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Kamal Haasan: A Cinematic Journey
In many ways, Kamal Haasan is unique. One of the greatest actors India has ever produced, he has usually gone further than just enacting a role to completely immersing himself in it. Kamal A Cinematic Journey explores some fifty films out of the 245 Haasan has been associated with and analyses his cinematic journey from his beginnings as a child star all the way to his latest blockbusters. It traces how, even at a young age, he took on roles other actors would be wary of, positioning himself as an object of female desire in the 1980s; balancing both comedy and tragedy with aplomb; playing formerly caricatured roles such as that of a dwarf in Apoorva Sagodharargal and a woman in Chachi 420 with dignity; and having a resurgence in 2022 with the blockbuster Vikram.
This book is the best introduction possible to Kamal his life, his thoughts and his movies.
This book is the best introduction possible to Kamal his life, his thoughts and his movies.
- GenresBiography
292 pages, Kindle Edition
Published July 10, 2024
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Displaying 1 - 28 of 28 reviews
August 6, 2024
Kamal Haasan has an intellectual fan base and is known for prioritising his love for the art form and experiments boldly immaterial of the box office returns. This book by K.Hariharan, a director himself of a national award winning movie, looks at Kamal's career and tries to deconstruct his movies.
Right from his first movie Kalathur Kannamma to his upcoming movies (Thug Life etc), the book tries to juxtapose Kamal's movies in the context of the social setting of the time the movie was released. Some of this I found not totally convincing. But the book sure does rehash some of the milestone movies that don't get talked about much.
I loved the chapters around Balachander's movies - the challenging of the social convention. I was also surprised by his focus on movies like "Aval oru thodarkathai" where Kamal had played a supporting role. The idea was that he loves the art form so much that he will play whatever roles will make the art greater.
The dissection of movies like "Hey Ram", "Devar Magan", "Virumaandi" and "Alavandhan" and to a little lesser extent "Uttama villain" have been favorite late night conversations with friends. In the book, the author tries to bring in the context of caste, politics and Tamil identity. The ploy worked at most places but, where it didn't, it was jarringly so.
You love him or hate him, you can't disagree the man's love for cinema as an art form. This book gives a pedestal to his works and tries to define the man. If nothing, makes you relive the movies or add movies to your watchlist.
Comment on the audiobook: I don't know why the narrator tries to modulate his voice for what Kamal said or what any director or actor said. Also, didn't understand why the reading had to have a southern slang from time to time.
Definitely readable.
Right from his first movie Kalathur Kannamma to his upcoming movies (Thug Life etc), the book tries to juxtapose Kamal's movies in the context of the social setting of the time the movie was released. Some of this I found not totally convincing. But the book sure does rehash some of the milestone movies that don't get talked about much.
I loved the chapters around Balachander's movies - the challenging of the social convention. I was also surprised by his focus on movies like "Aval oru thodarkathai" where Kamal had played a supporting role. The idea was that he loves the art form so much that he will play whatever roles will make the art greater.
The dissection of movies like "Hey Ram", "Devar Magan", "Virumaandi" and "Alavandhan" and to a little lesser extent "Uttama villain" have been favorite late night conversations with friends. In the book, the author tries to bring in the context of caste, politics and Tamil identity. The ploy worked at most places but, where it didn't, it was jarringly so.
You love him or hate him, you can't disagree the man's love for cinema as an art form. This book gives a pedestal to his works and tries to define the man. If nothing, makes you relive the movies or add movies to your watchlist.
Comment on the audiobook: I don't know why the narrator tries to modulate his voice for what Kamal said or what any director or actor said. Also, didn't understand why the reading had to have a southern slang from time to time.
Definitely readable.
April 1, 2025
K. Hariharan’s Kamal Haasan: A Cinematic Journey is an ambitious attempt at capturing the essence of one of India’s finest actors. As a die-hard fan of Kamal Haasan, I devoured this book overnight. Each chapter unravelled mysteriously yet in a captivating manner, just like his movies.
I knew for a fact that this book did not cover his tumultuous personal life and I was prepared for it. I like how it traverses his illustrious movie career, breaking down his artistic brilliance, and his fearless approach to cinema with timely anecdotes. However, while the book succeeds in many aspects, it does have its shortcomings.
One of the key issues is the writing style. At times, the complexity of the language feels unnecessary, making certain passages felt artificial and forced. A more fluid and engaging narrative would have elevated the reading experience.
Another intriguing aspect of the book is its exploration of the political undertones in Kamal’s films. While he has never shied away from making strong political statements, IMO some of the linkages drawn by the author feel a bit stretched. That said, they did offer me a unique perspective, making me reflect on the political aspects of Tamil Nadu that I was ignorant about.
One of the most fascinating revelations in the book is the recurring theme of sex in Kamal Haasan’s films, particularly in his pre-90s movies. In a society where the subject is often shrouded in taboo, Kamal managed to portray it with an elegance that is both bold and tasteful. The book does a commendable job of analyzing how he brought a sense of decorum and depth to this theme without sensationalism.
Overall, Kamal Haasan: A Cinematic Journey is an insightful read for fans and cinephiles alike. While the writing could have been more accessible, the book successfully highlights Kamal Haasan’s unparalleled contribution to cinema. It reinforces why he remains an icon—an artist who continually challenges norms and redefines storytelling.
I knew for a fact that this book did not cover his tumultuous personal life and I was prepared for it. I like how it traverses his illustrious movie career, breaking down his artistic brilliance, and his fearless approach to cinema with timely anecdotes. However, while the book succeeds in many aspects, it does have its shortcomings.
One of the key issues is the writing style. At times, the complexity of the language feels unnecessary, making certain passages felt artificial and forced. A more fluid and engaging narrative would have elevated the reading experience.
Another intriguing aspect of the book is its exploration of the political undertones in Kamal’s films. While he has never shied away from making strong political statements, IMO some of the linkages drawn by the author feel a bit stretched. That said, they did offer me a unique perspective, making me reflect on the political aspects of Tamil Nadu that I was ignorant about.
One of the most fascinating revelations in the book is the recurring theme of sex in Kamal Haasan’s films, particularly in his pre-90s movies. In a society where the subject is often shrouded in taboo, Kamal managed to portray it with an elegance that is both bold and tasteful. The book does a commendable job of analyzing how he brought a sense of decorum and depth to this theme without sensationalism.
Overall, Kamal Haasan: A Cinematic Journey is an insightful read for fans and cinephiles alike. While the writing could have been more accessible, the book successfully highlights Kamal Haasan’s unparalleled contribution to cinema. It reinforces why he remains an icon—an artist who continually challenges norms and redefines storytelling.
July 25, 2024
My interest in Kamal the actor is overshadowed by my admiration for Kamal the writer and director. A few of his movies specially : Virumaandi, Hey Ram and Anbe Sivam continue to be my favorites even after years of watching (and re-watching) them.
This is not a biography but an exploration of how Kamal Hassan the all-round cinema person grew along with the Tamil identity. The author looks beyond the obvious aspects of the movies and explores how the movie gels into the socio-political milieu of a Tamilian during that time. It makes for interesting observations but at times it did feel high handed to me.
An interesting read if you are a Kamal Hassan fan.
This is not a biography but an exploration of how Kamal Hassan the all-round cinema person grew along with the Tamil identity. The author looks beyond the obvious aspects of the movies and explores how the movie gels into the socio-political milieu of a Tamilian during that time. It makes for interesting observations but at times it did feel high handed to me.
An interesting read if you are a Kamal Hassan fan.
October 5, 2025
Kamal Haasan, as we all know, is an institution; if you let me talk about him, I could talk for days and nights. I am what I am because he is what he is. The author takes us through the many chapters of Kamal's incredible career. The book starts well by describing the miraculous birth of Kamal. It was engrossing to read about Kamal's childhood and his family that thrives in art - his sister Nalini with her Bharatanatyam, his mother with her singing, and his father's vow to his own father to support his sons and daughters if they ever showed interest in any art form.
Whenever Kamal is questioned about his excellence or dominance, he graciously credits his mentors, but it takes only a genius like Kamal to be the best student: to learn, implement, and surpass the masters. The book sheds light on these aspects - his initial days, his mentorship with the likes of T.K. Shanmugham and K. Balachander, and his camaraderie with R.C. Shakthi in his early days in Tamil cinema. It was a spiritual read for me to learn (though we are aware of most of it) about my master and what shaped him.
After his initial days, the book goes on a sprint from chapter to chapter, briefing and analysing his trademark films. K. Hariharan’s sharp academic knowledge and experience in filmmaking keep us captivated as he decrypts Kamal’s finest works with legendary filmmakers like Bharathiraja, Balu Mahendra, Mani Ratnam, Shankar, and Lokesh Kanagaraj. Hariharan’s knowledge of Western films and literature comes in handy as he points out the inspirations - the mother of all his works by the auteurs that led Kamal to his excellence.
Though the details were all enjoyable, every so often it did feel like the author went overboard on references. Even if not for the references, definitely when he juxtaposes Kamal’s entire filmography with the changing political climate of India - though this may be true for some of Kamal’s politically charged films - comparing his entire body of work with the political landscape, particularly the recurring usage of the term “The Dravidian Betrayal”, didn’t make sense to me and felt forced.
As for the “Cinematic Journey”, the book is a decent starter for a person who is not well-versed with Kamal’s films, maybe someone who is not a native Tamil speaker and has just been introduced to Tamil cinema. But for hardcore Kamal fans or Tamil cinephiles, it might be underwhelming, as most of the facts are mainstream knowledge available in many of his interviews on YouTube. For the analysis, the book misses out on a lot of key films and goes very minimal on a few classics. To decode or write a book on Kamal’s entire filmography, which consists of 250+ films, the 240 pages that this hardcover holds are just not enough.
As a film student and aspiring filmmaker, autobiographies like Making Movies by Sidney Lumet, Apropos of Nothing by Woody Allen, and Something Like an Autobiography helped me so much in humanising the masters I learnt the craft from. I wish Kamal Sir would write something like that in the distant future, to learn about our master’s childhood, the passion that nurtured them, and their insecurities, fears, guilt, and regret in their own voice. It assures us that they too are human. If they can do it, one day I/you can do it.
Whenever Kamal is questioned about his excellence or dominance, he graciously credits his mentors, but it takes only a genius like Kamal to be the best student: to learn, implement, and surpass the masters. The book sheds light on these aspects - his initial days, his mentorship with the likes of T.K. Shanmugham and K. Balachander, and his camaraderie with R.C. Shakthi in his early days in Tamil cinema. It was a spiritual read for me to learn (though we are aware of most of it) about my master and what shaped him.
After his initial days, the book goes on a sprint from chapter to chapter, briefing and analysing his trademark films. K. Hariharan’s sharp academic knowledge and experience in filmmaking keep us captivated as he decrypts Kamal’s finest works with legendary filmmakers like Bharathiraja, Balu Mahendra, Mani Ratnam, Shankar, and Lokesh Kanagaraj. Hariharan’s knowledge of Western films and literature comes in handy as he points out the inspirations - the mother of all his works by the auteurs that led Kamal to his excellence.
Though the details were all enjoyable, every so often it did feel like the author went overboard on references. Even if not for the references, definitely when he juxtaposes Kamal’s entire filmography with the changing political climate of India - though this may be true for some of Kamal’s politically charged films - comparing his entire body of work with the political landscape, particularly the recurring usage of the term “The Dravidian Betrayal”, didn’t make sense to me and felt forced.
As for the “Cinematic Journey”, the book is a decent starter for a person who is not well-versed with Kamal’s films, maybe someone who is not a native Tamil speaker and has just been introduced to Tamil cinema. But for hardcore Kamal fans or Tamil cinephiles, it might be underwhelming, as most of the facts are mainstream knowledge available in many of his interviews on YouTube. For the analysis, the book misses out on a lot of key films and goes very minimal on a few classics. To decode or write a book on Kamal’s entire filmography, which consists of 250+ films, the 240 pages that this hardcover holds are just not enough.
As a film student and aspiring filmmaker, autobiographies like Making Movies by Sidney Lumet, Apropos of Nothing by Woody Allen, and Something Like an Autobiography helped me so much in humanising the masters I learnt the craft from. I wish Kamal Sir would write something like that in the distant future, to learn about our master’s childhood, the passion that nurtured them, and their insecurities, fears, guilt, and regret in their own voice. It assures us that they too are human. If they can do it, one day I/you can do it.
July 16, 2024
For fans of Kamal Haasan, this book is a treasure trove. The author meticulously deconstructs some of his most celebrated films like Manmadha Leelai, 16 Vayadhinile, Varumayin Niram Sivappu, Raja Paarvai, Ek Duje Ke Liye, Sakalakalaa Vallavan, Moondram Pirai, Saagara Sangamam, Nayakan, Oru Kaidhiyin Diary, Swathi Muthyam, Pushpak, Sathya, Gunaa,Aboorva Sagodharagal, Micheal Madana Kamarajan, Thevar Magan, Maganadhi, Kuruthupunal, Indian, Hey Ram, Aalavandan, Anbe Sivam, Virumandi, Dasavatharam, Vishwaroopam, Uttama Villain, Vikram 2 etc, providing a deep understanding of his craft. The analysis is extensive and insightful, making it a fascinating read. However, a few minor factual errors mar an otherwise exceptional exploration of Haasan's cinematic brilliance.
This entire review has been hidden because of spoilers.
September 27, 2024
I am a naive KH fan but i regretted reading every bit of this. This writer has a set political agenda at place. Keeps saying 'betrayal of Dravidian parties' and only he knows what he meant by it. And so many irrelevant international political plug-ins to Kamal's old. I know KH is a well-informed man, but Hariharan went a little overboard.
August 6, 2024
Actual rating would be a 3.5 and not 4.
‘Kamal Hassan - A Cinematic Journey’ by K Hariharan is at once both enriching and a tad bit cumbersome.
The book, through a very film academia lens, tries to offer an objective foray into the life of Kamal Hassan through the analyses of about 50 iconic movies of his. Hariharan manages to offer a strong anthropological and socio-political perspective to the movies through which he builds his narratives about the films and Kamal, hence contextualising the impressive body of work that Kamal Hassan has built over the decades. This writing style has its own pros and cons, naturally. I enjoyed finding out more about how the earlier films of KH came about, how he was very adept at picking the right mentors and scripts, who and what his influences were etc.
The problem arises when the book chooses to remain a mere peak into the lake on most occasions without actually making the plunge into the depths of it. The meandering narration, despite offering a novel perspective in parts, unfortunately feels a bit like an extrapolation in segments.
A lot of what Hariharan has written could be accessible through various fan blogs, articles and some interviews of Kamal himself. Or maybe I’ve been a devout hoarder of BTS and making stories of and from his films that very little information presented here blew my socks off - the ultimate experience I was hoping for.
I really wished Hariharan had opted for a more accessible interview style like that of the famous Truffaut/Hitchcock or the BR/Mani Ratnam book, which thrusts you into the vantage point of the creator’s mind at once while also engaging in an analytical discourse without getting too academic about it. Nevertheless, the book is a testament to the fact Kamal Hassan is/always has been a devout child of Cinema.
‘Kamal Hassan - A Cinematic Journey’ by K Hariharan is at once both enriching and a tad bit cumbersome.
The book, through a very film academia lens, tries to offer an objective foray into the life of Kamal Hassan through the analyses of about 50 iconic movies of his. Hariharan manages to offer a strong anthropological and socio-political perspective to the movies through which he builds his narratives about the films and Kamal, hence contextualising the impressive body of work that Kamal Hassan has built over the decades. This writing style has its own pros and cons, naturally. I enjoyed finding out more about how the earlier films of KH came about, how he was very adept at picking the right mentors and scripts, who and what his influences were etc.
The problem arises when the book chooses to remain a mere peak into the lake on most occasions without actually making the plunge into the depths of it. The meandering narration, despite offering a novel perspective in parts, unfortunately feels a bit like an extrapolation in segments.
A lot of what Hariharan has written could be accessible through various fan blogs, articles and some interviews of Kamal himself. Or maybe I’ve been a devout hoarder of BTS and making stories of and from his films that very little information presented here blew my socks off - the ultimate experience I was hoping for.
I really wished Hariharan had opted for a more accessible interview style like that of the famous Truffaut/Hitchcock or the BR/Mani Ratnam book, which thrusts you into the vantage point of the creator’s mind at once while also engaging in an analytical discourse without getting too academic about it. Nevertheless, the book is a testament to the fact Kamal Hassan is/always has been a devout child of Cinema.
December 23, 2024
Although this book is in the Biography category, I would say this is Kamal’s cinematic biography clearly!
What a journey that was! Phew…from Kalathur Kanamma to Vikram 2, Kalki etc. This book is a comprehensive journey of the actor Kamal Hassan’s movie life wherein the author talks in extreme detail about some of his very notable movies. They include: Manmadha Leelai, 16 Vayadhinile, Varumayin Niram Sivappu, Raja Paarvai, Ek Duje Ke Liye, Sakalakalaa Vallavan, Moondram Pirai, Saagara Sangamam, Nayakan, Oru Kaidhiyin Diary, Pushpak, Sathya, Gunaa, Aboorva Sagodharagal, Micheal Madana Kamarajan, Thevar Magan, Maganadhi, Kuruthupunal, Indian, Hey Ram, Aalavandan, Anbe Sivam, Virumandi, Dasavatharam, Vishwaroopam, Uttama Villain, Vikram etc.
Kamal’s association with directors like K Balachander, Singeetham Sreenivas, Muthuram etc.
A little into his family especially the younger Kamal and the reason as to why Kamal was such a talented artist is also given.
Nayakan or Ulakanayakan or Sakalakalavallabhan – not sure which one title is enough for this great Art lover and Art from India!
What a journey that was! Phew…from Kalathur Kanamma to Vikram 2, Kalki etc. This book is a comprehensive journey of the actor Kamal Hassan’s movie life wherein the author talks in extreme detail about some of his very notable movies. They include: Manmadha Leelai, 16 Vayadhinile, Varumayin Niram Sivappu, Raja Paarvai, Ek Duje Ke Liye, Sakalakalaa Vallavan, Moondram Pirai, Saagara Sangamam, Nayakan, Oru Kaidhiyin Diary, Pushpak, Sathya, Gunaa, Aboorva Sagodharagal, Micheal Madana Kamarajan, Thevar Magan, Maganadhi, Kuruthupunal, Indian, Hey Ram, Aalavandan, Anbe Sivam, Virumandi, Dasavatharam, Vishwaroopam, Uttama Villain, Vikram etc.
Kamal’s association with directors like K Balachander, Singeetham Sreenivas, Muthuram etc.
A little into his family especially the younger Kamal and the reason as to why Kamal was such a talented artist is also given.
Nayakan or Ulakanayakan or Sakalakalavallabhan – not sure which one title is enough for this great Art lover and Art from India!
December 8, 2024
"Kamal Haasan: A Cinematic Journey" is a comprehensive book that delves into the life and career of Kamal Haasan, a versatile Indian actor. The book explores Haasan's extensive filmography, focusing on 40 of his 260 films. It highlights his early life, informal education in cinema, and his breakthrough roles, particularly in "Apoorva Raagangal" (1975). The book also highlights Haasan's versatility, showcasing his ability to transform into a wide range of characters. The book also discusses Haasan's innovative approach to cinema, blending commercial and parallel elements in films like "Hey Ram" and "Vishwaroopam." The book is both analytical and engaging, making complex cinematic discussions accessible to a broad audience. The book's nuanced portrayal of Haasan captures his artistic versatility and the challenges he faced throughout his career. While some critics suggest the book could benefit from more personal anecdotes, it remains a valuable resource for fans of Kamal Haasan and anyone interested in the evolution of Indian cinema.
September 5, 2024
✍️Author: K Hariharan
📖Pages: 272
💓Genre : Biography
🖨️Publisher : Harper Collins
⭐Rating : 4🌟
📚Book review:
Every Kamal Hassan fan and cinema geek should definitely check this book out. It provides an analysis of the cinematic journey of our beloved superstar. Out of 200+ movies Mr Hassan did , it covers 50 of his movies and their analysis.
The book not only provides information about his career and his roles but also tells stories behind those roles and cinematic settings.
The author portrayed Mr Hassan as an actor who is not afraid of taking non- traditional roles which other actors might avoid.
The author has tried to portray the society of that time and how cinema affected it.
The book also has a dedicated chapter on Mr Balachander and his role in Kamal's life and Career.
Overall it is a must read for movie buffs and those who adore Kamal Hassan .
📖Pages: 272
💓Genre : Biography
🖨️Publisher : Harper Collins
⭐Rating : 4🌟
📚Book review:
Every Kamal Hassan fan and cinema geek should definitely check this book out. It provides an analysis of the cinematic journey of our beloved superstar. Out of 200+ movies Mr Hassan did , it covers 50 of his movies and their analysis.
The book not only provides information about his career and his roles but also tells stories behind those roles and cinematic settings.
The author portrayed Mr Hassan as an actor who is not afraid of taking non- traditional roles which other actors might avoid.
The author has tried to portray the society of that time and how cinema affected it.
The book also has a dedicated chapter on Mr Balachander and his role in Kamal's life and Career.
Overall it is a must read for movie buffs and those who adore Kamal Hassan .
July 11, 2025
Entry scene la neraya mass, climax la neraya class!
K. Hariharan’s Kamal Haasan: A Cinematic Journey is a vibrant Tollywood-style tribute to a legend who didn’t just perform but truly lived for cinema. Imagine a Mani Ratnam shot infused with the essence of Ilaiyaraaja — that’s how this book encapsulates Kamal’s artistic journey, blending emotional depth with cinematic brilliance.
From the pure charm of Kalathur Kannamma to the intricate genius of Vikram, each chapter unfolds like a montage showcasing his incredible versatility. The author dives deep, tackling bold choices, gender-fluid roles, and political commentary with the same passion you’d find in a Shankar blockbuster. It’s critical when it needs to be, yet it maintains a sense of reverence — like a wise old grandparent who’s witnessed it all and beams with pride.
There’s plenty of masala — drama, romance, and tears — but also a methodical approach: an insider’s perspective on a man who revered every frame. This isn’t just a book for die-hard fans; it’s for anyone who understands that cinema, at its core, is a blend of heart and defiance.
This one’s a must-read blockbuster. A standing ovation for Kamal sir!
K. Hariharan’s Kamal Haasan: A Cinematic Journey is a vibrant Tollywood-style tribute to a legend who didn’t just perform but truly lived for cinema. Imagine a Mani Ratnam shot infused with the essence of Ilaiyaraaja — that’s how this book encapsulates Kamal’s artistic journey, blending emotional depth with cinematic brilliance.
From the pure charm of Kalathur Kannamma to the intricate genius of Vikram, each chapter unfolds like a montage showcasing his incredible versatility. The author dives deep, tackling bold choices, gender-fluid roles, and political commentary with the same passion you’d find in a Shankar blockbuster. It’s critical when it needs to be, yet it maintains a sense of reverence — like a wise old grandparent who’s witnessed it all and beams with pride.
There’s plenty of masala — drama, romance, and tears — but also a methodical approach: an insider’s perspective on a man who revered every frame. This isn’t just a book for die-hard fans; it’s for anyone who understands that cinema, at its core, is a blend of heart and defiance.
This one’s a must-read blockbuster. A standing ovation for Kamal sir!
July 27, 2025
There are different chapters in this book dedicated to movies. Some are discussed individually, while others are grouped by a particular theme. It begins with the life story of Kamal Haasan, his father’s artistic interests, and their family. The narrative is interesting and I wished it remained so for the entire time but it’s not!
As the story goes, the author discusses Kamal Haasan’s collaboration with director K Balachander. They explain the sociopolitical context of the films and India’s history. It includes India’s independence, the Dravidian movement, and the socio-political context of Tamil Nadu!
In my opinion, the book has a clear and heavy bias. The author goes to extremes to praise Kamal Hasaan and takes a clear side regarding Tamil Nadu’s politics, going against the expectation of a neutral stance!
I understand that many of Kamal Haasan’s films are a direct reflection of the actor’s opinion on contemporary matters. Still, for me, his entire filmography could not be analyzed only from a political perspective!
The first time I encountered some of the words, I had to consult a dictionary. Eventually, the effort became tedious which disrupted my reading rhythm!
I personally wouldn’t recommend the book as it’s not very engaging. It could be useful for those wanting to grasp the political and social undertones in Kamal Haasan’s films. However, if your aim is to gain an understanding the book’s content, this wouldn’t be the best choice!
Also thank you so much @harpercollinsin for this book!📚
As the story goes, the author discusses Kamal Haasan’s collaboration with director K Balachander. They explain the sociopolitical context of the films and India’s history. It includes India’s independence, the Dravidian movement, and the socio-political context of Tamil Nadu!
In my opinion, the book has a clear and heavy bias. The author goes to extremes to praise Kamal Hasaan and takes a clear side regarding Tamil Nadu’s politics, going against the expectation of a neutral stance!
I understand that many of Kamal Haasan’s films are a direct reflection of the actor’s opinion on contemporary matters. Still, for me, his entire filmography could not be analyzed only from a political perspective!
The first time I encountered some of the words, I had to consult a dictionary. Eventually, the effort became tedious which disrupted my reading rhythm!
I personally wouldn’t recommend the book as it’s not very engaging. It could be useful for those wanting to grasp the political and social undertones in Kamal Haasan’s films. However, if your aim is to gain an understanding the book’s content, this wouldn’t be the best choice!
Also thank you so much @harpercollinsin for this book!📚
August 22, 2024
Hooter: Unraveling Kamal through his movies
The author through stories and anecdotes around the movies along with the portrayal in the movies and paints a picture of Kamal Haasan's journey in the real and reel life. He also provides the context to political undercurrents being portrayed in the movies keeping in mind the current affairs of the time. Whilst he points most of it as speculation to prevent any controversies erupting from the book, it provides a unique insight which Kamal - who is known to be extremely bold, risk taking and innovative film maker who has always pushed the limits of creativity and impact in the various roles he has played could have been appealing to his intelligentsia and elite audiences whilst being loved by the masses.
The author through stories and anecdotes around the movies along with the portrayal in the movies and paints a picture of Kamal Haasan's journey in the real and reel life. He also provides the context to political undercurrents being portrayed in the movies keeping in mind the current affairs of the time. Whilst he points most of it as speculation to prevent any controversies erupting from the book, it provides a unique insight which Kamal - who is known to be extremely bold, risk taking and innovative film maker who has always pushed the limits of creativity and impact in the various roles he has played could have been appealing to his intelligentsia and elite audiences whilst being loved by the masses.
September 19, 2024
It was interesting, to say the least. I wrongly presumed it was going to be a biography, but it is actually an analysis of Indian cinema that Kamal Haasan has been a part of, and the socio-political landscape during the time these films were made. Even though I felt the author obsessively dissected these movies to assert his assumptions, which I found a bit annoying, I still found the book enjoyable and bingeable. I feel ambivalent about the audiobook version due to the narrator's use of stereotypical accents and modulations.
3.75/5
3.75/5
January 9, 2025
My review would be biased because of my devotion to Kamal. What a versatile actor - I'm glad that this book went into the details behind many of his iconic films. Particularly loved the section on 16 Vayathinilae, Hey Ram & Virumandi. I don't think there is any other book which deconstructs movies in such a way. I don't see this as just Kamal's journey there were references made to the political scenary of Tamilnadu as well. So this is really a short glimpse into the evolution of Kamal as an actor and maybe the cinematic moments which shaped his interest to be a politician!
April 15, 2025
A good book. Lot of points to like. Kamal's journey, his passion and evolution through years is interesting. Got to know a lot about Tamilnadu politics and the legendary Balachandar.
Two points to dislike: firstly, the author seems to over analyse some movies, trying to find meaning and patterns where none exist. Secondly, the book almost only mentions the movies that did well. It would've been nicer to know about the lessons Kamal learnt through failures.
Two points to dislike: firstly, the author seems to over analyse some movies, trying to find meaning and patterns where none exist. Secondly, the book almost only mentions the movies that did well. It would've been nicer to know about the lessons Kamal learnt through failures.
June 27, 2025
disappointing to go through an account of films from a complete fan's perspective. the best bits engaged with the production history. but generally, it was quite the half-baked commentary on alleged political and social anxieties. some of the best works of KH were glossed over as insipid (literally used to describe Magalir Mattum).
and the insufferable glazing of the terrible to poorly made films like vishwaroopam and uttama villain brought down the quality of the book overall.
and the insufferable glazing of the terrible to poorly made films like vishwaroopam and uttama villain brought down the quality of the book overall.
January 20, 2026
Can a cinema veteran and lifelong patron of the artform writing on the most versatile and arguably the greatest and most creative film personality in the world's most populous country produce a bad book? Yes.
Avoid, unless you want to read concocted theories by the author in the name of contextualisation, followed by dismissals of those theories by the makers and artistes themselves.
NOPE
Avoid, unless you want to read concocted theories by the author in the name of contextualisation, followed by dismissals of those theories by the makers and artistes themselves.
NOPE
September 5, 2024
As the title mentioned a cinematic journey that captures the various important works of Kamal. Through the works K Hariharan also tries to see the parallels with the politics of those times but which often felt like over interpretation. There are excerpts of interviews and comments mainly from Kamal, K Balachander and Srinivas Rao.
October 9, 2024
the narrator doesn't know tamil and his pronunciation is off putting, for narrating a Tamil actor at least this much could be considered. the narratives about the various movies Kamal has acted, produced, directed, written for, sung in, etc. the linkage to politics of that day and time doesn't connect as much...
April 13, 2025
Pretty good biography about Kamal Hassan's filmography with evidence for all the greatness the man wanted to conquer in film making and story telling. I enjoyed the interesting parallels drawn between the films and the regional politics, culture and philosophy at that time—the effect they had on each other complimented how films were made and reshaped the way it was perceived.
August 5, 2024
This book will be great for people who have watched all or atleast some of the movies mentioned in it .A true delight for an ardent kamal fan and this book provides more insights about the actors intentions and ideologies on which these movies are based on.Try listening it as an Audiobook,will sound more interesting.
July 23, 2025
Disappointing.
September 8, 2024
If you look up the IMDB listing for Rambo 3 (1988), you will find Kamal Haasan credited as a make-up artist.This is the kind of trivia that would have made for a wonderful chapter (or a few) about Kamal Haasan’s deep curiosity about every aspect of filmmaking. Sadly, this is not part of Kamal Haasan – A cinematic journey by film academician, and filmmaker, K. Hariharan.
It is a formidable proposition to distil Haasan’s oeuvre into one biography, especially since Haasan, apart from being a much-lauded actor, flexes his creativity in every aspect of film making like production, direction, screenwriting, and has also, more recently, forayed into politics.
Apart from a brief introduction to Haasan’s childhood, dwelling on the hearty encouragement from his family in his pursuit of the arts, and his first break in Kalathur Kannamma as a child artiste, the book is rooted in his cinematic journey, as promised in its byline.
Hariharan picks 32 movies based on their underlying themes and arranges them as highlights and milestones in Haasan’s career. In every themed chapter, Hariharan encapsulates the movie/s, contextualises them in society at that time, and locates them in the film industry with the technology available then. He also often connects the politics of the era to the movies, sometimes quite unnecessarily. There are few quotes by Haasan, but a lot of space is provided for those who have worked with him, including stalwarts like Singeetam Srinivasa Rao.
Having said this, there can’t be a better introduction to Kamal Haasan’s body of work. Nor can there be a better structure for the eclectic range of themes that Haasan has explored in his career of over 245 movies spanning 63 years.
My only question is, by intellectualising the vibrant creative genius of Kamal Haasan, who is the book aimed at?
If you always regarded Kamal Haasan as a Tamil actor who briefly forays into Hindi cinema, this book will open your eyes to his influence on Indian cinema, and his legacy.
But if you’ve been a witness, as I have been, to his career and evolution as a creative individual, you may be a little disappointed that this isn't a creative biography.
(I would have liked to see more pictures in the hardbound edition I bought - surely KH gave access to KH for this?)
It is a formidable proposition to distil Haasan’s oeuvre into one biography, especially since Haasan, apart from being a much-lauded actor, flexes his creativity in every aspect of film making like production, direction, screenwriting, and has also, more recently, forayed into politics.
Apart from a brief introduction to Haasan’s childhood, dwelling on the hearty encouragement from his family in his pursuit of the arts, and his first break in Kalathur Kannamma as a child artiste, the book is rooted in his cinematic journey, as promised in its byline.
Hariharan picks 32 movies based on their underlying themes and arranges them as highlights and milestones in Haasan’s career. In every themed chapter, Hariharan encapsulates the movie/s, contextualises them in society at that time, and locates them in the film industry with the technology available then. He also often connects the politics of the era to the movies, sometimes quite unnecessarily. There are few quotes by Haasan, but a lot of space is provided for those who have worked with him, including stalwarts like Singeetam Srinivasa Rao.
Having said this, there can’t be a better introduction to Kamal Haasan’s body of work. Nor can there be a better structure for the eclectic range of themes that Haasan has explored in his career of over 245 movies spanning 63 years.
My only question is, by intellectualising the vibrant creative genius of Kamal Haasan, who is the book aimed at?
If you always regarded Kamal Haasan as a Tamil actor who briefly forays into Hindi cinema, this book will open your eyes to his influence on Indian cinema, and his legacy.
But if you’ve been a witness, as I have been, to his career and evolution as a creative individual, you may be a little disappointed that this isn't a creative biography.
(I would have liked to see more pictures in the hardbound edition I bought - surely KH gave access to KH for this?)
June 19, 2025
A compelling and insightful exploration of one of Indian cinema’s most versatile icons. The book meticulously charts Kamal Haasan’s evolution as an actor, filmmaker, and cultural force, blending critical analysis with engaging anecdotes. Hariharan’s narrative captures the depth of Kamal’s artistic ambition and his fearless experimentation across genres and languages. This biography stands out for its thoughtful appreciation of Kamal Haasan’s contributions to cinema and his impact on storytelling, making it a must-read for fans and cinephiles alike.
August 17, 2024
I will say that I oscillated between getting irritated by the sometimes over-written, florid, excessively complicated language used (Hemingway would’ve had fits in his grave) to admiring the serious effort to formally analyze some of the key movies that Kamal has made in his decades long career. Not all of the analysis makes sense (or maybe I’m just not intellectual enough to understand the academic language) but where it does (say in the Balachander movies or the later movies like Nayakan or Devar Magan) the book really shines. On a different note, I have no idea why publishers scrimp on illustrations and photographs. It would have been enjoyable to read or look through newspaper and magazine cuttings of Kamal or his movies through the years. So, all said, a good effort but the comprehensive Kamal bio is yet to be written .
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