'Martin Edwards is a true master of British crime writing.' RICHARD OSMAN The first rule of know your victim.
Basil Palmer has decided to murder a man called Louis Carson. There's only one he doesn't know anything about his intended victim, not who he is or where he lives.
Basil learns that Carson owns Hemlock Bay, a resort for the wealthy and privileged. Knowing that his plan will only work if he covers his tracks, he invents a false identity and, posing as Dr Seamus Doyle, journeys to the coast plotting murder along the way.
Meanwhile Rachel Savernake buys an intriguing painting of a place called Hemlock Bay, one that she cannot get out of her head. Macabre and strange, the image shows a shape that seems to represent a dead body lying on the beach.
Convinced that there is something sinister lurking amongst the glamour of the bay, Rachel books a cottage there – where she meets a mysterious doctor called Seamus Doyle…
Praise for Martin Edwards 'Highly recommended, with a touch of the gothic.' ANN CLEEVES 'Martin Edwards celebrates and satirises the genre with wit and affection... He leaves you wanting more.' THE TIMES 'The brilliant Savernake is a fascinatingly enigmatic character.' WASHINGTON POST 'Martin Edwards holds his own with the best of classic crime.' DAILY MAIL 'Reads as if Ruth Rendell were channelling Edgar Wallace.' MICK HERRON
Martin Edwards has been described by Richard Osman as ‘a true master of British crime writing.’ He has published twenty-three novels, which include the eight Lake District Mysteries, one of which was shortlisted for the Theakston’s Prize for best crime novel of the year and four books featuring Rachel Savernake, including the Dagger-nominated Gallows Court and Blackstone Fell, while Gallows Court and Sepulchre Street were shortlisted for the eDunnit award for best crime novel of the year. He is also the author of two multi-award-winning histories of crime fiction, The Life of Crime and The Golden Age of Murder. He has received three Daggers from the Crime Writers’ Association and two Edgars from the Mystery Writers of America and has also been nominated three times for Gold Daggers. In addition to the CWA Diamond Dagger (the highest honour in UK crime writing) he has received four other lifetime achievement awards: for his fiction, short fiction, non-fiction, and scholarship. He is consultant to the British Library’s Crime Classics, a former Chair of the CWA, and since 2015 has been President of the Detection Club.
Hemlock Bay is the fifth in the author’s historical crime series featuring amateur detective Rachel Savernake. The publishers are keen to stress the books can be read in any order and it’s true you don’t need to have read all the previous books in the series to enjoy this one. (I’ve only read books three and four.) There are passing references to previous cases (but they don’t amount to spoilers) and to Rachel’s past but, as it happens, she remains a bit of an enigma to even keen followers of the series.
Just what was it about her childhood growing up on the remote Gaunt Island as the daughter of the infamous Judge Savernake that has made her so impenetrable, has given rise to her sudden changes of mood and occasional bursts of anger? All we do know is that it’s inspired a liking for puzzling mysteries – the more impenetrable the better – and a burning passion to see justice done. If that means being a little bit ruthless, employing a good helping of subterfuge or stepping a teeny bit outside the letter of the law – well, the end justifies the means surely?
Rachel may seem a little unapproachable but that doesn’t mean she lacks for admirers, notably crime reporter for the Clarion newspaper, Jacob Flint, although he fears he may have a rival in Inspector Oakes of Scotland Yard. And she has inspired the utmost loyalty in the other members of her household – the Truemans – who act less as servants and more as companions, and as assistants in her crime-solving activities.
I don’t know about you but the name Hemlock Bay gave me negative vibes from the start, hemlock being a deadly poison. Although created as an upmarket resort, there’s something not quite right under the surface. Perhaps it’s the stories of wreckers luring sailors onto the rocks that surround the bay in olden times or a recent tragedy that took place. Or perhaps it’s the fact it’s a place where people can indulge in activities they wouldn’t want made public. Whichever, it’s not long before deaths start occurring, the suspects pile up, alibis are tested, timelines are calibrated and possible motives explored.
Fans of ‘Golden Age’ crime mysteries will love the intricate plot, the murders that seem impossible to have been committed and the familiar tropes of the genre such as the gathering together of all the suspects to reveal the solution. Oh, and the surprise you weren’t expecting – except you were expecting it because there’s always a surprise you weren’t expecting in this sort of story. The cluefinder at the end of the book lists 47 hints in the text that point to the solution. I spotted a couple of potential clues but was way off when it came to working out their relevance. Luckily, Rachel Savernake is on hand to piece it all together for us. Until then, sit back and enjoy being completely bamboozled.
This is my first introduction to reading a book by Martin Edwards. I know, which rock have I been living under, right? It’s one of those names I’ve seen pass by numerous times, but it wasn’t until now that I decided to give his work a go.
That didn’t entirely work out as well as I expected. I had no idea ‘Hemlock Bay‘ is the fifth instalment in the Rachel Savernake series. As far as the mystery part of the story is concerned, that wasn’t an issue. It stands on its own perfectly. However, the dynamics of the relationships between Rachel, Flint, and the Trueman family were another thing altogether. It’s clear there is history between these characters relating to events from the previous books, but obviously I had no idea what was being referred to. The Trueman family connection puzzled me immensely. On the surface, they seem to work for Rachel but their relationship isn’t at all employer/employee. Rachel herself is someone I couldn’t quite warm to. She comes across as rather controlling and cold as ice. Evidently she has a great sense for justice but I couldn’t quite work out what makes her tick.
The mystery is a good one to delve into. A man named Basil is out to murder someone. Slight problem : he doesn’t know a thing about his intended victim. Not even what he looks like. All he has is a name. This man has done him wrong, and Basil intends to make him pay. His search for the man called Louis Carson leads him to a place called Hemlock Bay. Meanwhile, Rachel is also making her way there, purely based on a painting she recently bought. Soon, the first body will be discovered. But who killed them and why?
There are quite a few characters to get acquainted with in Hemlock Bay. Some are there permanently, others are just passing through. But, one way or another, they all have some part to play. I wasn’t able to figure any of it out at all, although I feel like I should have. The clues were definitely there. As is evident from the final pages of the book where all the hints and tips are listed by page, which I absolutely loved. Even if it made me feel rather dumb at having missed so much of it.
‘Hemlock Bay‘ is incredibly well plotted and, despite what I felt was a rather slow start, I was hooked by the mysterious happenings. There’s something rather atmospheric about it all. Not just the surroundings of Hemlock Bay, but the author’s writing as well. It definitely felt as if I was being transported to another time as it has this wonderful golden age crime feeling. I enjoyed the way Rachel and her team split up, made their own enquiries, then came together to talk things over. Even if I felt like I was missing out on something there, they undoubtedly care very much for one another.
I thoroughly enjoyed this murder mystery. I probably would have enjoyed it even more if I had been up to speed with the background stories surrounding the main cast of characters. It didn’t ruin the reading experience, though. If anything, it has made me want to find the other books in this series and start from the beginning.
Being back in the company and mind of Rachel Savernake has been wonderful. The way she thinks about the conundrums in front of her is so entertaining. Martin Edwards has again written a thrilling and captivating story full of intrigue and mystery.
I always like the way Martin Edwards includes those little clues, those little links that help us as the reader to follow the thoughts of our intrepid investigators- although I must admit I can’t always keep up with Rachel’s speed of thought.
The relationships between Rachel, Jacob, and the Truemans play such an important role in the stories - the support they provide eachother but also their quick thinking and different skills all come to play.
I do like a good mystery set in Lancashire, and Hemlock Bay is certainly that.
This is Martin Edwards' fifth book featuring amateur sleuth Rachel Savernake and her sidekick tabloid reporter Jacob Flint, but I think it would work well as a standalone novel. I particularly enjoyed the period seaside town details in this, especially when Jacob had to act as a Lobby Lud character while investigating a murderer.
Exactly a year ago, I read Sepulchre Street, the fourth title in the Rachel Savernake series. That book opened on the intriguing dilemma of how one solves a murder before it has happened. Intrigue (and impossible murders) appear to be a theme in this series because the hook into Hemlock Bay is how do you murder somebody if you have no idea who he is?
The year is 1931 and a seaside resort called Hemlock Bay is about to live up to its somewhat sinister name. And a series of apparently unconnected events bring Rachel Savernake and her entourage to the resort.
Through diary entries, we learn that a man named Basil Palmer plans to kill Louis Carson although the two men have never met. Meanwhile, journalist Jack Flint is intrigued when he is visited by a man claiming to be a clairvoyant who claims that he has had a vision that a murder will be committed in a place called Hemlock Bay on the summer solstice. And finally, Rachel Savernake has recently bought a disturbing surrealistic painting titled Hemlock Bay which appears to feature a body draped over a rock on the beach.
It doesn’t take much to capture Rachel’s imagination and it isn’t long before she decides that she wants to know more about what’s going on in Hemlock Bay where she meets among other people the woman who painted the picture that inspired Rachel’s trip, a reclusive doctor named Seamus Doyle, as well as a man named Louis Carson. However, when murder does happen it isn’t on the summer solstice and the victim isn’t Louis Carson. The plot just thickened and is about to get a lot thicker again before Rachel figures out exactly what has been going on.
Hemlock Bay is a fascinating and captivating mystery. I was drawn in from the very first chapter and my interest didn’t flag until I had finished the full story and all the mysteries had been solved in a satisfying and fiendishly clever way. There is a lot going on in this golden age of mystery-inspired story. We’ve got a locked room mystery, a fair number of red herrings, and plenty of clues there to be found for the ‘professional’ mystery reader/solver. For those of us who read too fast or too carelessly to pick up on (all) the clues, they are spelled out after the story has ended and they make it perfectly clear that Martin Edwards plays fair with his readers. Most importantly though, the recurring characters in these books are fascinating. Especially Rachel has captured my attention, just as she has captured Jack’s in the story. And like Jack, I’d love to discover more about her background and exactly how she became the woman she is. I can’t wait to read more titles in this series.
I’ve been reviewing a series of “cosy” mysteries. They were (mostly) competent, enjoyable, but I could remember few details several days later. It was like eating a number of Quality Street chocolates: perfectly pleasant, but ultimately unsatisfying. Then along came the equivalent of a York Cocoa Works 100% bar: the real thing; an offering to be nibbled and every bit savoured. As connoisseurs of crime may have guessed: Martin Edwards has written his fifth Rachel Savernake novel: Hemlock Bay.
In the novel, post-WWI, Sir Harold Jackson has bought a lot of land at Hemlock Bay in Lancashire and has created a select seaside resort. That does echo the real-life Peter Hesketh-Fleetwood, who set about developing a Lancashire town around a deserted bay (to be called Fleetwood) in the 1830s-40s. His idea was that people would travel from London to Fleetwood by train and then catch a steamer up to Scotland (staying at his hotel, of course). Unfortunately, the opening of the railway over Shap Fell in the 1850s stymied that idea and Fleetwood lost his fortune.
Rachel Savenake has bought a surrealist painting that appears to show a dead body on the rocks below the lighthouse at Hemlock Bay. Her friend, the journalist Jacob Flint, has been approached by someone (a fairground fortune-teller, in fact) who says they know a murder will be committed at Hemlock Bay on the summer solstice. Flint wheedles permission from his editor to investigate, suggesting that he emulate the News Chronicle’s roaming reporter, Lobby Lud. In real life, Lobby Lud was employed by the Westminster Gazette and later adopted by the News Chronicle. The stunt was inspired by the disappearance of Agatha Christie, but was needed because people on holiday tended not to buy a daily paper and sales slumped in the summer. It was hoped that the prospect of winning £5 would motivate a lot of holidaymakers to buy their paper during their holiday. Unfortunately, on Jacob’s first day on the job, he stumbles across a dead body.
There are a number of threads to the plot but Edwards weaves them together skilfully as the body count increases. There is an element of humour – at one point, Jacob is so pleased with himself, he gives Rachel “a cheeky wink” – and if you have read the other books, you will know one doesn’t trifle with Rachel Savernake. These are the antithesis of cosy mysteries. These are highly crafted, carefully wrought, mysteries that have taken a long time to write. There is banter between the characters; there is humour; but there are no laughs. “Bleak” is the word that springs to mind, yet brilliantly written. As one character says of Rachel, “So lovely. Yet so cruel.” Rachel is intrigued by murder – I don’t mean that she desires it: she doesn’t want people killed; but if they are murdered (or going to be murdered), she wants to know why it has happened and what the murderer was thinking at every step. And, as she says herself, she has a burning passion for justice. I think it follows, therefore, that she may condone a “deserved” murder. Rachel Savernake is… I won’t say cold-blooded, because she cares for her servant/friends, the Trumans, but unemotional. I can imagine Rachel watching someone push a victim under a bus if she thought they deserved it.
If you want to read the best mystery writing of the 2020s, read Martin Edwards’s Rachel Savenake books – just don’t expect to feel cosy.
There can be no one more knowledgeable about crime fiction than Martin Edwards. In the Rachel Savernake series, Edwards combines his skills as a major writer and his knowledge of the Golden Age of crime writing. He also indulges his gift of coming up with truly portentous titles. Nothing good, we are sure, will ever happen in a place called Hemlock Bay.
The Prologue tells us that a murder has taken place. Of whom and by whom we know not yet. The first chapter is more explicit: we learn from the journal of one Basil Palmer, accountant unextraordinary, that another murder will take place – committed by him in the bijou Lancashire seaside resort of Hemlock Bay, the creation of a wealthy British man and his even wealthier American wife.
By coincidence – and in the way of the Golden Age there are lot of coincidences – the series protagonist, the mysterious but assuredly rich Rachel Savernake (who lives in Gaunt House) has just bought an Expressionist landscape featuring the very same bay, complete with a figure looking decidedly dead. Her entourage – more friends than mere servants – fails to see its charms. Likewise, a long-standing friend of hers remains unimpressed by a man who turns up at the offices of the national newspaper for which he works, insisting that he is clairvoyant and has had a vision of a death being planned in the very same location. You do not need to go to Denmark to discover a place where there is a good deal of rottenness. Or to agree with an allusion that surprisingly no character makes involving tangled webs and deception.
This is a very clever novel indeed. Not one of the large cast (apart from the goodies, and their relationship is deliberately opaque) is quite what he or she seems, and though one’s credulity is sometimes stretched to the limit, one simply does not care, such is the tour de force of the plotting. Go on: exercise every last one of your little grey cells and have a most enjoyable read. ------ Reviewer: Judith Cutler For Lizzie Sirett (Mystery People Group)
This is the latest addition in Martin Edwards's historical Rachel Savernake series in the style of the golden age of crime, allowing the reader to play detective with the carefully placed clues that the author reveals at the end. With its now established set of core characters, it is 1931, in London Rachel has purchased a surreal Hemlock Bay painting by the upcoming surreal artist, Virginia Penrhos, although perhaps not to everyone's tastes. Intriguingly it depicts a body stretched out over Mermaid's Grave. Journalist Jacob Flint has done well, established at the Clarion, envied by other reporters with his uncanny ability to secure career enhancing exclusives, obtained through Rachel's talent in crime solving.
Jacob receives a surprising visitor in his office, Gareth Bellamy aka The Great Hallemby, a fortune teller operating in Hemlock Bay, claiming to foretell a death, a strange scenario that catches Rachel's eye. Her entire household of Cliff, housekeeper Hetty, and Martha set off for the Bay where Rachel has rented a place, allowing them to begin to make inquiries. Jacob has managed to persuade his editor to let him go too. They are a variety of threads and characters they encounter, including Penrhos who is residing at the lighthouse with her companion, Ffion, a retired Dr Seamus Doyle (actually Basil Palmer), intent on murder, and many more. There will be more than one murder.
I struggled more with this series addition, it is becoming a trifle too cosy for me, and I yearned for there to be more character and relationship developments in its central characters. Rachel is becoming a little wearing as the ice Queen Bee, a tad too controlling, with her strong sense for justice, still an enigma, someone who can be relied on to arrive at the intricate solutions to the mysteries at play here. Where the novel was particularly good was in the eventual raising of suspense and tension which I did enjoy very much. Many thanks to the publisher for an ARC.
This is the third book I have read in this wonderful series, and I still can’t solve the mystery!! Told in a journal form, we meet Basil Palmer, who informs us that he is going to murder a person, a man he has never known, doesn’t know what he looks like, or where he lives, he only knows that this man deserves to die, and his name is Louis Carson. His search for this man takes him to Hemlock Bay in Lancashire, where Carson and his wife are running a seaside hotel. It attracts stylish and titled persons, it has various attractions including a fortune teller, a beach photographer, and an intriguing barman. There is the added frisson of a naturist beach available for the select guests. Throw in two ladies who have rented out the lighthouse as an artist’s retreat, a retired doctor, and Rachel Savernake and her loyal and devoted staff , and the stage is set for murders, blackmail and poisonings. Written in the style of the Golden Age thrillers of the 1930’s , this is so full of twisting turns, red herrings and a copious amount of clues, all generously scattered throughout this story, I felt so annoyed that I was only managed to get three correct. These clues are explained at the end, but if you like to be an armchair detective, this novel is absolutely right for you. As a retired nurse, Ataxia, Veronal and a brand of cream, these clues called out to me. The rest I missed!. Remember that the female of the species is more deadly than the male. A wonderful addition to the series, I have already recommended this to my local book group for next year’s list. My thanks to Netgalley and the publishers Head of Zeus, for my advance copy, freely given in exchange for my honest review. A five star read from a very ingenious author. I will leave reviews to Goodreads and Amazon UK upon publication.
This is a cosy crime mystery and at the start of the book we meet Basil, who makes a new years resolution to murder someone he has never met, he only has the name of his intended victim... a man who has wronged him. Basil's search for the man called Louis Carson leads him to a place called Hemlock Bay, a place that Rachel Savernake is also heading to, purely because she is intrigued by a location included in a painting she recently bought.
Hemlock Bay is well plotted and I found the writing atmospheric and I think I will definitely go back to the start at some point and read as a series. I loved the list of 'clues' that are listed in the 'Cluefinder' section at the end of the book - another nod to the proclaimed 'Golden Age of detective fiction' and can be found listed by page number at the very end of the book - I have never read a book before that chronicles these 'hints' in this way after the fact, so that was novel.
Hemlock Bay is the fifth book in the Rachel Savernake series, and although it can be read as as standalone, truthfully I think it would have been better for me if I had read the previous four. The plot certainly stands on its own, but the nuance between characters and the scene setting around this (at times extensive) cast would have felt easier if I had more of their history. I found it took me a while to really get into the book as sometimes there may have been an assumption that the reader knew more about the characters, so as much as I enjoyed the writing. I think this is probably a better read as a series - go and find Book 1.
A little extra note for the artwork on the cover, we shouldn't judge a book by it's cover, but we do, and this would be one I was definitely drawn to lift from the shelves in my favourite book shop by the cover alone.
I first encountered Martin Edwards on Christmas University Challenge and was intrigued by this super intelligent team captain who introduced himself as a ‘crime writer’. I decided to try a book, the first Harry Devlin and was hooked. I’ve now read every Devlin/Lake District/Savernake novel and his brilliant books on The Detection Club (of which he is currently president) and the history of crime writing.
What is, for me, so good about Hemlock Bay is the feel of the time in which it is set. Understanding Edwards’ own deep appreciation of the Golden Age of crime fiction, it is no surprise that the 1930s feel so authentic. Many writers try to do similar but make faux pas by adding 21st Century phrases/ideology but Edwards doesn’t. Having been introduced to the works of Francis Iles/Anthony Berkeley via Edwards’ non fiction, the writing feels authentic, as does life, pastimes and opinions, very similar to those original crime novelists such as Berkeley. All is missing is a tennis party!
The Savernake series feels established now, with recurring fleshed out characters, mysterious secrets from the past being hinted at, and knowing there will be twists aplenty. Edwards knows how to deliver surprise after surprise which is such a joy for a reader. No sooner does one mystery feel solved, wham, another blindsides you- fantastic!
I’m not going to turn a review into a plot summary, but if you relish golden age crime, love being outwitted by a master and enjoy a series with growing characters then this is a must! Appreciating the dedication that had gone into the years Edwards has spent studying Golden Age crime novels puts this in a class of its own.
I’m a fan for life and this series keeps getting better and better.
This is my second book by Martin Edwards and my second Rachel Savenake. I have to say that Edwards knows how to layout a fantastic crime thriller with a few red herrings, a lot of sleuthing and nostalgia to boot. I think I loved Hemlock Bay a little bit more than my previous read but it’s hard not to like.
In Edwards hands we are transported back to the Golden age of crime thrillers, namely in the 1930s. But we aren’t spared the darker side of the nostalgia either. You can expect an accurate representation of the time and characters that are well developed and constrained by the time they live in.
As always the pace is fantastic, we get just enough to keep us hooked and start us working alongside Rachel but not enough that we know what is happening before our protagonist does. While these novels do tow the line of cosy crime there is plenty of grit and darkness in there too. The characters are really what sell these books for me. Rachel is a wonderful protagonist and I would defy anyone not to like her. In short if you love cosy crimes the likes of Miss Maple then Edwards is one you need to read right away.
As always thank you to Head of Zeus for the copy to review. My review is always honest and truthful.
This is the 5th Rachel Savernack book, written in the style of the golden age of crime. I loved the first two books in the series but somehow managed to miss the next two. I had high expectations for Hemlock Bay and certainly wasn’t disappointed as I thoroughly enjoyed it.
Like the other two Rachel Savernack books this is also a complex mystery, with several strands and plenty of twists and misdirections. It begins with a Prologue. It is July 1930 as an unnamed couple in a basement room in Temple, London hear a newspaper vendor announce the death of Sir Arthur Conan Doyle. They are discussing death, ending as the man lifts a revolver and squeezes the trigger. Then in January 1931 Basil Palmer makes a New Year resolution – to murder a man he has never met, Louis Carson. But he doesn’t know where he lives, nor what he looks like. This sets in motion a sequence of events, involving numerous people, all with their own agendas, all gathered together in Hemlock Bay.
Hemlock Bay is a seaside resort on the north-west coast of Lancashire. It was originally just ‘a small bay with a splendid beach, flanked by a stretch of sheer cliffs on one side and a tiny secluded cove on the other side of the steep headland‘ and on ‘a treacherous outcrop of rock was an old lighthouse‘. J M W Turner had visited the Bay on a sketching trip and said it was ‘as pretty as Paradise‘. In the past, ships were often wrecked on the shore and contraband was smuggled through a maze of underground passages. But after the end of the First World War it had been developed into a small and select seaside resort. Pleasure Grounds had been built on Hemlock Head, with provision for dancing and all sorts of amusements, known as Paradise, adopting Turner’s description. Jackson, a speculator, and his wife had bought the resort and then opened a new venture, the Hemlock Sun and Air Garden, a nudist club.
Rachel Savernack is intrigued by a surrealist painting of Hemlock Bay depicting a body stretched out below the lighthouse. She and Jacob Flint go to Hemlock Bay, where among others, she meets Virginia Penrhos, the woman who painted the picture, a reclusive doctor named Seamus Doyle, a man named Louis Carson and Basil Palmer under an assumed name. It’s a well plotted novel with interesting characters in a beautiful setting.
Martin Edwards’ Author’s Note at the end of the book is interesting, explaining that although Hemlock Bay is a fictional place it is based on Heysham in Lancashire, overlooking Morecombe Bay (where I enjoyed several holidays as a child). The information in the Heritage Centre in Heysham helped him with the description of Paradise. And the ‘Cluefinder’ at the back of the book listing hints and clues is most enlightening. But I resisted the temptation to read it before I read the book. It is a baffling and most enjoyable murder mystery.
The gorgeous cover and hooking blurb is what drew me to this book, I was so excited to go along with this mystery is Hemlock bay, from the setting to the plot this book screamed spooky season and I think reading this by the fire with a cup of coffee really enhanced this whole read for me. Martin has a way with words and his vivid descriptions easily suck you into this story and have you feeling like you're right there alongside these characters.
Now let's take a moment for these incredible characters. I enjoyed how realistic and relatable they felt especially Rachel, this is my first book in this series but I felt like it was pretty easy to read as a standalone, however I would love to go back and read the other books that coke before this because i've feel in love with these characters and want to know more about how they came to be together. Overall id say this is the perfect book to be reading right now, its captures that cosy spooky mystery feeling so well, and as its cools down and the nights are longer its super easy to be sucked into his story.
A puzzling and atmospheric whodunnit set in a secluded coastal resort village during the Golden Age? Well count me in Sherlock !
First let me disclose that I didn't read the previous installments (shame on me !), but that didn't deter from thoroughly enjoying this finely crafted mystery. The characters are very well depicted, and the scene is masterfully set for a series of unfortunate events unfolding in a elegant manner - almost too close to the cozy genre for my taste. If I should find any fault, it is that the twist and turns seemed just a bit too constructed for the enjoyment of the reader, instead of being logically fit into the storyline. This was also confirmed at the end where you can find a list of hints and tips to find solve the mystery called "the Cluefinder". It is very tongue in cheek, and just good fun but I feel it isn't beneficial to the book as a whole.
So yes, it is absolutely very atmospheric, but it lacked a bit of intrigue for my taste.
A heartfelt thanks to NetGalley, the publisher Head of Zeus and Aries Book and the author for an ARC in exchange for an honest review.
After the last outing for his sleuth Rachel Savernake, Martin Edwards has given her a holiday by the seaside - one with murder added, of course.
These books deliberately ape the style of golden age fair play detective stories - both in form and setting. The form is beautifully captured. The clues are elegantly laid out and the conclusions justified. Rachel Saverake does sometimes appear to make some implausible leaps in other books. Here the mystery is very fairly played - the clue finder explanation is largely unneeded; the downside is that an astute reader will be ahead at points and the main twist may be too easily guessed.
The setting is nicely drawn again. It is not flawless: a character uses the term ‘Art Deco’ but that. Is a much later term for the style; two women meeting on purely social terms are highly unlikely to have shaken hands in the period. That said, these are small complaints and more noticeable because otherwise the author shows himself to know his golden age milieu very well.
Basil Palmer wants to kill a man he doesn’t know. A pools winning dock worker kill’s himself at Hemlock Bay. A fortune teller foresees a death at the seaside resort and approaches the Clarion newspaper. Flint, the journalist, shares the deathly premonition with Rachel Savernake. She has, coincidentally, just bought a painting of the lighthouse in the bay. They decide it may be worth investigating and travel to Hemlock Bay.
This is a 1930s set mystery, which took time to really get started for me. I hadn’t realised it was the fifth book in a series, and as such I felt at times like I was missing something. There were so many characters introduced, who I presume were in previous novels, whose relationships were initially unclear. The mystery is very much in the style of an Agatha Christie, with an amateur sleuth and a gathering of all parties at the denouement to reveal whodunnit. It was a well plotted, enjoyable read.
Mild-mannered accountant Basil Palmer is determined to kill the man he holds responsible for his wife's death so he adopts a disguise and moves to Hemlock Bay, an up and coming seaside resort. Rachel Savernake is also in Hemlock Bay, she has bought a painting by an artist based there and her interest has been piqued by the reports of one suspicious death and another predicted. All this death is bringing notoriety to the area and only Rachel seems able to get to the answers. This is the fifth book in the series and is the first I have picked up, mainly due to the beautiful cover artwork! It took me a while to get into the story due to the cadences of the writing and not having the prior knowledge of the character. However, once deep into the narrative I found myself hooked by the period detail and the genuine homage to the Golden Age of crime writing. I got most of the plot but a couple of twists were a surprise to me and it's very clever.
I made ir a quarter of the way in but gave up. I just couldn’t get into this book. I tried a few of the earlier Rachel Savernake books and despite some glowing reviews, this series is not for me. Early on in Hemlock Bay someone is planning the murder of a complete stranger and there doesn’t appear to be a motive. I also found it rather silly that a fortune teller predicts a murder at Hemlock Bay & a reporter travel there based on that prediction. Maybe these implausible details make sense later on, but the story was not compelling enough for me to find out. That and five books in & we still know very little about Rachel herself so I’m not able care about or to vest much interest in her as a protagonist. Martin Edwards has a wonderful reputation in the mystery genre realm though and that’s why I kept trying to read each new release in this series, but, I’m finally giving up.
How have I missed out on this series so far?? As soon as I started reading, I knew I was going to love this book! It's reminiscent of the golden age of mystery and has such strong Agatha Christie vibes.
Rachel Savernake has just purchased a surrealist painting depicting a body on a beach in Hemlock Bay. Journalist Jacob Flint is visited by a psychic who has had a vision of a murder about to be committed in Hemlock Bay. Basil Palmer writes in his diary of his wish to kill a man he's never met and travels to Hemlock Bay to execute his plan.
There are so many different mysteries within the pages of this book that are masterfully woven together. And if you miss the clues as you're reading, there's a handy clue finder at the back of the book to spell them all out. Although this was book five in the series, I had no issue getting into the story, so it can definitely be read as a standalone.
Martin Edwards is in fine fettle with this fifth entry in his Rachel Savernake series.
Lovers of the author’s ability to recreate in a dynamic way the forms , trappings and tropes of the Golden Age Detective novel will certainly not feel disappointed. Complete with a comprehensive Cluefinder, this is a compelling read, full, as ever, with larger-than-life characters yet dominated by the presence of the enigmatic Rachel.
I found the last in the series less effective than the others but here Martin Edwards is back in top gear with a testing jigsaw of a plot which tantalises to the end.
Thank you to NetGalley and Head of Zeus for the digital review copy.
Thank you #netgalley for letting me read the new Rachel Savernake mystery!
I love this series by Martin Edward’s so couldn’t wait to read this latest murder mystery.
It took a while to warm up this one as the author had several new characters to “set up” and give some background narration on. After about a quarter of the book through, things start to get more interesting when a body is found unexpectedly by Jacob Flint.
Once again, Rachel solves the mysteries afoot on Hemlock Island. Very enjoyable and looking forward to the next one!
This is the fifth book in a series, and perhaps that is why the first part seemed a bit slow to me. Already knowing the main characters certainly makes the reading more enjoyable. More than a cosy mystery, I would call it a classic detective story, à la Agatha Christie. Rachel Savernake is a character who deserves to be known, even though she can come across at first as quite cold and even too drawn to the murders. Beautiful cover. I really think this series deserves to be read from the beginning, from the first volume entitled Gallows Court.
A very intriguing Golden Age mystery! This one has little clues dropped out throughout causing you to try to figure it out alongside amateur sleuth Rachel Savernake.
It was very well written and the character development was good. Vivid descriptions made me feel like I was in Hemlock Bay myself.
This is the 5th of the Rachel Savernake series, but can be read as a standalone as I did.
I always love a good whodunnit and this one did not disappoint!❤️
Thank you @headofzeus & @medwardsbooks for this #gifted e-copy!🫶🏼
I really enjoyed this book overall, the twists and turns kept me hooked once I got into it, and the ending was especially strong. That said, I found it quite hard to get going at first, as there were a lot of perspectives and names to keep track of, which made it a bit slow in places. Once everything started to come together, though, it really picked up and became much more engaging. I’ve only just realised it’s part of a series, and now that I know that, I’m definitely interested in reading more to see how the story continues.
I was a little way into this when I realised it wasn't the first book with these characters, and that explained why I felt I'd missed something. It does a great job of getting you to know, and like them though. The book really picks up speed by the end, and all manner of unexpected things were happening. It was pleasantly surprising the way the story unfolded. Enjoyable story, that was full of atmosphere, and raised a smile or two.
This is my favourite in this series as it's the more complex, a crime which is announced but we don't know when. WE know that someone is plotting a murder even if we don't know why. There's plenty of possible culprits, secrets, a place that could be a paradise but it's also full of darknes. A page turner that I couldn't put down till I read the last page. Highly recommended. Many thanks to the publisher for this ARC, all opinions are mine
The story begins with Basil Palmer intending to kill Louis Carson! So how will go about this? He makes a plan to find him and how to pull off the grand scheme? He finds the Carsons at Hemlock Bay running a hotel for the rich and those from the high echelons of society. He travels north using a false name - Dr Seamus Doyle to carry out his plan. In other news, Jacob Flint of The Clarion and Rachel Savernake hear of a fortune teller and his prediction, which intrigues her to go on holiday with the Truemans to Hemlock Bay. The subplots all weave together with a dramatic conclusion. It was well written, full of brilliant characters and locations. It was a page turner of a read.
This book is the 5th in the series and can be read as a standalone as I haven't read all of the previous books in the series. The mystery is complex and intricate with the murders that seem impossible to have been committed and left me turning the pages to see where it was going to go next as I didn't succeed in working this one out at all. Another great instalment for all lovers of golden age crime stories. I received an advance review copy for free, and I am leaving this review voluntarily.