This is pretty much the only good biography of Nelson Algren available. The main reason for this is the biographer’s attitude towards her subject: although she clearly appreciates his work, she does not for a minute buy into the persona that Algren tried continuously, and often unsuccessfully, to build around himself. This means that while she is able to explore at some length the ways that events in his life influenced his work, which is often a fascinating look inside his writing process, she doesn’t let her clear admiration for the writer cause her to pull any punches when dealing with the less admirable parts of his life. Most notable among these were his ruinous gambling addiction and his callous treatment of his wives and friends, as well as his inability to deal with what he perceived to be insufficient recognition of his success by the American people and by Hollywood, which left him to waste his talent in sulking for the last thirty years of his life. Bettina Drew strikes the right balance in profiling an important and complex character who had more in common with his characters than even he seemed to realize.