li'l Folks, were published from 1947 to 1950 by the St. Paul Pioneer Press; he first used the name Charlie Brown for a character there, although he applied the name in four gags to three different boys and one buried in sand. The series also had a dog that looked much like Snoopy. In 1948, Schulz sold a cartoon to The Saturday Evening Post; the first of 17 single-panel cartoons by Schulz that would be published there. In 1948, Schulz tried to have Li'l Folks syndicated through the Newspaper Enterprise Association. Schulz would have been an independent contractor for the syndicate, unheard of in the 1940s, but the deal fell through. Li'l Folks was dropped from the Pioneer Press in January, 1950.
Later that year, Schulz approached the United Feature Syndicate with his best strips from Li'l Folks, and Peanuts made its first appearance on October 2, 1950. The strip became one of the most popular comic strips of all time. He also had a short-lived sports-oriented comic strip called It's Only a Game (1957–1959), but he abandoned it due to the demands of the successful Peanuts. From 1956 to 1965 he contributed a single-panel strip ("Young Pillars") featuring teenagers to Youth, a publication associated with the Church of God.
Peanuts ran for nearly 50 years, almost without interruption; during the life of the strip, Schulz took only one vacation, a five-week break in late 1997. At its peak, Peanuts appeared in more than 2,600 newspapers in 75 countries. Schulz stated that his routine every morning consisted of eating a jelly donut and sitting down to write the day's strip. After coming up with an idea (which he said could take anywhere from a few minutes to a few hours), he began drawing it, which took about an hour for dailies and three hours for Sunday strips. He stubbornly refused to hire an inker or letterer, saying that "it would be equivalent to a golfer hiring a man to make his putts for him." In November 1999 Schulz suffered a stroke, and later it was discovered that he had colon cancer that had metastasized. Because of the chemotherapy and the fact he could not read or see clearly, he announced his retirement on December 14, 1999.
Schulz often touched on religious themes in his work, including the classic television cartoon, A Charlie Brown Christmas (1965), which features the character Linus van Pelt quoting the King James Version of the Bible Luke 2:8-14 to explain "what Christmas is all about." In personal interviews Schulz mentioned that Linus represented his spiritual side. Schulz, reared in the Lutheran faith, had been active in the Church of God as a young adult and then later taught Sunday school at a United Methodist Church. In the 1960s, Robert L. Short interpreted certain themes and conversations in Peanuts as being consistent with parts of Christian theology, and used them as illustrations during his lectures about the gospel, as he explained in his bestselling paperback book, The Gospel According to Peanuts, the first of several books he wrote on religion and Peanuts, and other popular culture items. From the late 1980s, however, Schulz described himself in interviews as a "secular humanist": “I do not go to church anymore... I guess you might say I've come around to secular humanism, an obligation I believe all humans have to others and the world we live in.”
Schulz's first regular cartoons, Li'l Folks, were published from 1947 to 1950 by the St. Paul Pioneer Press; he first used the name Charlie Brown for a character there, although he applied the name in four gags to three different boys and one buried in sand. The series also had a dog that looked much like Snoopy. In 1948, Schulz sold a cartoon to The Saturday Evening Post; the first of 17 single-panel cartoons by Schulz that would be published there. In 1948, Schulz tried to have Li'l Folks syndicated through the Newspaper Enterprise Association. Schulz would have been an independent contractor for the syndicate, unheard of in the 1940s, but the deal fell through. Li'l Folks was dropped from the Pioneer Press in January, 1950.
Later that year, Schulz approached the United Feature Syndicate with his best strips from Li'l Folks, and Peanuts made its first appearance on October 2, 1950. The strip became one of the most popular comic strips of all time. He also had a short-lived sports-oriented comic strip called It's Only a Game (1957–1959), but he abandoned it due to the demands of the successful Peanuts. From 1956 to 1965 he contributed a single-panel strip ("Young Pillars") featuring teenagers to Youth, a publication associated with the Church of God.
Peanuts ran for nearly 50 years, almost without interruption; during the life of the strip, Schulz took only one vacation, a five-week break in late 1997. At its peak, Peanuts appeared in more than 2,600 newspapers in 75 countries. Schulz stated that his routine every morning consisted of eating a jelly donut and sitting down to write the day's strip. After coming up with an idea (which he said could take anywhere from a few minutes to a few hours), he began drawing it, which took about an hour for dailies and three hours for Sunday strips. He stubbornly refused to hire an inker or letterer, saying that "it would be equivalent to a golfer hiring a man to make his putts for him." In November 1999 Schulz suffered a stroke, and later it was discovered that he had colon cancer that had metastasized. Because of the chemotherapy and the fact he could not read or see clearly, he announced his retirement on December 14, 1999.
Schulz often touched on religious themes in his work, including the classic television cartoon, A Charlie Brown Christmas (1965), which features the character Linus van Pelt quoting the King James Version of the Bible Luke 2:8-14 to explain "what Christmas is all about." In personal interviews Schulz mentioned that Linus represented his spiritual side. Schulz, reared in the Lutheran faith, had been active in the Church of God as a young adult and then later taught Sunday school at a United Methodist Church. In the 1960s, Robert L. Short interpreted certain themes and conversations in Peanuts as being consistent with parts of Christian theology, and used them as illustrations during his lectures about the gospel, as he explained in his bestselling paperback book, The Gospel According to Peanuts, the first of several books he wrote on religion and Peanuts, and other popular culture items. From the late 1980s, however, Schulz described himself in interviews as a "secular humanist": “I do not go to church anymore... I guess you might say I've come around to secular humanism, an obligation I believe all humans have to others and the world we live in.”
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Displaying 1 - 3 of 3 reviews
October 2, 2024
No voy a hacer la colección porque es carísima, pero que cuqui jope. Ojalá alguna editorial se anime a hacer un volumen gordo de todo Snoopy como el de Mafalda.
November 24, 2025
El primer tomo de la colección completa de Peanuts — o mejor dicho Todo Snoopy— desde 1950 hasta el año 2000 (cuando Shulz deja de dibujarla)
Los 50 son el inicio de la tira cómica y para ello Luca Boshi escribe un ensayo que nos explica sobre el mundo de los comics sindicalizados, o sea aquellos que aparecen en los periódicos de los Estados Unidos y de varias partes del mundo, además de darnos un ligero viaje por las otras tiras cómicas con niños como protagonistas (La pequeña Lulú, Periquita, etc.)
En lo personal, creo que los dibujos de su primera fase fueron los mejores, Snoopy, por ejemplo, aparece como un cachorro simpático y agradable, un perrito de verdad y no como el perro humanoide y desagradable en que se convertirá después.
1. Los personajes de estos dos primeros años son: Shermy, un personaje que se mantendrá en la tira pero cada vez menos recurrente; Patty, una niña rubia simpática y con los pies en la tierra que por alguna causa irá desapareciendo de la tira, tal vez porque el autor la considera muy genérica y porque Lucy acabará comiéndose el interés de los lectores; Charlie Brown al parecer iba a ser solo parte de la pandilla pero acabará, en pocas apariciones, de posicionarse como el protagonista; Snoopy es un perrito lindo y agradable y se comporta como perro y no habla; Violet también aparecerá en esta fase y logrará sobrevivir hasta al final, mientras Schroeder, el niño genio, aparece también siendo solo un bebé pero que de inmediato comienza a manifestarse su gusto musical y su virtuosismo para el piano, su gusto por Beethoven (El primer busto del músico aparece aquí).
2. La Tira cómica es mucho menos pesimista que la que se perfilará en el futuro y Charlie Brown no es aún el perdedor tan frecuente en que lo convertirán.
3. Parece que la novela IT de Stephen King se inspiró en una tira que apareció aquí donde Shermy le cuenta a Patty que Charlie Brown está en las cloacas buscando la pelota que perdieron. Los ojos de Charlie Brown aparecen en el desagüe de la esquina de la banqueta, rodeados de oscuridad y Shermy pregunta: "¿Has encontrado la bola, Charlie Brown? ¿O no eres Charlie Brown? Casi puedo apostar que Stephen King vio esta tira.
4. También en estas tiras aparece por primera vez la eterna camisa amarilla con diseño de picos de Charlie Brown. Al principio era blanca.
Los 50 son sin duda mi época favorita de Charlie Brown.
Los 50 son el inicio de la tira cómica y para ello Luca Boshi escribe un ensayo que nos explica sobre el mundo de los comics sindicalizados, o sea aquellos que aparecen en los periódicos de los Estados Unidos y de varias partes del mundo, además de darnos un ligero viaje por las otras tiras cómicas con niños como protagonistas (La pequeña Lulú, Periquita, etc.)
En lo personal, creo que los dibujos de su primera fase fueron los mejores, Snoopy, por ejemplo, aparece como un cachorro simpático y agradable, un perrito de verdad y no como el perro humanoide y desagradable en que se convertirá después.
1. Los personajes de estos dos primeros años son: Shermy, un personaje que se mantendrá en la tira pero cada vez menos recurrente; Patty, una niña rubia simpática y con los pies en la tierra que por alguna causa irá desapareciendo de la tira, tal vez porque el autor la considera muy genérica y porque Lucy acabará comiéndose el interés de los lectores; Charlie Brown al parecer iba a ser solo parte de la pandilla pero acabará, en pocas apariciones, de posicionarse como el protagonista; Snoopy es un perrito lindo y agradable y se comporta como perro y no habla; Violet también aparecerá en esta fase y logrará sobrevivir hasta al final, mientras Schroeder, el niño genio, aparece también siendo solo un bebé pero que de inmediato comienza a manifestarse su gusto musical y su virtuosismo para el piano, su gusto por Beethoven (El primer busto del músico aparece aquí).
2. La Tira cómica es mucho menos pesimista que la que se perfilará en el futuro y Charlie Brown no es aún el perdedor tan frecuente en que lo convertirán.
3. Parece que la novela IT de Stephen King se inspiró en una tira que apareció aquí donde Shermy le cuenta a Patty que Charlie Brown está en las cloacas buscando la pelota que perdieron. Los ojos de Charlie Brown aparecen en el desagüe de la esquina de la banqueta, rodeados de oscuridad y Shermy pregunta: "¿Has encontrado la bola, Charlie Brown? ¿O no eres Charlie Brown? Casi puedo apostar que Stephen King vio esta tira.
4. También en estas tiras aparece por primera vez la eterna camisa amarilla con diseño de picos de Charlie Brown. Al principio era blanca.
Los 50 son sin duda mi época favorita de Charlie Brown.
December 2, 2024
Bastante entretenido
Displaying 1 - 3 of 3 reviews