The Deal felt to me like a work of autofiction, mirroring Alex Miller's life events and background such as the art world, family relationships between parents and children, and sadness and loss, death and dying, issues that he writes about so often. The moral question, of fraud in the art world and the different opinions represented by Andy and Jo in reacting to Lang Tzu's desperate attempts to acquire a treasured work, is presented as a common practice, something that is disturbing in itself. I assumed Miller is speaking from his own knowledge of the practise.
The novel was interesting partly because his chosen landscape to place Andy and Jo is a city where I lived, so it seemed real to me in a way others may not relate to. There is also a commentary on acquisition of housing in the 1970's, which to younger readers would be difficult to comprehend as they have never known a bounty such as Jo received, or the ease of choosing from a plentiful housing supply close to amenities such as child care. Miller also describes a family with less than full employment of the parents, a mother engaged in work who is supported by a father who is a writer who has the luxury of time with his child.
Alex Miller writes the end of Andy's life, with him as an old man aware of death, having lost his wife and Lang, but reconciled and accepting of his fate, something that could also be applied to the writer
His writing in this book is engaging, as always, if less substantial and complex, but enjoyable.