Pretty much as much fun as you can have between the pages... or in my case, between the speakers 🥰
Is this a take on “The Bachelor,” a rom with liberal sprinkles of com added in? Or is it an LGBTQ+ book with a romance?
Perhaps it’s these questions that have led to some of the varied reviews, creating a possible mismatch of expectations. Which, if the case, is most surprising to me because the cover, title, and blurb make it clear this wonderful novel is *all of the above*.
And all the better because of it!
“Here for the Wrong Reasons” is both an homage to and an exposé of unscripted TV dating shows, in particular “The Bachelor,” which it parodies down it to a “t.” The show, though, that contestants Lauren (that’s Lauren C… not to be confused with the “other” Lauren with an H!) and Krystin, find themselves on merely provides the brilliant backdrop for this story, this romance. And be in no doubt that this is romance, a queer one. If it was anything less (or perhaps I should say “different”), then the debut team of Annabel Paulsen and Lydia Wang would not have told the story in an alternating, dual POV. It’s a choice that’s wisely made too, since we get to enjoy the fledgling relationship between the protagonists from very different starting points, perceptions, and hopes.
I thoroughly enjoyed this opposites-attract, forced-proximity romance with dashes of grumpy-sunshine sprinkled in, and which is performed superbly by both narrators in the audio version that I, frankly, devoured. Lauren and Krystin are quite different in their makeup, backgrounds, and traits, but both narratives skewer the dating show they’re on, while still managing to acknowledge why the show is fun for viewers, endearingly popular, and can help people find love… even if not in an expected way. The attraction between the leads is obvious and immediate, and readers/listeners are not kept waiting for too long for the frissons of feels to reverberate.
I have a few pet peeves when I read romance. One (a huge one) is the weak reversal, where the relationship is fractured for some reason. Way too often the reversal is poorly constructed, usually some silly misunderstanding that feels inorganic and forced. The angst is high in places in “Here for the Wrong Reasons,” including its reversal. I don’t think I’m giving much away here, since the reversal is so ubiquitous in the genre. What’s great is the reversal situations that occur are entirely organic due to the pressurized environment the girls, as contestants, find themselves in. The authors deftly take advantage of this to organically construct strains and lack of communication in a relationship that impact what might otherwise be feature more straightforward development.
Another common device used in the genre I don’t care for is public announcements of affection, love, status, and so on. It’s crept in from TV rom-coms, I think. Maybe it’s a cultural thing. I’m a Brit and we are famous for being stiff and reserved (some of us are barely flexible enough to navigate a bend in a twisty road). So a public declaration of emotions?? I.Am.Not.A.Fan.
Except here. Because public declarations of emotions are the entire backdrop. So… will Lauren and/or Krystin and/or Josh—the show’s romantic lead this season—and/or another character finally come to terms with their feelings amid the pressure of a closed community? And if so, who will they tell? And how? And when?
Who knows? Well, I know, obviously. And I urge you to grab a copy of “Here for the Wrong Reasons” so you can to find out and enjoy this super-fun and entirely engaging romance.
My huge thanks to the authors, the publishers, and to NetGalley for the chance to devour and review this superb debut as an (audio) ARC. I giggled my way through a lot of this and full out laughed in places. And yes, I shed a tear or two, I don’t mind admitting.
Buy this, read this, listen to this, and it just might become as standout a literary experience for you as it has been for me, in 2024.