What kinds of things do fashion and clothing say about us? What does it mean to wear Gap or Gaultier, Milletts or Moschino? Are there any real differences between Hip-Hop style and Punk anti-styles? In this fully revised and updated edition, Malcolm Barnard introduces fashion and clothing as ways of communicating and challenging class, gender, sexual and social identities. Drawing on a range of theoretical approaches from Barthes and Baudrillard to Marxist, psychoanalytic and feminist theory, Barnard addresses the ambivalent status of fashion in contemporary culture.
Malcolm Barnard is Senior Lecturer in Visual Culture at Loughborough University and an internationally recognized theorist of visual culture. He has degrees in philosophy and in sociology and his PhD concerned Derrida and other French philosophers.
In Fashion as Communication, Malcolm Barnard considers the meaning of fashion in society from a variety of theoretical perspectives. I recommend this book to anyone with an interest in fashion theory or semiotics.
Heavens, what a dull book! Malcolm Barnard does, to be fair, make many interesting points about why we wear what we wear and so gets three instead of two stars. But, sakes, the writing is dry.
An enjoyable and easily approachable work on fashion theory! Barnard thoroughly summarizes the history of theoretical approaches to understanding fashion as an art, and is generous in his definitions and examples. I highly recommend starting here if you are looking for an introduction to fashion studies, or even visual studies as a whole.
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“the difference between appearing quaint and appearing ridiculous is but thirty years.” (27)
“Fashion and clothing are not used simply to indicate or refer to social and cultural positions; they are used to construct and mark out that social and cultural reality in the first place.” (38)