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The Last Ballad #1
A Memory of Song: First Verse of the Last Ballad
In a dying land, the armies of the dead hold sway. And those who rule them are more god than human.
James Culdaine, the last heir of the Northern Throne, was just a young man when the armies of the South murdered his parents and subjugated his lands. He has never forgotten those responsible, nor has he forgiven. He has spent the last ten years living in isolation with The Feldarra; a sacred Northern clan of fierce warriors, led by the fearless Wulfee who, still reeling from the loss of her own children, finds new meaning in protecting what only family she has left.
Now, an ancient order of warlocks has returned to the North, singing dark songs composed of blood magic that null the elements and threaten all that is living.
With nature depleted and the Southern armies returning to the North, James struggles to embrace the unique power he has long tried to repress; the ability to commune with the spirits of the dead. In the bitter heart of a growing war, with the world dying around them, James and Wulfee desperately seek answers, vengeance, and a way to save the ones they love... No matter the cost.
Fires refuse to burn. The skies are thirsty and breathless. The earth won’t eat its rot…
Welcome to Ardura.
James Culdaine, the last heir of the Northern Throne, was just a young man when the armies of the South murdered his parents and subjugated his lands. He has never forgotten those responsible, nor has he forgiven. He has spent the last ten years living in isolation with The Feldarra; a sacred Northern clan of fierce warriors, led by the fearless Wulfee who, still reeling from the loss of her own children, finds new meaning in protecting what only family she has left.
Now, an ancient order of warlocks has returned to the North, singing dark songs composed of blood magic that null the elements and threaten all that is living.
With nature depleted and the Southern armies returning to the North, James struggles to embrace the unique power he has long tried to repress; the ability to commune with the spirits of the dead. In the bitter heart of a growing war, with the world dying around them, James and Wulfee desperately seek answers, vengeance, and a way to save the ones they love... No matter the cost.
Fires refuse to burn. The skies are thirsty and breathless. The earth won’t eat its rot…
Welcome to Ardura.
488 pages, Paperback
Published May 29, 2024
170 people are currently reading
1190 people want to read
About the author
Scott Palmer
81 books5 followersLibrarian Note: There is more than one author in the Goodreads database with this name.
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Displaying 1 - 30 of 87 reviews
May 30, 2024
This review was originally published on Grimdark Magazine
Pitched as Braveheart meets A Song of Ice and Fire, Scott Palmer’s A Memory of Song is a sweepingly epic yet intimately character-driven Norse-flavoured fantasy that will make any dark fantasy lover’s heart sing with both joy and sorrow.
As with any good first instalment in an ambitiously epic fantasy series, A Memory of Song has a lot of moving pieces. Set in a bleak world that has lost its basic natural elements due to an ancient order of warlocks singing songs composed of blood magic, we follow two broken souls who are both on their own quest to seek vengeance and to protect their loved ones, no matter the cost.
On the one hand, there’s Wulfee, the fierce and fearsome leader of the sacred Feldarra clan who is hell-bent on getting revenge on her estranged husband after losing her sons. And on the other hand, we’ve got James Culdaine, the displaced last heir to the Northern throne whose powers, legacy, and destiny are much grander than his ordinary name might have you believe.
I personally really enjoyed this dual-POV set-up, especially because Wulfee and James’s journeys constantly mirrored each other, without it ever feeling forced. Whereas Wulfee is pure emotion and stubborn determination (giving Orka from John Gwynne’s Bloodsworn Saga a run for her money), James is much more quiet and erratic as he struggles to embrace his long repressed magical ability to commune with the spirits of the dead, while also simply longing to reunite with his dying girlfriend Maggie.
Before long, they both get pulled into an intricate web of politics, prophecies, conspiracies, enigmatic wizards, dangerous warlocks, amphibious monsters, mystifying magic, and bloody action, but I loved that the narrative never lost its intimate focus on the internal battles. Themes of loss, regret, trauma, morality, redemption, and the dangerously thin line between love and hate are explored beautifully through both of their journeys, be that in the present or through their harrowing flashback dream sequences.
And what’s more, Wulfee and James are both also surrounded by a dynamic cast of side characters, whose fates I became just as invested in as their own, for better or worse. I did think Maggie deserved a bit more fleshing out, as she plays such a big part in both Wulfee and James’ lives, but I did warm up to her later on. In contrast, the baby giant Gen who Wulfee has taken under her wing absolutely stole the show for me, and I was deeply touched by their unconventional mother/son dynamic.
Though as character-focused as the narrative is, the rich world building is absolutely the biggest strength of A Memory of Song. Ardura is a dark world with a complicated history steeped in lore and legends, and it is clear from the very first page how much time, effort, love, and wild imagination has gone into the creation of this world. Diverse races and cultures, breathtaking yet haunting landscapes, supernatural powers and creatures, and a mystifying song-based magic system that filled me with both wonder and terror; A Memory of Song just kept surprising me with each turn of the page.
That said, the awe-inspiring yet dense world building contradictorily also ended up being the biggest hurdle for my personal enjoyment. Even with an extensive glossary, I had a hard time finding my footing in the first half of the novel, as I simply could not keep track of all the history, factions, allegiances, rivalries, and in-world concepts that were thrown my way.
But thankfully, my trust in Palmer paid off in spades, because that initial sense of overwhelm and bewilderment completely vanished in the second half of the novel, which I devoured in one sitting. Palmer went down some surprisingly dark paths with these broken and flawed characters, and I really appreciated that he didn’t shy away from exploring both the depravity of humanity as well as the darker realms of the human mind through their journeys. There were multiple times where I was gasping out loud with horror and emotional anguish over some exceptionally gut wrenching scenes, but that is exactly what makes A Memory of Song such an impactful and memorable (pun intended) reading experience.
While this promising first instalment in the Last Ballad series largely has a satisfying self-contained arc, the shocking final lines have left me desperate for the sequel in the best way possible. Fans of John Gwynne, Anthony Ryan, and Ryan Cahill will find much to love in this character-driven epic fantasy, but just be warned: bring the tissues!
3.5 stars (rounded up)
Thank you to the author for providing me with an eARC in exchange for an honest review. All opinions are my own.
Pitched as Braveheart meets A Song of Ice and Fire, Scott Palmer’s A Memory of Song is a sweepingly epic yet intimately character-driven Norse-flavoured fantasy that will make any dark fantasy lover’s heart sing with both joy and sorrow.
As with any good first instalment in an ambitiously epic fantasy series, A Memory of Song has a lot of moving pieces. Set in a bleak world that has lost its basic natural elements due to an ancient order of warlocks singing songs composed of blood magic, we follow two broken souls who are both on their own quest to seek vengeance and to protect their loved ones, no matter the cost.
On the one hand, there’s Wulfee, the fierce and fearsome leader of the sacred Feldarra clan who is hell-bent on getting revenge on her estranged husband after losing her sons. And on the other hand, we’ve got James Culdaine, the displaced last heir to the Northern throne whose powers, legacy, and destiny are much grander than his ordinary name might have you believe.
I personally really enjoyed this dual-POV set-up, especially because Wulfee and James’s journeys constantly mirrored each other, without it ever feeling forced. Whereas Wulfee is pure emotion and stubborn determination (giving Orka from John Gwynne’s Bloodsworn Saga a run for her money), James is much more quiet and erratic as he struggles to embrace his long repressed magical ability to commune with the spirits of the dead, while also simply longing to reunite with his dying girlfriend Maggie.
Before long, they both get pulled into an intricate web of politics, prophecies, conspiracies, enigmatic wizards, dangerous warlocks, amphibious monsters, mystifying magic, and bloody action, but I loved that the narrative never lost its intimate focus on the internal battles. Themes of loss, regret, trauma, morality, redemption, and the dangerously thin line between love and hate are explored beautifully through both of their journeys, be that in the present or through their harrowing flashback dream sequences.
And what’s more, Wulfee and James are both also surrounded by a dynamic cast of side characters, whose fates I became just as invested in as their own, for better or worse. I did think Maggie deserved a bit more fleshing out, as she plays such a big part in both Wulfee and James’ lives, but I did warm up to her later on. In contrast, the baby giant Gen who Wulfee has taken under her wing absolutely stole the show for me, and I was deeply touched by their unconventional mother/son dynamic.
Though as character-focused as the narrative is, the rich world building is absolutely the biggest strength of A Memory of Song. Ardura is a dark world with a complicated history steeped in lore and legends, and it is clear from the very first page how much time, effort, love, and wild imagination has gone into the creation of this world. Diverse races and cultures, breathtaking yet haunting landscapes, supernatural powers and creatures, and a mystifying song-based magic system that filled me with both wonder and terror; A Memory of Song just kept surprising me with each turn of the page.
That said, the awe-inspiring yet dense world building contradictorily also ended up being the biggest hurdle for my personal enjoyment. Even with an extensive glossary, I had a hard time finding my footing in the first half of the novel, as I simply could not keep track of all the history, factions, allegiances, rivalries, and in-world concepts that were thrown my way.
But thankfully, my trust in Palmer paid off in spades, because that initial sense of overwhelm and bewilderment completely vanished in the second half of the novel, which I devoured in one sitting. Palmer went down some surprisingly dark paths with these broken and flawed characters, and I really appreciated that he didn’t shy away from exploring both the depravity of humanity as well as the darker realms of the human mind through their journeys. There were multiple times where I was gasping out loud with horror and emotional anguish over some exceptionally gut wrenching scenes, but that is exactly what makes A Memory of Song such an impactful and memorable (pun intended) reading experience.
While this promising first instalment in the Last Ballad series largely has a satisfying self-contained arc, the shocking final lines have left me desperate for the sequel in the best way possible. Fans of John Gwynne, Anthony Ryan, and Ryan Cahill will find much to love in this character-driven epic fantasy, but just be warned: bring the tissues!
3.5 stars (rounded up)
Thank you to the author for providing me with an eARC in exchange for an honest review. All opinions are my own.
September 29, 2025
I received the ARC of The Sound of the Starfall and I didn’t think twice about buying A Memory of Song.
I liked this world very much even though there are a few aspects I enjoyed a little bit less. And here's why:
The world building is absolutely amazing. You have the most beautiful landscapes, wonderfully described, painted with surprising detail, imagination and creativity. Beautiful.
The magic is terrific. It's everywhere. Each character is full of power and powers, so many different beings exuding magic from every pore in their bodies.
James and Wulfee, loved you a lot, but enough is enough. Ok, you've messed up (a lot). Yes. But how much can one person (in this case two) go on whining about past mistakes and self-loathing? A little bit too much in my opinion.
The language sometimes seemed a bit off and didn't fit exactly in this ancient world.
All in all I liked this book very much and can't wait to get my hands on the second verse.
I liked this world very much even though there are a few aspects I enjoyed a little bit less. And here's why:
The world building is absolutely amazing. You have the most beautiful landscapes, wonderfully described, painted with surprising detail, imagination and creativity. Beautiful.
The magic is terrific. It's everywhere. Each character is full of power and powers, so many different beings exuding magic from every pore in their bodies.
James and Wulfee, loved you a lot, but enough is enough. Ok, you've messed up (a lot). Yes. But how much can one person (in this case two) go on whining about past mistakes and self-loathing? A little bit too much in my opinion.
The language sometimes seemed a bit off and didn't fit exactly in this ancient world.
All in all I liked this book very much and can't wait to get my hands on the second verse.
June 6, 2024
Review originally on JamReads
A Memory of Song is the first book in the grimdark series The Last Ballad, written by the Canadian author Scott Palmer. Pitched as Braveheart meets A Song of Ice and Fire, we have an ambitious story told in a dual POV which, while keeping the elements of an epic and dark saga, puts the focus on the journey of the characters through an incredible world with a clear Nordic inspiration, but which keeps an interesting twist.
Two broken people who are in their own path looking for revenge and to protect those they love. We have Wulfee, the leader of the Feldarra, a mother seeking vengeance against her husband for losing her sons; and James (we need to talk about this name), the displaced heir to the Northern throne, but whose destiny and powers reserve for him a bigger role than just recovering it.
Despite the parallel line that can be drawn between both, they are quite different, and that gets reflected into the story. Wulfee's quest is moved by anger and emotion, pure stubbornness and a resilience that won't allow her to stop until she gets her payoff; however, this will imply experiencing dark moments that she didn't think about. We could say that Wulfee's POV is more mundane, putting the emphasis on the strength, in the battle and the blood.
In comparison, James' path is more erratic, as he seems to be prone to doubt; there's less agency as at many points is spoiled by the pressure of others. There's more mysticism and supernatural powers implicated; and the fantasy elements shine more when we are following James.
Even if the focus is put on the characters, Palmer has a talent to make the world-building shine; we can see the Nordic influences, and by points, it might remember to the Hound parts in Abercrombie's writing. However, it keeps adding details, creating a vast net of politics and relationships between different houses; and the magic details are absolutely perfect (but I'm a bit biased because I love when music is used as the base for magic).
Pacing can be a bit rough at points, especially when we are touching James' journey, but the prose makes it compulsively readable.
A dark book, but which uses those moments to weave an epicness that remembers to ASOIAF; it is difficult to believe this is Palmer's first book. I can't wait to return to Ardura; and honestly, if you want to read epic and grim fantasy, you should be running to pick A Memory of Song.
A Memory of Song is the first book in the grimdark series The Last Ballad, written by the Canadian author Scott Palmer. Pitched as Braveheart meets A Song of Ice and Fire, we have an ambitious story told in a dual POV which, while keeping the elements of an epic and dark saga, puts the focus on the journey of the characters through an incredible world with a clear Nordic inspiration, but which keeps an interesting twist.
Two broken people who are in their own path looking for revenge and to protect those they love. We have Wulfee, the leader of the Feldarra, a mother seeking vengeance against her husband for losing her sons; and James (we need to talk about this name), the displaced heir to the Northern throne, but whose destiny and powers reserve for him a bigger role than just recovering it.
Despite the parallel line that can be drawn between both, they are quite different, and that gets reflected into the story. Wulfee's quest is moved by anger and emotion, pure stubbornness and a resilience that won't allow her to stop until she gets her payoff; however, this will imply experiencing dark moments that she didn't think about. We could say that Wulfee's POV is more mundane, putting the emphasis on the strength, in the battle and the blood.
In comparison, James' path is more erratic, as he seems to be prone to doubt; there's less agency as at many points is spoiled by the pressure of others. There's more mysticism and supernatural powers implicated; and the fantasy elements shine more when we are following James.
Even if the focus is put on the characters, Palmer has a talent to make the world-building shine; we can see the Nordic influences, and by points, it might remember to the Hound parts in Abercrombie's writing. However, it keeps adding details, creating a vast net of politics and relationships between different houses; and the magic details are absolutely perfect (but I'm a bit biased because I love when music is used as the base for magic).
Pacing can be a bit rough at points, especially when we are touching James' journey, but the prose makes it compulsively readable.
A dark book, but which uses those moments to weave an epicness that remembers to ASOIAF; it is difficult to believe this is Palmer's first book. I can't wait to return to Ardura; and honestly, if you want to read epic and grim fantasy, you should be running to pick A Memory of Song.
May 14, 2024
I sat down and read the 1st 15% with an average of 3 breaths per minute. The beginning of this was so insane, so fast-paced! Our MC, James, was giving Logen Nine-Fingers, and the location was giving the Witcher. A Memory of Song was sold to me as Braveheart meets Game of Thrones and the vibes were there. But to me, this was if Vis from The Will of the Many was a grown man but more edgy in the Witcherverse.
I recommend this to everyone who loved The Bound and the Broken Series by Ryan Cahill. For when you get tired of waiting for the next book, bestie. 🫶🏽 Calen and James blame themselves the same way, if you miss the whining. 😋 Except James actually did half the things he cries about 😂 I just got over it before him.
I think the world-building of this series is very creative. Literally, every chapter felt like magic because of how mystical the characters and the plot were written. If there's something I've read recently that I'd like to see turned into a show, it's this. I think the characters would translate so well on the screen, especially for the brand of 'dark' this is and the kind of violence it has.
I'm a picky eater, so I'd be doing a disservice to my nitpicky friends if I didn't say this:
1. I don't like to see self-pity in characters. Like feel guilty and then finish. If we start crying for the 30th time about how your parents were abusive and that's why you've killed a whole village, I lose interest. Own it, or respectfully block me. Unfortunately, the MCs blame themselves and wallow better than they can fight, and that's saying something. At some point, I had to start skipping pages. 😅
2. The some names and words threw me off. They're kinda all over the place. I know this is supposed to be a fantasy world and it felt Anglo-Saxon and maybe some Celtic influence. However, how would you react if you were reading a Norse-inspired book and saw someone randomly called Aisha or Dave, where did that come from?? Where are we?? 😂
A Memory of Song ended on a note I didn't expect. Not our goals accomplished! 😂 Thank you, Scott, for sending me an eARC of this. Very interested to see where the Second Verse takes us.
P.S. I would send Adeqor hate mail. I don't support bullying unless it's towards this man.
I recommend this to everyone who loved The Bound and the Broken Series by Ryan Cahill. For when you get tired of waiting for the next book, bestie. 🫶🏽 Calen and James blame themselves the same way, if you miss the whining. 😋 Except James actually did half the things he cries about 😂 I just got over it before him.
I think the world-building of this series is very creative. Literally, every chapter felt like magic because of how mystical the characters and the plot were written. If there's something I've read recently that I'd like to see turned into a show, it's this. I think the characters would translate so well on the screen, especially for the brand of 'dark' this is and the kind of violence it has.
I'm a picky eater, so I'd be doing a disservice to my nitpicky friends if I didn't say this:
1. I don't like to see self-pity in characters. Like feel guilty and then finish. If we start crying for the 30th time about how your parents were abusive and that's why you've killed a whole village, I lose interest. Own it, or respectfully block me. Unfortunately, the MCs blame themselves and wallow better than they can fight, and that's saying something. At some point, I had to start skipping pages. 😅
2. The some names and words threw me off. They're kinda all over the place. I know this is supposed to be a fantasy world and it felt Anglo-Saxon and maybe some Celtic influence. However, how would you react if you were reading a Norse-inspired book and saw someone randomly called Aisha or Dave, where did that come from?? Where are we?? 😂
A Memory of Song ended on a note I didn't expect. Not our goals accomplished! 😂 Thank you, Scott, for sending me an eARC of this. Very interested to see where the Second Verse takes us.
P.S. I would send Adeqor hate mail. I don't support bullying unless it's towards this man.
December 8, 2024
Darkness envelops the land & the heart. Revenge fuels hatred. The dead walk. Warlocks channel. Purpose begins to reignite the soul.
A terrific new epic reeking of Norse mysticism. Heartfelt characters & exciting harrowing journeys make for an impressive debut.
A terrific new epic reeking of Norse mysticism. Heartfelt characters & exciting harrowing journeys make for an impressive debut.
May 28, 2025
A Memory Of Song is a formidable and brutally enthralling debut; one where Palmer pulls zero punches and delights in emotionally devastating his readers. John Gwynne fans, time to queue up your next read.
March 31, 2025
Sensational
A new and thrilling take on magic and high stakes, A Memory of Song pushes the boundaries of imagination to the limit. There is a very blurred image of good and evil throughout, as each character does what they have to do to survive in a world that's dying. Fast paced, exciting and heart wrenching, it's no wonder this book has won awards.
A new and thrilling take on magic and high stakes, A Memory of Song pushes the boundaries of imagination to the limit. There is a very blurred image of good and evil throughout, as each character does what they have to do to survive in a world that's dying. Fast paced, exciting and heart wrenching, it's no wonder this book has won awards.
December 30, 2024
This review was originally posted on SFF Insiders
A Memory of Song is an exceptional debut novel from Scott Palmer that blends elements of classic fantasy with gritty realism and the lingering souls of the dead to create a captivating start to The Last Ballad. This story begins in media res with James Culdaine running through the forest, being hunted by werewolf-like Hawka with the spirits of the dead crowding around him, supplicating him for help. The pace never really lets up as we follow two interesting POVs as they battle their way through the haunted forests of Mal Hallow in an effort to save the continent from ancient magics that have snuffed out the fires of the land. The fast pace of the novel is handled expertly by Palmer with a beauty of prose that is noteworthy in any book, but especially a debut novel.
Ardura is a land teeming with lore and history that much of the story is predicated upon, which is slowly fed to us via bards’ tales, Warlock reminiscing, and dangerous meetings with gods and haunted minions. Palmer has done a fantastic job building out a complex world that allows a reader to dive in and get lost amongst the people of the Hallow. I cannot wait to learn more about the events that led up to where we are now with the Ailaryan Order and the quieting of the songs.
The story is full of twists and turns and Palmer is not afraid to wreak havoc on his cast of characters, which as a reader is heartbreaking but also keeps the stakes high and exciting. I felt like all of his characters were three dimensional and had purpose within the story that allowed me to feel what they were feeling and empathize with the pain and hardship they were attempting to overcome. There were no wasted or wooden characters.
I particularly enjoyed the interactions between James, the last remaining heir of the Northern Kingdom, and the defunct warlock: Adeqor. The back-and-forth trickery and manipulation added a degree of tension that was palpable throughout the book. Palmer truly shines with his strong character work and rich worldbuilding.
I cannot recommend A Memory of Song enough! Palmer has managed to create a fascinating, dark world with an eerie underbelly that pulsates with life while all around it withers and dies. The mighty nytewood trees tower above the landscape as bastions of hope and magic that root this world in the old magics that are beginning to awaken. I am eagerly awaiting further books in this series. Scott Palmer is a rising indie star in the epic fantasy arena!
A Memory of Song is an exceptional debut novel from Scott Palmer that blends elements of classic fantasy with gritty realism and the lingering souls of the dead to create a captivating start to The Last Ballad. This story begins in media res with James Culdaine running through the forest, being hunted by werewolf-like Hawka with the spirits of the dead crowding around him, supplicating him for help. The pace never really lets up as we follow two interesting POVs as they battle their way through the haunted forests of Mal Hallow in an effort to save the continent from ancient magics that have snuffed out the fires of the land. The fast pace of the novel is handled expertly by Palmer with a beauty of prose that is noteworthy in any book, but especially a debut novel.
Ardura is a land teeming with lore and history that much of the story is predicated upon, which is slowly fed to us via bards’ tales, Warlock reminiscing, and dangerous meetings with gods and haunted minions. Palmer has done a fantastic job building out a complex world that allows a reader to dive in and get lost amongst the people of the Hallow. I cannot wait to learn more about the events that led up to where we are now with the Ailaryan Order and the quieting of the songs.
The story is full of twists and turns and Palmer is not afraid to wreak havoc on his cast of characters, which as a reader is heartbreaking but also keeps the stakes high and exciting. I felt like all of his characters were three dimensional and had purpose within the story that allowed me to feel what they were feeling and empathize with the pain and hardship they were attempting to overcome. There were no wasted or wooden characters.
I particularly enjoyed the interactions between James, the last remaining heir of the Northern Kingdom, and the defunct warlock: Adeqor. The back-and-forth trickery and manipulation added a degree of tension that was palpable throughout the book. Palmer truly shines with his strong character work and rich worldbuilding.
I cannot recommend A Memory of Song enough! Palmer has managed to create a fascinating, dark world with an eerie underbelly that pulsates with life while all around it withers and dies. The mighty nytewood trees tower above the landscape as bastions of hope and magic that root this world in the old magics that are beginning to awaken. I am eagerly awaiting further books in this series. Scott Palmer is a rising indie star in the epic fantasy arena!
April 12, 2024
Ai'mair Darra - Love and Protection
A Memory of Song by Scott Palmer was high on my anticipated list and I was buzzing to see the ARC come to my inbox. I was not disappointed! If you're going to market something as Braveheart meets Game of Thrones then you can bet a wee haggis that I'll be expecting that and Scott delivered.
Firstly, we are thrust into this story from page one. Things happen straight from the outset and it really bring the story to life from the very beginning. I'm reminded of John Gwynne in the writing, it's brutal and bloody from the start but also full of lore. I enjoyed this, it made a change from a slow burn build up and really threw us deep into this story yearning for more.
I enjoyed the characters, some more than others. James Culdaine is an interesting character, a young man whose parents were murdered now speands years spent in isolation. Wulfee, who has lost her children, is hellbent on revenge. Two opposing character journeys but both as rewarding. These characters go through many trials and tribulations that don't let up but each as impactful as the last.
The magic system itself is uniquely creative. Palmer has mixed the Sixth Sense with, what feels like, act III in the Lord of the Rings. I won't spoil much here but it's interesting how Palmer has woven this throughout the story. We aren't told much from the start but every leak of information gives us more.
The world-building itself was a personal favourite. These characters go on a journey and through certain things the world is opened up more. We see diverse races, different landscapes and with this comes other perspectives. The way that Palmer has worked all this together is a brilliant feat.
This was an all-round outstanding novel and I can't wait for more from Scott Palmer.
April 25, 2025
Man, I love this world from Scott Palmer. The prequel novella, The Sound of Starfall, is one of my favorite novellas I've ever read, so my expectations for A Memory of Song were high. Palmer didn't disappoint.
Adegor is back, along with two main POVs, James and Wulfee. I liked that back and forth between the two as the story went, it was a nice balance and pacing was pretty well done. Palmer can hit you right in the feels, though, so be prepared. I won't spoil, but there's a scene that heavily reminded me of something from ASOIAF and is just devastating.
A Memory of Song is dark, visceral, and emotional-it's a perfect example of what great Indie fantasy can be. My hype for book two, A Chorus of War, is through the roof.
8.5/10
4.5/5 ⭐️
Adegor is back, along with two main POVs, James and Wulfee. I liked that back and forth between the two as the story went, it was a nice balance and pacing was pretty well done. Palmer can hit you right in the feels, though, so be prepared. I won't spoil, but there's a scene that heavily reminded me of something from ASOIAF and is just devastating.
A Memory of Song is dark, visceral, and emotional-it's a perfect example of what great Indie fantasy can be. My hype for book two, A Chorus of War, is through the roof.
8.5/10
4.5/5 ⭐️
May 30, 2024
3.5 stars rounded up. If this was a story based purely on Worldbuilding and lore this would be a 5 star novel hands down. Although the characters are good and very interesting, I was not a fan of the the way the plot unfolded and was told through the reader. I'm being picky here but this story will appeal to many fans of epic fantasy and I look forward to book 2.
July 3, 2024
This is a creative mix of Grimdark and Epic fantasy, with detailed worldbuilding, political intrigue, violence, vengeance, conflicts, and Norse/Celtic vibes.
It kicks straight off into the action and danger, and follows two main characters and their woven paths.
The story is split by Wulfee's journey of revenge, and James's path to save the world and develop his magical gifts / necromancy style powers.
I liked the classic chosen one / reluctant hero plot, and how both characters journeys are filled with trials to overcome, physical battles, and internal conflicts.
There's a mix of magical creatures, political agendas, prophecies, warlocks and lore, and I liked the morally grey and darker tones.
Some parts felt a bit heavy and hard to keep track with the expansive world, but the glossary and maps helped. Overall I enjoyed the characters journeys and the set up for further adventures and dangers to face.
It kicks straight off into the action and danger, and follows two main characters and their woven paths.
The story is split by Wulfee's journey of revenge, and James's path to save the world and develop his magical gifts / necromancy style powers.
I liked the classic chosen one / reluctant hero plot, and how both characters journeys are filled with trials to overcome, physical battles, and internal conflicts.
There's a mix of magical creatures, political agendas, prophecies, warlocks and lore, and I liked the morally grey and darker tones.
Some parts felt a bit heavy and hard to keep track with the expansive world, but the glossary and maps helped. Overall I enjoyed the characters journeys and the set up for further adventures and dangers to face.
April 23, 2025
I thought that there were some good ideas here and interesting worldbuilding elements, but I didn’t feel connected to any of the characters. I also felt the story jumped about a bit with flashbacks, dreams, visions, etc., and it didn't work for me overall. I don’t mind a little bit of that, but in here I felt the balance was a bit off and it began to interrupt the flow of my reading as the story progressed.
May 26, 2024
What a great book ! I was excited for this book and was jazzed when I found out I was receiving an EARC of the book ! Right away you’re thrown into this amazing wonderful world of magic and chaos as the world dies around you . Palmer writes in a way that left me feeling fully immersed into the world and characters. Part of it is the amount of world building with races and lore, but I think the reason this book can avoid the standard epic fantasy barrier to entry is that Palmer never loses focuses on his characters. A Memory of Song has all of the magic and monsters you would expect from this genre, but its characters have very human and relatable motivations - even when they are being hunted down by evil men in wolf helms or amphibious beings. James (who has the unfortunate "Paul Atreides" problem of having a normal name amongst a cast of fantasy names) does have larger-than-life political and magical storylines, but at the end of the day he is just a man seeking to reunite with his girlfriend. Wulfee is a mother on a quest to get revenge on her husband who killed their son, despite also being wrapped up in the larger trappings of the epic and magical plot.
No matter if it is one of our two main POV characters, or one of the many secondary characters that join in on these quests, Palmer has a real knack for quickly endearing you to these three-dimensional people - even to the point where they do something terrible and you empathize with them. Palmer's characters come alive in a way that characters often don't in dark, epic fantasy; his characters never feel like chess pieces on the board, just being moved around the board. He switches between them nicely and the timing helps so you don’t forget what the last character what’s up too. A Memory of Song is the ideal blend of character-based fantasy with awe-inspiring, chilling, and magical plotting.
One of the best parts of Palmer's characters is that you empathize with them so much that it shatters your heart when bad things happen. And good lord do bad things happen. There were three times that made me pause and soak it in I usually have the worst recall when it comes to books; when I finish a book I barely remember reading it after a few days. A Memory of Song has stuck with him. It found a way to drill itself into my heart and sit there, poking at me as I am reminded of this journey that Palmer has taken me on .
If you’re worried about the "dark" elements of A Memory of Song, the book never crosses the line into being too dark or overly gratitous. What happens in these pages is no worse than what you would expect from a fantasy book with wars, battles, monsters, and potentially the end of the world. Definitely give John qwynne vibes ! It's not cozy, but I don’t want to call it"grimdark" since the ethos of the work never descends into nihilism. The characters go into morally ambigious situations - and some of the heart-wrenching scenes come about because characters are forced to do things they know are wrong. A Memory of Song imagines a world that could be better, and isn't confident that this better world is not possible - but that it takes a lot of mucking through the mud to make that happen.
No matter if it is one of our two main POV characters, or one of the many secondary characters that join in on these quests, Palmer has a real knack for quickly endearing you to these three-dimensional people - even to the point where they do something terrible and you empathize with them. Palmer's characters come alive in a way that characters often don't in dark, epic fantasy; his characters never feel like chess pieces on the board, just being moved around the board. He switches between them nicely and the timing helps so you don’t forget what the last character what’s up too. A Memory of Song is the ideal blend of character-based fantasy with awe-inspiring, chilling, and magical plotting.
One of the best parts of Palmer's characters is that you empathize with them so much that it shatters your heart when bad things happen. And good lord do bad things happen. There were three times that made me pause and soak it in I usually have the worst recall when it comes to books; when I finish a book I barely remember reading it after a few days. A Memory of Song has stuck with him. It found a way to drill itself into my heart and sit there, poking at me as I am reminded of this journey that Palmer has taken me on .
If you’re worried about the "dark" elements of A Memory of Song, the book never crosses the line into being too dark or overly gratitous. What happens in these pages is no worse than what you would expect from a fantasy book with wars, battles, monsters, and potentially the end of the world. Definitely give John qwynne vibes ! It's not cozy, but I don’t want to call it"grimdark" since the ethos of the work never descends into nihilism. The characters go into morally ambigious situations - and some of the heart-wrenching scenes come about because characters are forced to do things they know are wrong. A Memory of Song imagines a world that could be better, and isn't confident that this better world is not possible - but that it takes a lot of mucking through the mud to make that happen.
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May 22, 2024
This review was originally posted on SFF Insiders
I'm fairly certain this is Scott Palmer's debut and what an undertaking at a little over 500 pages. I've seen a lot of people compare this to GoT, and I'm not going to do that because I haven't read/watched it. My lack of pop culture aside, there are a lot of things going on in this debut and I'm going to start with what I liked.
I love a good bit of world lore in a book and A Memory of Song has so much lore. A lot of it came from "Gran" and I feel like Gran was probably a great storyteller, if not a bit superstitious as well.
We follow two main characters, James and Wulfee, along with their supporting characters. I definitely enjoyed some storylines more than others but the one I found most interesting we only get a little background for. "Do you mean Eurick?" Of course I mean Eurick. Sure, he ended sentences with "man" so often I had mentally cast him as Tommy Chong but I would love to get more of his story and the Ravens going forward. Pike was also pretty good as supporting characters go and his scene when he goes absolutely ham was great.
I will admit I struggled a little bit with Wulfee, despite generally enjoying her storyline more than James’. She kept saying she had to do this, she had to get vengeance but I didn't really feel like she did. She also could've just like...not abandoned her other child? It would've been very easy not to do. This actually also really hit me when she is saying war was no place for her child but then takes Gen with her on this whole journey. That's before I get into how confused I was by Gen being eighteen with the behaviour of a young child. And more importantly, Scott did him dirty, and I have a lot of words for him on the matter.
There are two confrontations that are the focal points for each storyline and in both cases I found them a little anticlimactic. Not least because there is the rescue just in the nick of time and truthfully I think I can't stand those unless there's a very good reason for them to work. I'm also still not entirely clear on how "kill the Mother of Nature" meant the elements would come back (surely the Mother of Nature is central for elements???) but the following scene was very good. Good riddance to bad wizards. Probably helps that I liked the general appearance of the dead and ghosts popping up and being on the fringe of everything. Wulfee's final decision felt so out of character for her previous choices I'm not really sure how/why we ended up there with her. I almost felt like if Pike had just picked her up/dragged her along it would’ve worked better. Maybe it'll become clearer as it all goes on.
On that same note, if this is part of a longer series, which I believe it will be, I'm not entirely convinced it needed to be as busy as it was. It also made it slightly difficult to follow which plot I was on: are we getting elements back or fighting the Wolf or trying to find each other or something about a hermit hovel? Why are there so many Words?! (I don’t mean book words, I understand how books work. I mean the Words of blah blah in the actual book.) I think the link between songs and words and how they fit in the world could’ve also been a little clearer, especially with Song in the title. I thought there’d be a bit more on that…and more bards…
I'd be lying if I said I didn't think there was room for improvement but this is a story with good bones. It just needs a little bit of clarity and refining in certain places. And like I said, I was really into the lore of the world. It's an impressive and promising start to Scott's works and you won't be disappointed to pick it up — you might be a little confused here and there though. It's fine. I was too. Now go read the book.
I'm fairly certain this is Scott Palmer's debut and what an undertaking at a little over 500 pages. I've seen a lot of people compare this to GoT, and I'm not going to do that because I haven't read/watched it. My lack of pop culture aside, there are a lot of things going on in this debut and I'm going to start with what I liked.
I love a good bit of world lore in a book and A Memory of Song has so much lore. A lot of it came from "Gran" and I feel like Gran was probably a great storyteller, if not a bit superstitious as well.
We follow two main characters, James and Wulfee, along with their supporting characters. I definitely enjoyed some storylines more than others but the one I found most interesting we only get a little background for. "Do you mean Eurick?" Of course I mean Eurick. Sure, he ended sentences with "man" so often I had mentally cast him as Tommy Chong but I would love to get more of his story and the Ravens going forward. Pike was also pretty good as supporting characters go and his scene when he goes absolutely ham was great.
I will admit I struggled a little bit with Wulfee, despite generally enjoying her storyline more than James’. She kept saying she had to do this, she had to get vengeance but I didn't really feel like she did. She also could've just like...not abandoned her other child? It would've been very easy not to do. This actually also really hit me when she is saying war was no place for her child but then takes Gen with her on this whole journey. That's before I get into how confused I was by Gen being eighteen with the behaviour of a young child. And more importantly, Scott did him dirty, and I have a lot of words for him on the matter.
There are two confrontations that are the focal points for each storyline and in both cases I found them a little anticlimactic. Not least because there is the rescue just in the nick of time and truthfully I think I can't stand those unless there's a very good reason for them to work. I'm also still not entirely clear on how "kill the Mother of Nature" meant the elements would come back (surely the Mother of Nature is central for elements???) but the following scene was very good. Good riddance to bad wizards. Probably helps that I liked the general appearance of the dead and ghosts popping up and being on the fringe of everything. Wulfee's final decision felt so out of character for her previous choices I'm not really sure how/why we ended up there with her. I almost felt like if Pike had just picked her up/dragged her along it would’ve worked better. Maybe it'll become clearer as it all goes on.
On that same note, if this is part of a longer series, which I believe it will be, I'm not entirely convinced it needed to be as busy as it was. It also made it slightly difficult to follow which plot I was on: are we getting elements back or fighting the Wolf or trying to find each other or something about a hermit hovel? Why are there so many Words?! (I don’t mean book words, I understand how books work. I mean the Words of blah blah in the actual book.) I think the link between songs and words and how they fit in the world could’ve also been a little clearer, especially with Song in the title. I thought there’d be a bit more on that…and more bards…
I'd be lying if I said I didn't think there was room for improvement but this is a story with good bones. It just needs a little bit of clarity and refining in certain places. And like I said, I was really into the lore of the world. It's an impressive and promising start to Scott's works and you won't be disappointed to pick it up — you might be a little confused here and there though. It's fine. I was too. Now go read the book.
April 10, 2024
3.5 stars
Thanks to the Author. I received a copy of this book in exchange for an honest review.
Full review to come pretty soon
I am just jotting down some ideas:
1) It is the perfect book if you loved The Shadow of the Gods
2) a really original and peculiar magical system.
3) a fascinating world-building. Rich and diverse. And so interesting!
4) that beautiful feeling of being lost at the beginning, because all is new and you have to understand everything. I loved it!
5) Wulfee. She is a great character. Her part of the story is a revenge story, and even if it was a bit of a miss for me, she is so well-developed, and she feels so real!
6) Gen. He is so sweet. In his peculiar way. Really peculiar. But he is so worth meeting!
7) There are a lot of different races/species and all of them are worth meeting.
Thanks to the Author. I received a copy of this book in exchange for an honest review.
Full review to come pretty soon
I am just jotting down some ideas:
1) It is the perfect book if you loved The Shadow of the Gods
2) a really original and peculiar magical system.
3) a fascinating world-building. Rich and diverse. And so interesting!
4) that beautiful feeling of being lost at the beginning, because all is new and you have to understand everything. I loved it!
5) Wulfee. She is a great character. Her part of the story is a revenge story, and even if it was a bit of a miss for me, she is so well-developed, and she feels so real!
6) Gen. He is so sweet. In his peculiar way. Really peculiar. But he is so worth meeting!
7) There are a lot of different races/species and all of them are worth meeting.
December 27, 2024
The world is dead, its lifeblood drained and forgotten. The fire has faded to ash, the wind has silenced its song, and the rain no longer graces the barren earth—a lifeless, desolate graveyard of what once was.
Monsters and dark magic roam freely now, consuming what little remains, transforming the once-thriving world into a shadowy nightmare. Fear rules every corner, and hope clings to existence as a fragile, flickering ember in the suffocating darkness.
Survival is a cruel game, with enemies lurking on all sides—some grotesque and monstrous, others hauntingly human. Each step forward feels like an invitation to the abyss, and yet, the remnants of humanity press on, searching for meaning, salvation, or even just a reason to endure another day.
Ardura is a wicked, unforgiving place where gruesome horrors lurk around every corner—and I shouldn’t love it, but I do. It’s the kind of story that leaves your face twisted in a grimace most of the time, grappling with its sheer darkness. Yet, it’s so masterfully crafted that stopping feels impossible. It’s horrifyingly brilliant.
With short, razor-sharp chapters that almost always end on a gut-punch, Ardura pulls you deeper and deeper until your eyes are burning with exhaustion—but even then, you’ll keep going. Every twist tightens its grip, refusing to let you go.
Palmer has built a sprawling, immersive world steeped in blood-soaked history and intricate lore. It’s a dangerous, inescapable place where every shadow hides a threat. The characters—whether they’re towering legends or the smallest, most unassuming figures—are so vividly realized that you feel every ounce of their pain, their struggles, and the crushing weight of their grim realities.
Even within such a dark world, the characters are filled with hope and dreams—and that's such a refreshing thing to see.
Ardura is not for the faint of heart—but for those who dare to venture in, it offers a chilling, unforgettable experience. Grimdark at its finest.
Monsters and dark magic roam freely now, consuming what little remains, transforming the once-thriving world into a shadowy nightmare. Fear rules every corner, and hope clings to existence as a fragile, flickering ember in the suffocating darkness.
Survival is a cruel game, with enemies lurking on all sides—some grotesque and monstrous, others hauntingly human. Each step forward feels like an invitation to the abyss, and yet, the remnants of humanity press on, searching for meaning, salvation, or even just a reason to endure another day.
Ardura is a wicked, unforgiving place where gruesome horrors lurk around every corner—and I shouldn’t love it, but I do. It’s the kind of story that leaves your face twisted in a grimace most of the time, grappling with its sheer darkness. Yet, it’s so masterfully crafted that stopping feels impossible. It’s horrifyingly brilliant.
With short, razor-sharp chapters that almost always end on a gut-punch, Ardura pulls you deeper and deeper until your eyes are burning with exhaustion—but even then, you’ll keep going. Every twist tightens its grip, refusing to let you go.
Palmer has built a sprawling, immersive world steeped in blood-soaked history and intricate lore. It’s a dangerous, inescapable place where every shadow hides a threat. The characters—whether they’re towering legends or the smallest, most unassuming figures—are so vividly realized that you feel every ounce of their pain, their struggles, and the crushing weight of their grim realities.
Even within such a dark world, the characters are filled with hope and dreams—and that's such a refreshing thing to see.
Ardura is not for the faint of heart—but for those who dare to venture in, it offers a chilling, unforgettable experience. Grimdark at its finest.
July 17, 2024
A Memory of Song: First Verse of the Last Ballad was different from a lot of what I usually read, but I found myself drawn into it very easily. When I read the synopsis, the quote that says, "In a dying land, the armies of the dead hold sway. And those who rule them are more god than human"was all I needed. Consider me sold, I knew I needed to check this out!
We basically have two main MCs, James and Wulfie. Both are joined on their adventures by their very own group of side characters. Honestly, there are a lot of characters and a lot going on. Both groups have their own mission but also interlap with one another. I enjoyed both characters enough but preferred James story the most. I also really loved Pike and Gen. There were also a handful of characters that couldn't die fast enough, I'm looking at you, Wizard!
The world building was fascinating, albeit a little confusing for me at times. Again, there was a lot happening. I'm sure hard-core fantasy readers might not feel the same way. Apparently, there is a pre-quel now for this, and I think I personally will go back and read it, I think maybe if given the chance to check that out first, it may help other readers as well.
Overall, I am impressed that this was a debut, and I would definitely consider following the series!
I received a copy of this in exchange for an honest review.
We basically have two main MCs, James and Wulfie. Both are joined on their adventures by their very own group of side characters. Honestly, there are a lot of characters and a lot going on. Both groups have their own mission but also interlap with one another. I enjoyed both characters enough but preferred James story the most. I also really loved Pike and Gen. There were also a handful of characters that couldn't die fast enough, I'm looking at you, Wizard!
The world building was fascinating, albeit a little confusing for me at times. Again, there was a lot happening. I'm sure hard-core fantasy readers might not feel the same way. Apparently, there is a pre-quel now for this, and I think I personally will go back and read it, I think maybe if given the chance to check that out first, it may help other readers as well.
Overall, I am impressed that this was a debut, and I would definitely consider following the series!
I received a copy of this in exchange for an honest review.
January 13, 2025
4.25/5
I've had this on my TBR for a good bit and I was not disappointed with this! Right off the rip, you're thrown into this story and it's fast-paced out the gate. There are lots of characters and lore to wrap you're head around but no way is it too much to be confusing. With a dual POV writing style that mirrors each other timeline-wise, there's nothing repetitive to make it stale.
First up is our MMC James and he's pretty interesting. I was a bit on the fence with him at first and wasn't sure if I liked him or not. Then we have Wulfee who I really enjoyed right off as our FMC. The struggles both characters go through and the slow-burn build-up in their character arcs was great and made the ending very emotionally impactful for me.
I really enjoyed the magic system here. It was unique and very creative. Even the lore for it, as the story develops, is great as you slowly learn more and more about it. And the world-building was very enjoyable. As the journey takes place, more things open up to add to the story which just gives it more depth and diversity.
This was a great time and I can't wait to get my hands on A Chorus of War: Second Verse of the Last Ballad when it comes out!
I've had this on my TBR for a good bit and I was not disappointed with this! Right off the rip, you're thrown into this story and it's fast-paced out the gate. There are lots of characters and lore to wrap you're head around but no way is it too much to be confusing. With a dual POV writing style that mirrors each other timeline-wise, there's nothing repetitive to make it stale.
First up is our MMC James and he's pretty interesting. I was a bit on the fence with him at first and wasn't sure if I liked him or not. Then we have Wulfee who I really enjoyed right off as our FMC. The struggles both characters go through and the slow-burn build-up in their character arcs was great and made the ending very emotionally impactful for me.
I really enjoyed the magic system here. It was unique and very creative. Even the lore for it, as the story develops, is great as you slowly learn more and more about it. And the world-building was very enjoyable. As the journey takes place, more things open up to add to the story which just gives it more depth and diversity.
This was a great time and I can't wait to get my hands on A Chorus of War: Second Verse of the Last Ballad when it comes out!
May 14, 2024
I received this book as an ARC from the author for an honest review.
I am pleased to say that this book reminds me of some of my favorite stories. I see inspiration in many of the characters from a variety of sources, but this story is 100% original and a great pleasure to read!
The world and backstory are well laid out and the prose is wonderfully smooth and polished. The author has created some dark characters, describes battles with a wonderful skill, and presents us with some excellent twists to the tale.
This book is a classic epic fantasy with modern storytelling and dark characters. The author’s style reminds me in various ways of some of my favorite authors, like John Gwynne and Joe Abercrombie.
This book releases on May 29, 2024, so go pre-order it right now! Highly recommended!!!
I am pleased to say that this book reminds me of some of my favorite stories. I see inspiration in many of the characters from a variety of sources, but this story is 100% original and a great pleasure to read!
The world and backstory are well laid out and the prose is wonderfully smooth and polished. The author has created some dark characters, describes battles with a wonderful skill, and presents us with some excellent twists to the tale.
This book is a classic epic fantasy with modern storytelling and dark characters. The author’s style reminds me in various ways of some of my favorite authors, like John Gwynne and Joe Abercrombie.
This book releases on May 29, 2024, so go pre-order it right now! Highly recommended!!!
July 4, 2024
‘A Memory of Song’ is a sweepingly epic new fantasy series with ambitious world building and complex characters. It builds slowly as there is a lot to learn about the world of Ardura but it’s well written and engaging. My favourite character is Wulfee, she is a powerhouse of rage and strength and I think her journey is fantastically written in this novel. I really like that she is an older woman with a past she is running from and also towards. This whole novel is epic and I am interested to see what happens next.
July 4, 2024
I do feel there should maybe be a short novella or a short chapter at the beginning just to explain the world building as it took like 20% of this book for me to realise what's happening.. there's alot to take in and its not always clear.. like i was wondering for a while are they human? Are they something else..??
That being said once I got into the storyline I was gripped in.. I was surrounded by this world and what was happening. It is an intense world build, but I love it!
The character James reminds me of someone that I just can't put my finger on..
Such a deep and interesting storyline! Full of magic, friendship, vengeance, and lots of battles.. I don't wanna give anything away so absolutely go and read it now!!
That being said once I got into the storyline I was gripped in.. I was surrounded by this world and what was happening. It is an intense world build, but I love it!
The character James reminds me of someone that I just can't put my finger on..
Such a deep and interesting storyline! Full of magic, friendship, vengeance, and lots of battles.. I don't wanna give anything away so absolutely go and read it now!!
April 24, 2024
Despite not really enjoying this book, I do really appreciate the author for sending me an ARC and for the opportunity to check it out.
This was the first book in a while i felt was a struggle to read and considered DNFing at times. The pacing felt off, the book was simultaneously action packed and constantly moving yet it seemed the main plot didn't really make any progression until about 70% of the way through. This is also the most confusing fantasy book I have ever read. I think the author took "show don't tell" too literally. It felt like I had accidentally picked up the third or fourth book in a series instead of the first. Even with a very detailed glossary at the back and maps to look at, I felt very confused most of the time I was reading. The timeline of world events and world history was hard to follow, relations between peoples and factions, and the general mythology and lore of the world felt contradictory quite often. The main conflict of the book is to restore the cycle of life because the world has gone into a sort of stasis; fires can't burn, rain can't fall, nothing rots or decays and the dead can't pass on. Yet somehow the solution to this problem involves killing the Mother of Nature? The term Words was also thrown around and I swear there were like 10 different kinds: Words of Blood, Words of Yehven, Words of Power, so I never knew when they were talking of words that were good or words that were bad? There were also quite a few plot twists thrown in at the end, but I didn't feel there was enough build up for me to enjoy or appreciate them. They didn't really carry the emotional weight I think the author intended. One twist in particular I didn't even understand if it was good or bad because I had such a hard time keeping the lore of the world in my brain.
It also felt like obstacles the characters would face would be built up as these huge threats or terrifying creatures, only for something to conveniently come alone and allow them to surpass these obstacles in half a page. One of the protagonists talks about a whole childhood spent trying to master powers and fearing them and being unable to learn control from the being that was mentoring him, only to decide now that it's really important he can go back there and learn everything from one very quick and confusing conversation with some divine beings. He goes from novice to master after some very generic advice from a council of gods as they bickered with each other (not even kidding).
This books also felt heavily inspired by Game of Thrones (books AND tv show), but not in a great way. From the constant and semi-graphic violence (decapitations, mutilations, descriptive deaths, unprovoked mass ramapges) which felt placed there almost for shock value, to some world building elements like these great trees worshipped by northerners with strangely coloured leaves/sap and faces carved into them. I felt like I was getting deja vu at times from having read/watched that other series.
Overall, I most likely would have put this series down if it wasn't an ARC provided to me by an author, which I do still very much appreciate.
This was the first book in a while i felt was a struggle to read and considered DNFing at times. The pacing felt off, the book was simultaneously action packed and constantly moving yet it seemed the main plot didn't really make any progression until about 70% of the way through. This is also the most confusing fantasy book I have ever read. I think the author took "show don't tell" too literally. It felt like I had accidentally picked up the third or fourth book in a series instead of the first. Even with a very detailed glossary at the back and maps to look at, I felt very confused most of the time I was reading. The timeline of world events and world history was hard to follow, relations between peoples and factions, and the general mythology and lore of the world felt contradictory quite often. The main conflict of the book is to restore the cycle of life because the world has gone into a sort of stasis; fires can't burn, rain can't fall, nothing rots or decays and the dead can't pass on. Yet somehow the solution to this problem involves killing the Mother of Nature? The term Words was also thrown around and I swear there were like 10 different kinds: Words of Blood, Words of Yehven, Words of Power, so I never knew when they were talking of words that were good or words that were bad? There were also quite a few plot twists thrown in at the end, but I didn't feel there was enough build up for me to enjoy or appreciate them. They didn't really carry the emotional weight I think the author intended. One twist in particular I didn't even understand if it was good or bad because I had such a hard time keeping the lore of the world in my brain.
It also felt like obstacles the characters would face would be built up as these huge threats or terrifying creatures, only for something to conveniently come alone and allow them to surpass these obstacles in half a page. One of the protagonists talks about a whole childhood spent trying to master powers and fearing them and being unable to learn control from the being that was mentoring him, only to decide now that it's really important he can go back there and learn everything from one very quick and confusing conversation with some divine beings. He goes from novice to master after some very generic advice from a council of gods as they bickered with each other (not even kidding).
This books also felt heavily inspired by Game of Thrones (books AND tv show), but not in a great way. From the constant and semi-graphic violence (decapitations, mutilations, descriptive deaths, unprovoked mass ramapges) which felt placed there almost for shock value, to some world building elements like these great trees worshipped by northerners with strangely coloured leaves/sap and faces carved into them. I felt like I was getting deja vu at times from having read/watched that other series.
Overall, I most likely would have put this series down if it wasn't an ARC provided to me by an author, which I do still very much appreciate.
October 18, 2024
This review was originally posted on SFF Insiders.
https://www.sffinsiders.com/blog/revi...
Excuse me while I go cry from the emotional whiplash that was this beautifully crafted book.
From indie author Scott Palmer comes his debut fantasy novel which promises to ensnare its readers and never let go. Palmer has meticulously crafted an expansive world and its rich history, complete with a dazzling yet dark magic system and a cast of diverse characters that will remain with you even after finishing the last page. Get ready to immerse yourself in a tale filled with twists, danger, and death at every turn. Do not miss out on the opportunity to discover the enthralling world Palmer has created- it’s a journey you won’t soon forget!
The overall theme of AMOS is dark, violent, and bloody, drawing on influences from Celtic myths and shamanism. Palmer has pitched it as “Braveheart and A Song of Ice and Fire meets Stephen King.” The world you are transported to is suffering from a cataclysmic event known as “Starfall” where in the aftermath the earth is dying and all of nature and the elements have been depleted. Since the book kicks off with a bang, readers are thrust into a new and unfamiliar world and will learn about its lore and history through scenes of action. This approach gives the book prefect pacing from beginning to end.
Palmer’s character building is masterful. He has crafted the perfect balance between giving the reader just the right amount of detail while also leaving them guessing until the precise moment when something far more grand is revealed. Not everyone is as they appear to be as readers form options on every individual they encounter.
There is a diverse cast of characters that span many races, species, and ages. Since the development is a steady pace, the characters readers encounter will stick with them, even after turning the book’s last page. The two main protagonists, Wulfee and James, are pushed to their breaking points as each of them strive to protect their loved ones and seek revenge through a path soaked in blood.
AMOS is full of ancient magics, many of which are fresh and unique. From consuming the souls of the dead, to singing songs full of dark and twisted blood magics, Palmer has created a system that is both beautiful yet haunting. The descriptive writing of the magic readers encounter paints a vivid picture as they are transported into the very heart of the story.
This book is a dynamite five-star read that any dark fantasy fan will love and enjoy. The story does not let up and keeps you in its grasp until the very end. This book will keep you on the edge of your seat, make you laugh, make your stomach turn, and might even bring a tear to your eye. I cannot wait for the next installment in The Last Ballad series. Mark my words: Scott Palmer is gearing up to be the next big name in dark fantasy.
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Excuse me while I go cry from the emotional whiplash that was this beautifully crafted book.
From indie author Scott Palmer comes his debut fantasy novel which promises to ensnare its readers and never let go. Palmer has meticulously crafted an expansive world and its rich history, complete with a dazzling yet dark magic system and a cast of diverse characters that will remain with you even after finishing the last page. Get ready to immerse yourself in a tale filled with twists, danger, and death at every turn. Do not miss out on the opportunity to discover the enthralling world Palmer has created- it’s a journey you won’t soon forget!
The overall theme of AMOS is dark, violent, and bloody, drawing on influences from Celtic myths and shamanism. Palmer has pitched it as “Braveheart and A Song of Ice and Fire meets Stephen King.” The world you are transported to is suffering from a cataclysmic event known as “Starfall” where in the aftermath the earth is dying and all of nature and the elements have been depleted. Since the book kicks off with a bang, readers are thrust into a new and unfamiliar world and will learn about its lore and history through scenes of action. This approach gives the book prefect pacing from beginning to end.
Palmer’s character building is masterful. He has crafted the perfect balance between giving the reader just the right amount of detail while also leaving them guessing until the precise moment when something far more grand is revealed. Not everyone is as they appear to be as readers form options on every individual they encounter.
There is a diverse cast of characters that span many races, species, and ages. Since the development is a steady pace, the characters readers encounter will stick with them, even after turning the book’s last page. The two main protagonists, Wulfee and James, are pushed to their breaking points as each of them strive to protect their loved ones and seek revenge through a path soaked in blood.
AMOS is full of ancient magics, many of which are fresh and unique. From consuming the souls of the dead, to singing songs full of dark and twisted blood magics, Palmer has created a system that is both beautiful yet haunting. The descriptive writing of the magic readers encounter paints a vivid picture as they are transported into the very heart of the story.
This book is a dynamite five-star read that any dark fantasy fan will love and enjoy. The story does not let up and keeps you in its grasp until the very end. This book will keep you on the edge of your seat, make you laugh, make your stomach turn, and might even bring a tear to your eye. I cannot wait for the next installment in The Last Ballad series. Mark my words: Scott Palmer is gearing up to be the next big name in dark fantasy.
January 6, 2026
A Memory of Song pulled me in right away with its dark tone and rich world. Scott Palmer really leans into what makes epic fantasy work. You can see the influence of The Blade Itself and Game of Thrones throughout, but he builds something that feels completely his own.
The story follows two main characters whose paths slowly come together. Wulfee’s arc burns with revenge, and while that fits the world, I found her pretty annoying at times. She never seems to grow past her anger or care about anything beyond her need for vengeance. James, on the other hand, spends much of the story lost in brooding and self loathing, but at least he feels like he is trying to become something better, or at least understand what that might look like.
The world itself is what really stands out for me. It is dark, layered, and full of history and magic. There were times when I found it a bit hard to follow, but the maps and key helped a lot. I loved learning about the different powers and hierarchies that shape everything, it makes the setting feel alive and dangerous.
Overall, this was a great read and a strong start from Palmer. It is brutal and heavy but full of meaning, and it is clear he knows exactly what kind of story he wants to tell. I am excited to see where he takes it next.
The story follows two main characters whose paths slowly come together. Wulfee’s arc burns with revenge, and while that fits the world, I found her pretty annoying at times. She never seems to grow past her anger or care about anything beyond her need for vengeance. James, on the other hand, spends much of the story lost in brooding and self loathing, but at least he feels like he is trying to become something better, or at least understand what that might look like.
The world itself is what really stands out for me. It is dark, layered, and full of history and magic. There were times when I found it a bit hard to follow, but the maps and key helped a lot. I loved learning about the different powers and hierarchies that shape everything, it makes the setting feel alive and dangerous.
Overall, this was a great read and a strong start from Palmer. It is brutal and heavy but full of meaning, and it is clear he knows exactly what kind of story he wants to tell. I am excited to see where he takes it next.
April 12, 2024
The tl;dr: Dark and heart-shattering, A Memory of Song follows a former prince and a mother seeking revenge as they get ensnared in a game of warlocks, monsters, and magic. While full of everything you would expect from a dark, epic fantasy, this book remains character-focused, and you will fall in love with and empathize with characters, both POV and secondary. This makes all of the hardships and trials they endure that much more emotionally resonant – and gut-wrenching. This is a stunning debut novel, and Palmer is an author to keep on your radar in the epic fantasy space. Come for the the music-based magic system and stay for several good cries. This book has my highest recommendation.
My full review:
John Gwynne’s Bloodsworn Saga meets Michael Michel’s The Price of Power in this dark and gut wrenching fantasy epic that will draw you in, tear your heart to shreds, and then do it all over again. A Memory of Song is an absolutely stunning debut novel and belongs in the hands of all readers who love the grim and magical. Palmer is an author who belongs on your radar and is already on my “blind buy” list for any of his future books!
Like most epic fantasy books, A Memory of Song is hard to summarize in just a few sentences. There are a lot of moving parts here – from a woman seeking revenge on her estranged husband for the death of their son to a former prince coming to terms with his magical abilities and place in powerful prophecies, a drunken wizard with few morals, a dark menagerie of warlocks trying to take over the world, song-based magic, and a world that has lost its basic natural elements. The beauty of A Memory of Song is that this book is chock full of ideas, but it never feels overstuffed, confusing, or overwhelming. Instead, Palmer gifts readers a lived in-world with a deep history that completely envelopes you (in an immersive but definitely not heart warming way!).
I think the reason this book can avoid the standard epic fantasy barrier to entry is that Palmer never loses focuses on his characters. A Memory of Song has all of the magic and monsters you would expect from this genre, but its characters have very human and relatable motivations – even when they are being hunted down by evil men in wolf helms or amphibious beings. James (who has the unfortunate “Paul Atreides” problem of having a normal name amongst a cast of fantasy names) does have larger-than-life political and magical storylines, but at the end of the day he is just a man seeking to reunite with his sick and dying girlfriend. Wulfee is a mother on a quest to get revenge on her husband who killed their son, despite also being wrapped up in the larger trappings of the epic and magical plot.
No matter if it is one of our two main POV characters, or one of the many secondary characters that join in on these quests, Palmer has a real knack for quickly endearing you to these three-dimensional people – even to the point where they do something terrible and you empathize with them. Palmer’s characters come alive in a way that characters often don’t in dark, epic fantasy; his characters never feel like chess pieces on the board, just being moved around the board. A Memory of Song is the ideal blend of character-based fantasy with awe-inspiring, chilling, and magical plotting.
The absolute best part of Palmer’s characters is that you empathize with them so much that it shatters your heart when when bad things happen. And ooohhhhh man do bad things happen. There were at least three points in the back half of the book where I needed to stop reading and just sit with what I had just read. You know when you get that text that something bad has happened and your heart sinks and you just need to sit down? That is what this book made me feel – over and over again. It might not sound like it, but this is the highest compliment that I can give a book! I usually have the worst recall when it comes to books; when I finish a book I barely remember reading it after a few days. A Memory of Song has stuck with him. It found a way to drill itself into my heart and sit there, poking at me as I am reminded of this journey that Palmer has taken me on and all of the shit his characters had to go through.
For readers concerned about the “dark” elements of A Memory of Song, the book never crosses the line into being too dark or overly gratitous. What happens in these pages is no worse than what you would expect from a fantasy book with wars, battles, monsters, and potentially the end of the world. It’s not cozy, but I would hesitate to call it “grimdark” since the ethos of the work never descends into nihilism. The characters are thrust into morally ambigious situations – and some of the heart-wrenching scenes come about because characters are forced to do things they know are wrong. A Memory of Song imagines a world that could be better, and isn’t confident that this better world is not possible – but that it takes a lot of mucking through the mud to make that happen.
A Memory of Song ends (don’t worry – no spoilers!) in a pretty satisfying way. It ends on a cliffhanger that left me eagerly awaiting the sequel (WRITE FASTER SCOTT) while also feeling like it fully closed this particular chapter. A Memory of Song felt like it had its own internal narrative arc, a self-contained whole in service to a larger story being told. Since it will likely be at least a little bit of a wait until the sequel (WRITE FASTER SCOTT), having a chunk of the character and thematic arcs wrapped up made up for an immensely rewarding reading experience.
As of the time I am writing this A Memory of Song is available for preorder for only 99 cents, so there really isn’t anything stopping you from picking up this book. And heck, at that price you’ll have the money for therapy for what Palmer emotionally puts you through in this book!
My full review:
John Gwynne’s Bloodsworn Saga meets Michael Michel’s The Price of Power in this dark and gut wrenching fantasy epic that will draw you in, tear your heart to shreds, and then do it all over again. A Memory of Song is an absolutely stunning debut novel and belongs in the hands of all readers who love the grim and magical. Palmer is an author who belongs on your radar and is already on my “blind buy” list for any of his future books!
Like most epic fantasy books, A Memory of Song is hard to summarize in just a few sentences. There are a lot of moving parts here – from a woman seeking revenge on her estranged husband for the death of their son to a former prince coming to terms with his magical abilities and place in powerful prophecies, a drunken wizard with few morals, a dark menagerie of warlocks trying to take over the world, song-based magic, and a world that has lost its basic natural elements. The beauty of A Memory of Song is that this book is chock full of ideas, but it never feels overstuffed, confusing, or overwhelming. Instead, Palmer gifts readers a lived in-world with a deep history that completely envelopes you (in an immersive but definitely not heart warming way!).
I think the reason this book can avoid the standard epic fantasy barrier to entry is that Palmer never loses focuses on his characters. A Memory of Song has all of the magic and monsters you would expect from this genre, but its characters have very human and relatable motivations – even when they are being hunted down by evil men in wolf helms or amphibious beings. James (who has the unfortunate “Paul Atreides” problem of having a normal name amongst a cast of fantasy names) does have larger-than-life political and magical storylines, but at the end of the day he is just a man seeking to reunite with his sick and dying girlfriend. Wulfee is a mother on a quest to get revenge on her husband who killed their son, despite also being wrapped up in the larger trappings of the epic and magical plot.
No matter if it is one of our two main POV characters, or one of the many secondary characters that join in on these quests, Palmer has a real knack for quickly endearing you to these three-dimensional people – even to the point where they do something terrible and you empathize with them. Palmer’s characters come alive in a way that characters often don’t in dark, epic fantasy; his characters never feel like chess pieces on the board, just being moved around the board. A Memory of Song is the ideal blend of character-based fantasy with awe-inspiring, chilling, and magical plotting.
The absolute best part of Palmer’s characters is that you empathize with them so much that it shatters your heart when when bad things happen. And ooohhhhh man do bad things happen. There were at least three points in the back half of the book where I needed to stop reading and just sit with what I had just read. You know when you get that text that something bad has happened and your heart sinks and you just need to sit down? That is what this book made me feel – over and over again. It might not sound like it, but this is the highest compliment that I can give a book! I usually have the worst recall when it comes to books; when I finish a book I barely remember reading it after a few days. A Memory of Song has stuck with him. It found a way to drill itself into my heart and sit there, poking at me as I am reminded of this journey that Palmer has taken me on and all of the shit his characters had to go through.
For readers concerned about the “dark” elements of A Memory of Song, the book never crosses the line into being too dark or overly gratitous. What happens in these pages is no worse than what you would expect from a fantasy book with wars, battles, monsters, and potentially the end of the world. It’s not cozy, but I would hesitate to call it “grimdark” since the ethos of the work never descends into nihilism. The characters are thrust into morally ambigious situations – and some of the heart-wrenching scenes come about because characters are forced to do things they know are wrong. A Memory of Song imagines a world that could be better, and isn’t confident that this better world is not possible – but that it takes a lot of mucking through the mud to make that happen.
A Memory of Song ends (don’t worry – no spoilers!) in a pretty satisfying way. It ends on a cliffhanger that left me eagerly awaiting the sequel (WRITE FASTER SCOTT) while also feeling like it fully closed this particular chapter. A Memory of Song felt like it had its own internal narrative arc, a self-contained whole in service to a larger story being told. Since it will likely be at least a little bit of a wait until the sequel (WRITE FASTER SCOTT), having a chunk of the character and thematic arcs wrapped up made up for an immensely rewarding reading experience.
As of the time I am writing this A Memory of Song is available for preorder for only 99 cents, so there really isn’t anything stopping you from picking up this book. And heck, at that price you’ll have the money for therapy for what Palmer emotionally puts you through in this book!
May 29, 2024
I was fortunate enough to receive an ARC for A Memory of Song. I was extremely impressed by Palmer’s debut novel. It’s chuck full of lore, world-building, and character development. We are dropped right into the story from the first page in a very grim setting which sets the tone for the rest of the read. Those who liked Joe Abercrombie, John Gwynne, and A Song of Ice and Fire should give this one a read!
April 15, 2024
A Memory of Song by Scott Palmer is well-written and structured, with compelling protagonists; a slick, fast-paced plot; a visceral, uncompromisingly gritty tone; and delightfully immersive worldbuilding.
The cultural and tribal identities of its wider cast are recognisable and distinct – which is important to me as a fantasy reader – and the world has a lived-in feel. It is something supported by the fact that every major character – every moving piece – is shown to have agency and motivations of their own. There is a verisimilitude that comes with the sense that there are lots of other stories to tell in this world, and that these other characters, as well as the world’s deeper history and lore, do not exist solely to facilitate the mechanical demands of this particular story’s plot.
In starting his story with his setting in the grip of a magically-induced, slow-death apocalypse, Palmer creates and sustains a grimdark tone throughout, evoking the cruel and unrelenting wilderness of a dying world. The gritty, unhygienic horror of prolonging one’s meagre existence in such a context comes through very well, and the ambience of malaise that this creates in one’s mind as one reads is both grimly enthralling and immersive.
If I were to nit-pick, I personally believe that whenever a fantasy author blights a wondrous magical setting and essentially makes their story a post-apocalyptic one, the author should aspire not only to evoke a sense of horror at the desolate wasteland the characters currently inhabit, but also, in equal measure, sustain a sense of their loss, and how they mourn the failing wonder of their dying world. This shouldn’t need to feel like a trade-off, in fact the two things can and should be mutually supporting. After all, for me, the attachment and deep love characters have for the wondrousness of their fantastical setting is an important itch that fantasy scratches: it restores our own sense of magical wonder for blessings in our real-world environment that can otherwise be taken for granted.
In this regard, Palmer clearly has made an effort, and occasionally with great success. In particular, Wulfee’s breakdown upon beholding a symbolic flower that stubbornly survived the drought struck an emotional chord with me. However overall, I didn’t get an impression that most characters felt a strong reverence for the wondrous world they inhabited, or a sense of their gratitude for how it used to sustain them - even as they quested to restore it to its former glory! Instead, these considerations were almost always subordinated to something else – the value of saving the world, even among those characters who cared to save it, often seemed limited to the satisfaction of immediate physiological needs (hunger, exhaustion, etc.), and Palmer’s priority in description was usually to heighten the aforementioned tone of horror at the suffering that takes place in the apocalypse, rather than evoking a sense of tragedy and nostalgia for what has been lost. It is emblematic of this that Maggie, the Arwen-esque love interest who most signified the beauty of the old world, and who was thus perhaps best-placed to mourn its death, was rendered through her sickness incapable of articulate speech – and thus, I felt, her voice was largely side-lined despite appearing in several flashbacks - for the majority of the novel. Perhaps this is all simply a matter of highly idiosyncratic personal taste, but I felt it was a shame that Palmer did not spotlight more often and more prominently the reverence the people of Ardura had for their homeland, before it died. This was, for me, the only slightly misshapen puzzle piece in what was otherwise a very strong work of genre fiction: an exciting story that had characters with real heart, and which I enjoyed a lot regardless.
Overall, this is a very solid novel with lots to praise. It gripped me, sustained my interest, and I remain interested in what comes next in terms of sequels. I heartily encourage any fantasy fan to try it out, and especially if you are a fan of grimdark or post-apocalyptic fantasy.
The cultural and tribal identities of its wider cast are recognisable and distinct – which is important to me as a fantasy reader – and the world has a lived-in feel. It is something supported by the fact that every major character – every moving piece – is shown to have agency and motivations of their own. There is a verisimilitude that comes with the sense that there are lots of other stories to tell in this world, and that these other characters, as well as the world’s deeper history and lore, do not exist solely to facilitate the mechanical demands of this particular story’s plot.
In starting his story with his setting in the grip of a magically-induced, slow-death apocalypse, Palmer creates and sustains a grimdark tone throughout, evoking the cruel and unrelenting wilderness of a dying world. The gritty, unhygienic horror of prolonging one’s meagre existence in such a context comes through very well, and the ambience of malaise that this creates in one’s mind as one reads is both grimly enthralling and immersive.
If I were to nit-pick, I personally believe that whenever a fantasy author blights a wondrous magical setting and essentially makes their story a post-apocalyptic one, the author should aspire not only to evoke a sense of horror at the desolate wasteland the characters currently inhabit, but also, in equal measure, sustain a sense of their loss, and how they mourn the failing wonder of their dying world. This shouldn’t need to feel like a trade-off, in fact the two things can and should be mutually supporting. After all, for me, the attachment and deep love characters have for the wondrousness of their fantastical setting is an important itch that fantasy scratches: it restores our own sense of magical wonder for blessings in our real-world environment that can otherwise be taken for granted.
In this regard, Palmer clearly has made an effort, and occasionally with great success. In particular, Wulfee’s breakdown upon beholding a symbolic flower that stubbornly survived the drought struck an emotional chord with me. However overall, I didn’t get an impression that most characters felt a strong reverence for the wondrous world they inhabited, or a sense of their gratitude for how it used to sustain them - even as they quested to restore it to its former glory! Instead, these considerations were almost always subordinated to something else – the value of saving the world, even among those characters who cared to save it, often seemed limited to the satisfaction of immediate physiological needs (hunger, exhaustion, etc.), and Palmer’s priority in description was usually to heighten the aforementioned tone of horror at the suffering that takes place in the apocalypse, rather than evoking a sense of tragedy and nostalgia for what has been lost. It is emblematic of this that Maggie, the Arwen-esque love interest who most signified the beauty of the old world, and who was thus perhaps best-placed to mourn its death, was rendered through her sickness incapable of articulate speech – and thus, I felt, her voice was largely side-lined despite appearing in several flashbacks - for the majority of the novel. Perhaps this is all simply a matter of highly idiosyncratic personal taste, but I felt it was a shame that Palmer did not spotlight more often and more prominently the reverence the people of Ardura had for their homeland, before it died. This was, for me, the only slightly misshapen puzzle piece in what was otherwise a very strong work of genre fiction: an exciting story that had characters with real heart, and which I enjoyed a lot regardless.
Overall, this is a very solid novel with lots to praise. It gripped me, sustained my interest, and I remain interested in what comes next in terms of sequels. I heartily encourage any fantasy fan to try it out, and especially if you are a fan of grimdark or post-apocalyptic fantasy.
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