In this handy volume, Claire Colebrook offers an overview of the history and structure of irony, from Socrates to the present. Students will welcome this clear, concise guide, *traces the use of the concept through history, from Greek times to the Romantic period and on to the postmodern era *looks closely at the work of Socrates and the more contemporary theorists Jacques Derrida and Gilles Deleuze *explores the philosophical, literary and political dimensions of irony *applies theories of irony to literary texts Making even the most difficult debates accessible and clear, this is the ideal student introduction to the many theories of irony.
Claire Colebrook is an Australian cultural theorist, currently appointed Edwin Erle Sparks Professor of English at Pennsylvania State University. She has published numerous works on Gilles Deleuze, visual art, poetry, queer theory, film studies, contemporary literature, theory, cultural studies and visual culture.
I learned quite a bit about irony from this book. As Colebrook notes,
[d]espite its unwieldy complexity, irony has a frequent and common definition: saying what is contrary to what is meant,
a statement she traces back to Quintilian ("who was already looking back to Socrates and Ancient Greek literature"). It could be a ridiculous counterfactual, like
saying "Another day in paradise," when the weather is appalling. . . .
Yet "[w]e live in a world of quotation, pastiche, simulation, and cynicism: a general and all-encompassing irony."
Or that deleting a review that exhibited irony, like in such an assertion, is a wonderful mise-en-abyme demonstrating the very cynical context in which the reviewer grapples with the difficulty of aboutness, while also exposing the complexity attendant with being honest or genuine in reviewing?
I do love me some irony, and Colebrook's book is quite good.
And THAT is how you do a review about a book, motherfuckers.
"Irony lies in the tensions of language" or so Claire Colebrook reminds us on p19 of this excellent critical introduction to and exploration of one of the most ill-used, misunderstood concepts in contemporary literary theory and philosophy. She effective grounds her case in ancient Greeks, shows how notions and understandings of irony changed with the Romantics, and explores contemporary and postmodern deployments of irony. In doing so she illustrates the broader theoretical and conceptual points by drawing on well known literary texts. It is a great example of an excellent series.
Colebrook offers a nice examination of irony's development as a trope. Especially nice is her exploration of how irony exceeds to bounds of a trope for both the Romantics and in postmodern theory (Derrida, de Man, Deleuze and Guattari, et al.), becoming a way of being and/or a way of thinking about the world.
With the exception of continual reference to Socrates, particularly in the context of how Socratic irony has been variously defined in different eras, Colebrook does stick mostly to looking at literature. My proclivity would have been for a little more attention to irony outside the realms of poetry, fiction, and literary theory (speech-act theory, e.g.), but that doesn't detract from the quality of Colebrook's project here.