This is a deeply imaginative reimagining of Louisa May Alcott’s Little Women, giving long-overdue voices to Meg, Beth, and Amy March. The novel offers a fresh, modern take on these beloved characters, stepping out of the long shadow cast by Jo March, the original novel's central figure and Alcott’s own alter-ego. By excluding Jo from the narrative, the authors shift the spotlight onto the other three sisters, transforming them from supporting roles to vibrant, independent characters, each grappling with their own struggles and desires.
The result is a beautiful and thought-provoking novel that explores themes of queer love, motherhood, artistic ambition, chronic illness, and societal expectations.
One of the greatest strengths of The Other March Sisters is how it reclaims these women as more than the stereotypes often assigned to them in Little Women. Meg, typically portrayed as the quintessential domestic figure, is given a more complex and nuanced arc as she confronts the dissatisfaction of her married life. Struggling with unfulfilled dreams and the suffocating expectations of womanhood, Meg’s journey into gardening—a symbol of her quiet rebellion and path to self-discovery—feels poignant. This portrayal of Meg reflects modern concerns about motherhood and personal fulfillment, challenging the notion that domesticity alone can satisfy a woman’s ambitions.
Beth, often relegated to a tragic symbol of purity and goodness, is given a story that allows her to live, rather than simply die. The authors handle Beth’s terminal illness with sensitivity, showing how, even in the face of death, she yearns for moments of freedom and joy. Her connection with a new acquaintance, leading to unexpected and tender moments of love, gives her character a depth that was missing in the original novel. The exploration of queer love in Beth’s storyline is both touching and powerful, adding layers to a character who, in the original, was defined by her inevitable demise.
Amy’s transformation is perhaps the most radical, as she steps away from the “elegant, frivolous” girl many readers remember. Here, Amy is an ambitious artist struggling to balance her desire for personal fulfillment with her family’s expectations. Her journey through Europe is not just about finding a rich husband, but about discovering her own worth as an artist and a woman. Amy’s evolution into a more complex, self-aware character, torn between duty and passion, brings new meaning to her original story. Her quest for authenticity, both in her art and in her relationships, is handled with grace and a keen understanding of the pressures that women faced in the 19th century—and still face today.
By leaving Jo “off the page,” the authors of The Other March Sisters achieve something truly remarkable. Without Jo’s voice dominating the narrative, Meg, Beth, and Amy emerge as fully realized individuals with their own unique experiences, thoughts, and dreams. Using private correspondence, conversations, and intimate moments gives readers a deeper look into their hearts, allowing these women to speak for themselves in ways that feel organic and deeply personal.
For someone who enjoyed the original Little Women, this book was a remarkable new look at the story. The authors stay true to the essence of Little Women while offering fresh perspectives that resonate with contemporary readers.