Noted American playwright Edward Franklin Albee explored the darker aspects of human relationships in plays like Who's Afraid of Virginia Woolf? (1962) and Three Tall Women (1991), which won his third Pulitzer Prize.
People know Edward Franklin Albee III for works, including The Zoo Story, The Sandbox and The American Dream. He well crafted his works, considered often unsympathetic examinations of the modern condition. His early works reflected a mastery and Americanization of the theater of the absurd, which found its peak in European playwrights, such as Jean Genet, Samuel Barclay Beckett, and Eugène Ionesco. Younger Pulitzer Prize-winner Paula Vogel credits daring mix of theatricalism and biting dialogue of Albee with helping to reinvent the postwar theater in the early 1960s. Dedication of Albee to continuing to evolve his voice — as evidenced in later productions such as The Goat or Who Is Sylvia? (2000) — also routinely marks him as distinct of his era.
Albee described his work as "an examination of the American Scene, an attack on the substitution of artificial for real values in our society, a condemnation of complacency, cruelty, and emasculation and vacuity, a stand against the fiction that everything in this slipping land of ours is peachy-keen."
The thing is, there are moments of brilliance in this. Moments when I was struck to my core. But there are also moments of, "What in the world is happening right now and why should I care?"
However, I have actually seen this play as well, (with Maggie Smith in the title role) and it was worth every penny. The right cast made this script fabulous. The wrong cast could make it drudgery. But then again, I suppose you could say that about any play.
Definitely more in the TINY ALICE vein of Albee's work. Actually it sort of seemed like TINY ALICE and THE AMERICAN DREAM crossed with A DELICATE BALANCE and WHO'S AFRAID OF VIRGINIA WOOLF?
Maybe more like 3.5, but I really liked the second act on this one. A woman is ill. She and her partner have a party. They adjourn and in the morning find two mysterious strangers there who weren't at the party but won't leave. Are they criminals? Is one of them the woman's mother? Are they something entirely more foreboding? The first act of this lags on the page a little, but I'd still love to see it staged.