As a young choreographing, trying to find my voice, my style, my signature, trying to figure out what I want to make and why, trying to understand how the dance world works, this small collection of theses shook me up and comforted me both at the same time. In a way, it made me feel less unique, as I saw that many people engaging in the art of choreography have very similar questions, fears, hopes, and realizations. But whenever you are made to feel less unique, you inevitably feel more part of some group, and this book had such an effect on me as well. While I know many choreographers and people who are just trying to call themselves by this name, some of the not-so-obvious thoughts, ideas, and feelings are constantly hidden from everyday conversations. This book opened it up to me, and to others, and demonstrated that I must not feel too unique or too lonely in my quest to find the most appropriate way to make dances, whatever that might mean.
To finish, my favorite quote from the book:
"It can feel at times <...> as though the compulsion to subvert is so strong that things are challenged before they have had a chance to reveal what they have to offer." (p. 62)
I recommend this book definitely to everyone engaging in the art of choreography, but also in the art of dance, and in general in any creative practice. I understand that choreographing might seem very far away from other creative art forms, such as music, painting, etc., but, maybe surprisingly, there's so much in common how we think about our art, our work, our practices, our life.