It’s 1966 and a young girl walks into the cold waters of the River Trad. She feels that she has no choice but to end it all as the river takes her into its icy embrace….
In 1471, Marjory and Richard Merrivale, the local landowners, exchange letters about their plans for their adult children and the increasingly dangerous political situation of the time. What happens within their family will have repercussions down to the centuries.
Now in 2002, in the Devon town of Derenham, Terry Hoxworthy makes an unwelcome discovery on his farm. He’s hoping to develop a barn into a holiday home but, instead, finds a creepy medieval painting. It’s a Doom according to the local archaeological expert, Neil Watson, who is directing a local dig. They’ve already discovered evidence of a long vanished manor house and a decapitated skeleton. Now the proposed village hall which was to have been built on the site will have to wait.
And Paul Haygarth, a local estate agent, finds something that will halt the sale of a very desirable property known as The Old Vicarage. A dead body…
Meanwhile, DCI Gerry Heffernan and DI Wesley Peterson have been called out to look at a body that has been found on Terry Hoxworthy’s land. It soon becomes apparent that it’s been dumped there and that they have a murder investigation on their hands. Gerry recognises the victim as one time pop star, Jonny Shellmer, who had recently come to the live in the village. Wesley muses that Jonny had managed to ‘leave the world violently with a field of cows for company.’ But where was he murdered and by whom? And when Lewis, Terry’s teenage son, vanishes after selling a collection of medieval letters to a collector he ‘met’ online, his mum finds a gun in his room….
The clues seem to lead to Derenham’s past. Has it returned to haunt the present day residents. The Doom painting with its disturbing images of saints and sinners takes centre stage and Wesley begins to suspect that it may hold clues. The answer may lie in Jonny Shellmer’s past and in the events of 1966 as well as in the medieval letters.
This is the sixth book in the Wesley Peterson mysteries but it’s the first that I’ve read. I’m interested in Dooms and was intrigued by one being a central theme of the novel. Gerry and Wesley are a good double act and the contrast of their lives worked well. Gerry is a widower whose wife was killed in a hit and run in which the driver was never found. Wesley is married to Pam and they have a young baby, Michael. But he is aware of newly promoted DS Rachel Tracey’s attraction to him and with her sidekick, DC Steve Carstairs, around he needs not to act upon it.
Like the location of Midsomer Murders, Derenham is an apparently sleepy country town but with many dark secrets which come to light as the investigation progresses. The imagery of Dooms was well described as it was this element that intrigued me. I liked the blend of the historical and the present day with the device of linking the medieval letters, the gradual revelations of the terrible events in the Merrivale family and their echoes. I also liked the idea of the Doom holding clues with in it.
However, I felt that it became a little rushed at the end as the murderer was finally unmasked and it wasn’t who I thought it might be.
Also, I wasn’t convinced by Paul Haygarth’s actions after making his discovery at The Old Vicarage. Surely, he knew that it wouldn’t work? But desperate people in urgent need of selling a house will do stupid things as he did.
A Painted Doom was well plotted and the author masterfully wove them altogether. I would definitely read another one in the series.