Hell yes! A new collection of Stephen King stories is here, including five never-before-published chillers promised to go as dark as a crocodile-shaped peninsula—or is it a peninsula-sized crocodile?? Amongst the darkness is a sequel to his masterpiece, Cujo. I'm reviewing each story as I read them. For the few I’ve read before, my original review will accompany a revised opinion based on the second experience.
Two Talented Bastids
Previously unpublished!
5/5 - A compelling, poignant opener with memorably creepy moments. Can't say much without spoilers, but I can say the story returns to themes which have seemingly plagued King for some time. That is, the complexity of being a prodigy writer. What causes some artists to possess great talent while others, those who devote their lives to the same goal, never achieve the same success? I believe this has concerned him at least as far back as the invention of Richard Bachman, which King has said was created to see if he could do it again. Was Carrie a right-place-right-time situation, a fluke, or was it him? And if it was him, was he chosen? A pre-destined product of fate?
The issue of "Fate" shows up in this story, though King also provides another explanation for talent—a bizarre, creepy explanation. The characters include a son and his recently deceased famous father, an author of many bestsellers. It's hard not to compare these characters to real-life King and his writer sons Joe and Owen. At 77 years, it's clear death has been on King's mind a lot lately based on several of his recent books.
While I am terrified at the thought of a world without Stephen King, I am loving how impending death is informing his fiction. In many ways, this era is scarier than his killer clown and rabid dog era. It's more real. It's more personal. I love every word of this story! We're off to a great start.
The Fifth Step
Previously published in March, 2020, issue of Harper's Magazine.
4.99/5 - A marvelous example of pacing and sleight of hand. Reminds me of the best of Shirley Jackson. Almost perfect except there's a few lines of dialogue at the end which are perhaps too campy. Loads of fun though, and classic King that could easily have been written during his Nightmares & Dreamscapes years.
Willie the Weirdo
Previously published in the Spring 2022 issue of McSweeney's.
4.99/5 - Same energy as "The Fifth Step" though the world-building here is more complex and fascinating. The ending is perhaps too ambiguous, but I like its unsettling effect. And it made me go back through the earlier pages to find the appropriate clue. A great short story usually invites closer inspection. King offers some masterful dialogue of bickering between adolescent children. Overall, memorable, creepy, and excellent delivery.
Danny Coughlin's Bad Dream
Previously unpublished!
100/5 - F*cking mesmerizing. One of King's best novels—it's about 200 pages—in recent years. "Belief is hard" he writes, and that's a good premise for the story because it tackles the difficulty of believing in the supernatural and difficulty in changing one's beliefs in light of new information.
Feels like allegorical commentary on the current state of mental health in America, but it's also a propulsive thriller that's as tense as The Outsider (and comparable in many ways) but even better because there's no bloat. Written in 68 micro chapters, with each scene moving the plot closer to impending doom, it's ideal for on-the-go reading. I found myself lustily devouring chapters at every spare moment. Worth the price of the book for this one alone. Don't miss it!!
Finn
Previously published, May 25th, 2022, as a one-off story exclusive to Scribd.
3/5 - King again showing interest in the horrors of being falsely accused. This story takes a surreal, and European, approach to the subject. The handful of pages turn easily and it's one to devour in a short twenty minutes or less. The ending goes for ambiguity which is appropriate for the tone, but will likely leave many readers unsatisfied. Possibly greater meaning is hidden in metaphor somewhere that's over my head. Anyway, it's fine. Off to the next!
On Slide Inn Road
Previously published in the Oct/Nov 2020 issue of Esquire Magazine.
3/5 - A slow-burn vignette (if that's even possible) concluding with a message that crazy old grandpas can be badasses. Otherwise, it's a standard car-trouble-turned-nightmare story. Characters aren't necessarily developed, but they do feel real. The context is never fleshed out, but the reader can fill in the fuzzy areas without much trouble. Not exceptional, but accomplishes a lot within a short space. Next!
Red Screen
Previously published, Sept. 2021, as a $5 limited edition eBook by Humble Bundle. Proceeds were donated to the ACLU.
4/5 - Original Review from 2021: A breezy, creepy story that requires no more than 15 minutes to read. Set in modern day, its themes explore how easily conspiracies can hatch and gnaw at the brain, while at the same time suggesting a possible reality of unknown horrors. We are in the Stephen King universe, after all. It is a "subtle" horror story, and subtleness is in fact King's major observation about modern day anxieties.
The unresolved conclusion leaves us pondering thanks to a set-up beautifully designed to create uncertainty and unease. Our logical brain knows there's nothing going on, and yet we can't help but wonder. Clues allow for the argument of both sides, making it an excellent short story for discussion.
4.5/5 - Second Reading Review: Still good. Better within the context of this story collection. It meshes particularly well with "Two Talented Bastids" and "Willie the Weirdo." Very short, though. Shorter than I remember. Was it edited down for this collection? I thought I remember more evidence in favor of the conspiracy. Love the concept of supernatural explanation for why our personalities change over time, which I glossed over before. Is becoming cranky really a natural process of aging, or can it be a case of being body snatched? Despite being a very short vignette, it crawls into the brain and lingers there.
The Turbulence Expert
Previously published in Flight or Fright (2018).
4/5 - A fun, high-concept Twilight Zone mind-boggler. The logic isn't clearly explained but if you companion it with other plots in the King Universe, like The Institute, you can just go with it. The Twilight Zone episode "Nightmare at 20,000 Feet" still haunts the minds of airplane travelers, and that episode came out in 1963. King's story may not infect your mind quite as strongly, but there's a good chance you'll think of it the next time you experience turbulence.
Laurie
Previously published as a StephenKing.com freebie and also included as a bonus on the audio version of Elevation.
4/5 - On its own, "Laurie" is a nice but unexceptional King short story. However, within You Like It Darker it serves a more complimentary purpose. This is largely due to noteworthy revisions from the original version which King published on his website back in May, 2018.
"Laurie" refers to the name of a dog in this story, a name selected "as if it came from a dream." This newly-added sentence is, of course, a reference to Danny Coughlin's Bad Dream. Laurie is also a name used in that story, further connecting the two. Other revisions include a sign reading WATCH FOR ALLIGATORS which is spray painted over to say ALIENS, a recurring menace in this collection. In the original story, it was spray painted to say DEMOCRATS.
"Rattlesnake Key" is a location reference in Laurie not in the original version, an obvious preamble to "Rattlesnakes," the Cujo-sequel included in this collection. The eerie alligator/crocodile imagery on the cover also seems to be inspired by this story.
With these added elements, Laurie serves as a world-building connection between the tales. Otherwise, it is merely a charming story of an older man whose health improves after he adopts a puppy. The horror twist isn't all that horrific and not all that twisty. Again, however, it sets the mood for what's to come.
Rattlesnakes
Previously unpublished! Noteworthy for being a sequel to Cujo.
100/5 - SCARY!!! King's recent thrillers and mysteries have been great, but he hasn't written much lately that I would consider scary. Rattlesnakes is classic, old-school horror that'll give you nightmares just like Pet Sematary, The Shining and, of course, Cujo.
The less you know the better, but I will say this Cujo follow-up works on every level. I'd go so far as to say it's brilliant. King masterfully places Vic Trenton, and all his psychological baggage, in a brand-new situation custom-made for supernatural monsters. Among the creepiest monsters in King's entire bibliography, I will add.
It is important to know that this novella does address major plot elements from Cujo and probably won't be nearly as good if you aren't familiar with the book. The movie isn't a great substitute because they made a significant change to the ending.
There are also numerous references to Duma Key, which I have not read yet. It didn't bother me not fully understanding these references. If you have read it, I'm sure you'll be in for an extra treat.
Overall: Rattlesnakes is f*cking incredible! Do not miss it!
The Dreamers
Previously unpublished.
5/5 - Once again, King contemplates the great beyond. Given how prophetic he can be, I do not like his vision of afterlife one bit! Super creepy. The story will remind readers of Revival, though I actually find The Dreamers more satisfying and more chilling. Something along these lines would've been a far superior ending to Revival.
The Answer Man
Previously unpublished.
4/5 - A character-driven, birth-to-death story with supernatural elements. Some slower moments, but overall excellent. For a while I worried it would sully the superb thematic connections all the previous stories shared. Not to worry, however. The ending is unexpectedly satisfying, and a clear enhancement to the overall completeness of You Like It Darker. Particularly with regard to King's literary (and likely personal) interest in the afterlife.
Fun bonus fact, as discussed in the afterward, King started this story in the 1970s. It was discarded for decades until recently, when his nephew suggested it was too good not to finish. Given the full life cycle of the plot, it's fascinating to imagine King finishing a story at age seventy-five that he started writing at age thirty. Often authorial context is meaningless, but this behind-the-scenes detail adds significant intrigue.
Bonus: The Music Room
Previously published in the November 16, 2016, issue of Playboy and later collected in the 2016 anthology In Sunlight or in Shadow: Stories Inspired by the Paintings of Edward Hopper. Also included as a bonus story on the Gwendy's Button Box audiobook. Included ONLY in the paperback edition of You Like It Darker.
4/5 - Set during the Great Depression, we meet a pleasantly married couple who rob and then lock away helpless victims until they starve to death. The couple are seemingly moral individuals who don't consider starving people murder since that is a result of unfortunate happenstance, not directly caused by their hand as a knife to the throat would be. If caught, the wife feels confident they would be let free due to the desperation of their circumstances. Without stealing, they might starve themselves.
The prose reflects the era and can be generally described as whimsical. Still, there is a dying man trapped in the closet which is a noticeable contrast to the couple's light banter. Constant readers will notice some thematic comparisons to King's later novel Holly. This story was not included in the hardback edition of You Like It Darker because King "forgot about it." It is, regretfully, fairly forgettable. As a short vignette, we're unable to really understand these characters and aren't sure if we should laugh or not. Still, the image of seemingly wholesome people resorting to murder is fascinating. I can see why it lingered in King's mind and eventually transfigured into a premise for Holly.
The story is also fascinating for its interaction with the Edward Hopper painting "Room in New York." Much like his iconic "Nighthawks" painting, which depicts the ordinary situation of folks sitting at a diner, "Room in New York" depicts an unremarkable couple sitting in a room. Bizarrely, a door consumes the painting and leads the viewer to wonder what's behind it, or why it is worthy of so much canvas real estate. King's macabre imagination of what's behind the door is quite fun.
Overall...
I'm a total King fan, but I've also been critical of his recent efforts Sleeping Beauties and Fairy Tale. This collection, however, blew me away. Partly because each story is so good, but more broadly because of how superbly they spoke to each other. The subtle revisions to previously published fiction really showcase just how much thought went into this collection as a thematic vision, broken up in different parts. In a way, it's so cohesive it reads like a single novel. Anchored, perhaps, by the two standouts—Rattlesnakes and Danny Coughlin's Bad Dream—but every story, even the very short ones, present dark visions of a supernatural reality.
Required reading for King fans and even a great entry point for King virgins—just do yourself a favor and read Cujo first.