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Ramayanam: Vol I
THE RAMAYANAM, an itihasa of the highest order, is considered adi kavya, the first poem to have been composed. Written by Valmiki during Rama's time, and ratified by him, this timeless epic has been treated with utmost care by all acaryas in their famed commentaries. Since the advent of human civilization, it has inspired many poets and dramatists across the subcontinent and has been transcreated in almost all Bharatiya languages. Multiple layers of philosophy and theology are an embellishment to this classic. Its influence on Bharatiya music, dance, sculpture and textiles is unfathomable.
In this two-volume presentation, noted Vedic scholar Dushyanth Sridhar retells the Ramayaņam as a conversation between Välmiki and Narada. Infused with a dash of creativity that is accepted even by traditional scholars, and drawing upon interesting details from renowned and lesser-known works, this timeless epic has been recreated in a never-before manner. Furthermore, expressive sketches by eminent artist Keshav, and drawings of rare artefacts by Upasana add great value to this edition, making it the most trusted rendering of the Ramayaņam for readers across all ages.
In this two-volume presentation, noted Vedic scholar Dushyanth Sridhar retells the Ramayaņam as a conversation between Välmiki and Narada. Infused with a dash of creativity that is accepted even by traditional scholars, and drawing upon interesting details from renowned and lesser-known works, this timeless epic has been recreated in a never-before manner. Furthermore, expressive sketches by eminent artist Keshav, and drawings of rare artefacts by Upasana add great value to this edition, making it the most trusted rendering of the Ramayaņam for readers across all ages.
552 pages, Kindle Edition
Published July 5, 2024
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Displaying 1 - 12 of 12 reviews
July 17, 2024
Covers Bala Kanda & Ayodhya Kanda. Beautiful retelling of the Ramayana. Can’t wait for Volume two.
September 1, 2025
Brilliant book. Beautifully written. Dushyant ji has narrated stories from other puranas as well apart from the Ramayana. Very informative.
September 24, 2024
As a believer in the timeless wisdom of the Ramayana, I was thrilled to dive into Rāmāyaṇaṁ – Volume 1, a much-anticipated work by renowned speaker and scholar Dushyanth Sridhar. Published by HarperCollins India, the book promises a fresh take on Valmiki's Ramayana, with Sridhar blending various sources such as the Adhyatma, Ananda, and Adbhuta Ramayanas, alongside commentaries from multiple acharyas.
Overview
The book begins uniquely with the Uttara Kanda, portraying Sita's pregnancy and eventual exile, providing a different starting point from traditional retellings. Sridhar also offers a background on Valmiki, emphasizing the deep bond between Valmiki and Narada, which sets up a rich dialogue-driven narrative throughout the book. The book covers the Bala Kanda and Ayodhya Kanda, with a few segments from the Uttara Kanda, making the story both familiar and novel for seasoned readers.
Strengths
One of the standout aspects of this book is Sridhar’s use of Samskruta (Sanskrit) terms such as Rakṣaka, Candra, and Candana. The authentic terminology enriches the reading experience, especially for those familiar with the IAST transliterations. While this lends the text an air of authenticity, it could be challenging for those unfamiliar with these terms, as some key words, such as "prappati," are not explained in detail.
The illustrations by Keshav are another highlight. The intricate depictions of temple carvings and historical inscriptions greatly enhance the narrative, bringing the text to life. The depth of research on these inscriptions is commendable, though readers unfamiliar with Sanskrit may find the lack of translated verses disappointing.
Shortcomings
Despite its strengths, the book does have some noticeable shortcomings. The inclusion of dates regarding the Ramayana's timeline has sparked some controversy. Though Sridhar doesn't focus heavily on dating the events, he references Jayashree Saranathan's research, which suggests that the events occurred around 5100 BC. This has raised some eyebrows, especially since certain Puranas, such as the Skanda Purana, suggest a much earlier timeframe, placing Rama’s life in the 24th Chaturyuga. While this does not detract from the book's central message, the inclusion of specific dates feels unnecessary and adds confusion.
Another critical point is the divergence from Valmiki's original Ramayana narrative. Sridhar incorporates stories from the Srimad Bhagavatam and other Puranas, leading to deviations from Valmiki’s linear storytelling. For instance, Rama's supposed request to Brahma to have his life written in verse, possibly derived from the Adhyatma Ramayana, is introduced without proper citation. Such creative liberties might confuse readers, particularly those looking for a purist rendition of the epic.
Moreover, the author's handling of sensitive topics, particularly intimate acts and procreation methods among ancient kings and sages, is somewhat blunt. Phrases like “Vasishta impregnated Madayanti” are stark and could have been phrased more delicately, maintaining the dignity of these stories. Similarly, terms like "ejaculation of retas" may feel unnecessarily explicit for readers expecting more subtle language in a text of this nature.
Biases and Interpretative Choices
The book also reveals subtle biases that reflect the author's own religious beliefs, particularly his alignment with certain sampradayas. There are multiple instances where Rama and Sita are directly equated with Narayana and Lakshmi, and Shiva is portrayed as a devotee of Narayana. While this interpretation has its roots in traditional commentaries, it may not align with all schools of thought within Hinduism. Given that Sridhar claims his version is close to Valmiki's original, a more neutral presentation would have been beneficial to avoid any perceived doctrinal leanings.
Additionally, Sridhar’s emphasis on Tamil Nadu and the Dravidian connection is notable. There are frequent references to Tamil Nadu inscriptions, as well as discussions on the Tamil language’s rich heritage. While Tamil Nadu undoubtedly has a deep connection with the Ramayana, the persistent focus on Tamil elements might feel politically charged to some readers. A more balanced approach in presenting the various regional connections to the Ramayana might have strengthened the book’s universal appeal.
Missed Opportunities
In the chapter where Vishwamitra wakes Rama for his daily duties, the author does not reference the well-known Sri Venkatesha Suprabhatam, which famously begins with the same verse, "Kausalya Supraja Rama." While Sridhar explains that the verse is originally from the Valmiki Ramayana, incorporating the Suprabhatam reference could have added an enriching cultural layer, especially for readers familiar with the morning prayer.
Moreover, Sridhar’s engagement with certain Puranic tales, like the story of Gajendra Moksha, includes a detailed connection with the Tamil language and Dravida culture, but fails to clarify the sources of these references in the original Ramayana. More detailed footnotes or explanations would have strengthened these claims.
Conclusion
Rāmāyaṇaṁ – Volume 1 by Dushyanth Sridhar is an ambitious work that blends the traditional with the contemporary. It offers readers a unique perspective on the Ramayana, infused with elements from various sampradayas, Puranas, and inscriptions from temple art. While the book’s authenticity, enhanced by its Sanskrit terminology and artistic illustrations, is laudable, it falls short in providing clarity on some of the divergences from Valmiki’s original. Readers unfamiliar with Sanskrit or the broader context of Indian epics may find parts of the text challenging, especially due to the lack of translations for key verses.
Nevertheless, for those interested in a multifaceted rendition of the Ramayana—one that goes beyond Valmiki’s narrative to incorporate a variety of sources—this book will prove to be an insightful and enriching read. However, those looking for a strict adherence to Valmiki’s original might find this interpretation a bit too liberal for their taste. Ultimately, Rāmāyaṇaṁ serves as a reflective and scholarly exploration of a beloved epic, albeit with a few missed opportunities for balance and clarity.
Overview
The book begins uniquely with the Uttara Kanda, portraying Sita's pregnancy and eventual exile, providing a different starting point from traditional retellings. Sridhar also offers a background on Valmiki, emphasizing the deep bond between Valmiki and Narada, which sets up a rich dialogue-driven narrative throughout the book. The book covers the Bala Kanda and Ayodhya Kanda, with a few segments from the Uttara Kanda, making the story both familiar and novel for seasoned readers.
Strengths
One of the standout aspects of this book is Sridhar’s use of Samskruta (Sanskrit) terms such as Rakṣaka, Candra, and Candana. The authentic terminology enriches the reading experience, especially for those familiar with the IAST transliterations. While this lends the text an air of authenticity, it could be challenging for those unfamiliar with these terms, as some key words, such as "prappati," are not explained in detail.
The illustrations by Keshav are another highlight. The intricate depictions of temple carvings and historical inscriptions greatly enhance the narrative, bringing the text to life. The depth of research on these inscriptions is commendable, though readers unfamiliar with Sanskrit may find the lack of translated verses disappointing.
Shortcomings
Despite its strengths, the book does have some noticeable shortcomings. The inclusion of dates regarding the Ramayana's timeline has sparked some controversy. Though Sridhar doesn't focus heavily on dating the events, he references Jayashree Saranathan's research, which suggests that the events occurred around 5100 BC. This has raised some eyebrows, especially since certain Puranas, such as the Skanda Purana, suggest a much earlier timeframe, placing Rama’s life in the 24th Chaturyuga. While this does not detract from the book's central message, the inclusion of specific dates feels unnecessary and adds confusion.
Another critical point is the divergence from Valmiki's original Ramayana narrative. Sridhar incorporates stories from the Srimad Bhagavatam and other Puranas, leading to deviations from Valmiki’s linear storytelling. For instance, Rama's supposed request to Brahma to have his life written in verse, possibly derived from the Adhyatma Ramayana, is introduced without proper citation. Such creative liberties might confuse readers, particularly those looking for a purist rendition of the epic.
Moreover, the author's handling of sensitive topics, particularly intimate acts and procreation methods among ancient kings and sages, is somewhat blunt. Phrases like “Vasishta impregnated Madayanti” are stark and could have been phrased more delicately, maintaining the dignity of these stories. Similarly, terms like "ejaculation of retas" may feel unnecessarily explicit for readers expecting more subtle language in a text of this nature.
Biases and Interpretative Choices
The book also reveals subtle biases that reflect the author's own religious beliefs, particularly his alignment with certain sampradayas. There are multiple instances where Rama and Sita are directly equated with Narayana and Lakshmi, and Shiva is portrayed as a devotee of Narayana. While this interpretation has its roots in traditional commentaries, it may not align with all schools of thought within Hinduism. Given that Sridhar claims his version is close to Valmiki's original, a more neutral presentation would have been beneficial to avoid any perceived doctrinal leanings.
Additionally, Sridhar’s emphasis on Tamil Nadu and the Dravidian connection is notable. There are frequent references to Tamil Nadu inscriptions, as well as discussions on the Tamil language’s rich heritage. While Tamil Nadu undoubtedly has a deep connection with the Ramayana, the persistent focus on Tamil elements might feel politically charged to some readers. A more balanced approach in presenting the various regional connections to the Ramayana might have strengthened the book’s universal appeal.
Missed Opportunities
In the chapter where Vishwamitra wakes Rama for his daily duties, the author does not reference the well-known Sri Venkatesha Suprabhatam, which famously begins with the same verse, "Kausalya Supraja Rama." While Sridhar explains that the verse is originally from the Valmiki Ramayana, incorporating the Suprabhatam reference could have added an enriching cultural layer, especially for readers familiar with the morning prayer.
Moreover, Sridhar’s engagement with certain Puranic tales, like the story of Gajendra Moksha, includes a detailed connection with the Tamil language and Dravida culture, but fails to clarify the sources of these references in the original Ramayana. More detailed footnotes or explanations would have strengthened these claims.
Conclusion
Rāmāyaṇaṁ – Volume 1 by Dushyanth Sridhar is an ambitious work that blends the traditional with the contemporary. It offers readers a unique perspective on the Ramayana, infused with elements from various sampradayas, Puranas, and inscriptions from temple art. While the book’s authenticity, enhanced by its Sanskrit terminology and artistic illustrations, is laudable, it falls short in providing clarity on some of the divergences from Valmiki’s original. Readers unfamiliar with Sanskrit or the broader context of Indian epics may find parts of the text challenging, especially due to the lack of translations for key verses.
Nevertheless, for those interested in a multifaceted rendition of the Ramayana—one that goes beyond Valmiki’s narrative to incorporate a variety of sources—this book will prove to be an insightful and enriching read. However, those looking for a strict adherence to Valmiki’s original might find this interpretation a bit too liberal for their taste. Ultimately, Rāmāyaṇaṁ serves as a reflective and scholarly exploration of a beloved epic, albeit with a few missed opportunities for balance and clarity.
July 25, 2024
Dushyanth Sridhar’s retelling of the Ramayana is a compelling and richly detailed rendition of the epic, blending deep devotion with scholarly insight. Sridhar, a renowned speaker and authority on Sanatana Dharma, has delivered over 3,500 discourses globally, breaking stereotypes in Harikatha and captivating audiences with his wit and storytelling prowess. This book mirrors his ability to make ancient texts relevant and engaging for contemporary readers. The illustrations by Upasana Govindarajan are mesmerizing, adding a vibrant visual dimension to the text.
Her spiritual artwork complements Sridhar’s narration, bringing the epic’s characters and events to life. Each page offers a vivid description of incidents from the Ramayana, with fluid language that emphasizes key lessons and philosophical insights. This approach not only recounts the story but also delves into its deeper meanings and applications in modern life. Sridhar’s work is more than a mere retelling; it is a philosophical and self-help guide. It provides direction and clarity, making it a motivating read for those seeking wisdom from ancient scriptures.
The book is a treasure trove of knowledge, with detailed research and intrinsic details offered with the deepest Bhakti. For anyone interested in Sanatana Dharma, Sridhar’s book is a must-read. It beautifully captures the essence of the Ramayana, providing new perspectives and insights, making it an enriching experience for readers of all ages. The narration, enhanced by Keshav’s apt sketches, is authentic and supported by numerous artifacts as evidence. Sridhar’s admiration for the epic shines through, making this book a powerful testament to the enduring legacy of the Ramayana.
Her spiritual artwork complements Sridhar’s narration, bringing the epic’s characters and events to life. Each page offers a vivid description of incidents from the Ramayana, with fluid language that emphasizes key lessons and philosophical insights. This approach not only recounts the story but also delves into its deeper meanings and applications in modern life. Sridhar’s work is more than a mere retelling; it is a philosophical and self-help guide. It provides direction and clarity, making it a motivating read for those seeking wisdom from ancient scriptures.
The book is a treasure trove of knowledge, with detailed research and intrinsic details offered with the deepest Bhakti. For anyone interested in Sanatana Dharma, Sridhar’s book is a must-read. It beautifully captures the essence of the Ramayana, providing new perspectives and insights, making it an enriching experience for readers of all ages. The narration, enhanced by Keshav’s apt sketches, is authentic and supported by numerous artifacts as evidence. Sridhar’s admiration for the epic shines through, making this book a powerful testament to the enduring legacy of the Ramayana.
December 8, 2024
Dushyanth Sridhar's "Rāmāyaṇaṁ Volume 1" is a modern retelling of the ancient epic Ramayana, focusing on the early portions of the epic, including the Bala Kanda and Ayodhya Kanda. The book begins with an introduction from the Uttara Kanda, highlighting Sita's pregnancy with Sri Rama and Valmiki's composition of the Ramayana. Sridhar then narrates the early life of Sri Rama, including his birth, Shanta and Rishyashringa, his adventures with Sage Vishwamitra, and his marriage to Sita. The narrative then transitions to the Ayodhya Kanda, detailing Rama's exile and the political intrigue in Ayodhya. Sridhar's writing is a blend of scholarly rigor and accessibility, integrating references from various versions of the Ramayana and commentaries from different Acharyas. The characters are vividly portrayed through detailed descriptions and dialogues, enhancing the reader's connection to their stories and struggles. The book's standout features include the incorporation of multiple Ramayana versions and commentaries, and the inclusion of visual elements.
August 13, 2024
Firstly, huge respect and great appreciation to the author Dushyanth Sridhar for writing such a masterpiece of a book. When I finished reading Rāmāyanam, I refreshed my memory about the amazing story - epic Ramayana. Stories here are like a tremendous supply of knowledge while artwork make it super attractive to read hence this book becomes very special. It is a brilliant retelling of the ancient epic. The timeless nature of Valmiki’s “Rāmāyanam” reexamined with fresh eyes and reverence in Dushyant Sridhar’s “Rāmāyanam Volume 1”. A master retelling of the epic Ramayana, Rāmāyanam Volume 1 is captivatingly put across in the form of a dialogue between Valmiki and Narada. This piece by Dushyanth Sridhar brings this ancient narrative to life, making it easy to understand yet still keeping it truly respectful towards the original text.
December 4, 2024
A beautiful recapitulation of the wonderful tale of Sri Rama, Lady Sita, and Sri Lakshamana. This book traces the Ramayanam from the childhood of the four brothers, the battle with Tataka, breaking of Shiva's bow, Rama and Sita's wedding, Rama's potential Rajyabhisheka, the move to the forest, meeting with Guha and Bharata, and the stay at Chitrakuta.
The best part about this rendition is the explanation for each, for example, ritual performed by the folks in the story, which are generally glossed over by many writers. Dushyanth-ji writes in simple, engaging language, and the book includes very nice artistic rendition from historical artefacts depicting various events in the story.
This would be my go-to read after Rajaji's Ramayana. However, one must note that the book is *not* Valmiki's Ramayana, but a collation of stories from other Ramayana too.
The best part about this rendition is the explanation for each, for example, ritual performed by the folks in the story, which are generally glossed over by many writers. Dushyanth-ji writes in simple, engaging language, and the book includes very nice artistic rendition from historical artefacts depicting various events in the story.
This would be my go-to read after Rajaji's Ramayana. However, one must note that the book is *not* Valmiki's Ramayana, but a collation of stories from other Ramayana too.
July 21, 2024
https://thecommunemag.com/ramaya%e1%b...
If one is interested in the verses plus translation, Gita Press versions are the best. If one is interested in the critical edition of Ramayana, Bibek Debroy’s Ramayana set is very highly recommended. For abridged versions, C. Rajagopalachari and Kamala Subramaniam’s versions are recommended. Beyond these, there are multiple vernacular renditions that are very good and accurate w.r.t. original texts. For a deeper understanding of various renditions of Ramayana, I would highly recommend Dr. V. Raghavan’s colossal works on Ramayana, specially the analytical take on the 3 different Ramayana versions.
If one is interested in the verses plus translation, Gita Press versions are the best. If one is interested in the critical edition of Ramayana, Bibek Debroy’s Ramayana set is very highly recommended. For abridged versions, C. Rajagopalachari and Kamala Subramaniam’s versions are recommended. Beyond these, there are multiple vernacular renditions that are very good and accurate w.r.t. original texts. For a deeper understanding of various renditions of Ramayana, I would highly recommend Dr. V. Raghavan’s colossal works on Ramayana, specially the analytical take on the 3 different Ramayana versions.
September 24, 2024
Just finished the book- An detail account of Rama’s life as well as nice drawings of incredible art as to the
events. Multiple layers of philosophy and theology are an embellishment to this classic.
As far as author- a very good story teller and detailed explanation of the events taking place in Ramayana.
A great explanation of Saptapadi- may Vishnu guide us to sustained nourishment, in first step. May Vishnu guide us for uninterrupted prosperity and thereby security. May Vishnu bless us for consummate bliss. May Vishnu bestow on us worthy progeny. May Vishnu show us various enjoyments at different stages. May Vishnu make our friendship long- lasting. Let us be united in our thoughts and actions, in these seven steps.
events. Multiple layers of philosophy and theology are an embellishment to this classic.
As far as author- a very good story teller and detailed explanation of the events taking place in Ramayana.
A great explanation of Saptapadi- may Vishnu guide us to sustained nourishment, in first step. May Vishnu guide us for uninterrupted prosperity and thereby security. May Vishnu bless us for consummate bliss. May Vishnu bestow on us worthy progeny. May Vishnu show us various enjoyments at different stages. May Vishnu make our friendship long- lasting. Let us be united in our thoughts and actions, in these seven steps.
December 31, 2024
It was nice revisiting this classic and I did come across many stories that I had missed in my childhood
February 22, 2025
What a beautiful retelling of Ramayana by Dushyanth Sridhar.
Simply put but very elegant.
Can't wait for Volume 2!
Simply put but very elegant.
Can't wait for Volume 2!
This entire review has been hidden because of spoilers.
February 26, 2025
What a beautifully written rendition of Ramayana. Well it’s not entirely surprising considering how good Dushyanth is on stage as an orator.
Some bits do seem a little lengthy but that’s mostly coz of the way that many stories are built into one. But this doesn’t take away from the story line and it keeps you hooked. Looking forward to the next part. Thank you for doing this beautiful story the justice it desperately needs at this time and age 👌
Some bits do seem a little lengthy but that’s mostly coz of the way that many stories are built into one. But this doesn’t take away from the story line and it keeps you hooked. Looking forward to the next part. Thank you for doing this beautiful story the justice it desperately needs at this time and age 👌
Displaying 1 - 12 of 12 reviews