Up front disclosure. I read most of James Patterson’s books and have for several years. Some might ask why and that’s another whole discussion best saved for another day. I have really enjoyed some, liked some, and didn’t really care for others. On a personal level, I must admit that his Women’s Murder Club series – focused on the professional and personal lives of four women in San Francisco - has been very hit and miss over the last couple of years.
This year’s outing - “The 24th Hour”- is being advertised as “Is this the end?” (Amazon) and “In twenty-four hours, the Women’s Murder Club could lose a member” (inside book jacket). My initial reaction was that this felt like a bit of promotional overkill. Only once in the last 23 books can I remember one of the club members being killed, and I believe that was in book four or five. However, I realize there needs to be a sense of drama and worry about our heroes – Lindsay, Claire, Yuki, and Cindy – so that we can feel the tension and concern for their safety, that their survival is always in doubt.
“The 24th Hour” begins with the women’s celebration of Cindy finally accepting Rich’s proposal to get married and turns into a vicious attack. Like most books in the series, this one has three primary plots – Yuki’s courtroom case involving a brutalized rape victim who suffers from dissociative identity disorder, Lindsay’s police team’s investigation of a rich man who was killed in the exact same manner as his wife was in the previous year, and Joe (Lindsay’s husband) trying to protect a major hospital from a ransomware attack that has put the lives of the patients at risk.
Each of the plots feel like twists on previously used storylines, which are starting to feel a bit formulaic. Yuki fighting a courtroom battle, Lindsay searching for a killer, and Claire playing a supporting role in providing the necessary medical information that help breaks the case wide open. Sound familiar? Maybe it’s me, but it feels like Cindy has the most character arc and development of the main characters. Over the last several books, she has grown from a news beat writer to a published author, struggled to get comfortable with marriage, and had to deal with the repercussions of being associated with a serial killer. She has experienced the most growth of the four women while the others have remained the same. However, I will add that I noticed some aging and medical issues popping with Claire over the last two books that might be foreshadowing her own future issues. We’ll see.
As I was about a third of the way into this one, I had an aha moment that made realize what I assessment of this series was heading to. As a reader, I have become comfortable with the Women’s Murder Club. That is both and bad. Please don’t get me wrong because I like the series more often than not. But hear me out.
It’s good because we have proven characters that have built up history, experience, supporting characters, and important love interests. Most of the time, their storylines are pretty interesting and keep my attention. I know them and each year it’s like a family reunion when I get to visit them again.
On the other hand, with comfort comes complacency, and even repetitiveness. For example, how many times is Joe going to be offered a government job, take it, get burned out, and go back to being a house husband and independent contractor? How many times is Lindsay going to be the only one to hunt down a psychotic killer? And how many times is Yuki going to pull a John Grisham lawyer rabbit out of her hat and win a big case?
Again, this is not a completely bad book. More of a middle of grading curve kind of read. I give it 2.5 out of five stars and enjoyed most of the escapist, mind candy reading experience. But the current writing approach has lost some steam, including storylines that start off with potentially good mysteries and then suddenly get resolved in the last 30 pages with either lucky (and unrealistic) breaks or the murderer unexpectedly does something stupid to give themselves away. Unfortunately, most of the time this sacrifices professional or personal growth of most of the primary characters. For example, the way that Joe’s ransomware plotline wrapped up so quickly in an unrealistic and convenient manner, was rather ludicrous to me. To add to my frustration, Joe wasn’t even around for the climax of it, but the reader was told how it turned out as he described to Lindsay when he returned home. In addition, the Lindsay killer investigation ended with more of a whimper than a bang and the Yuki court case had quite the what-the heck, flat climax that I am still rubbing my head over.
It would be nice to see some character conflict and development built into the storylines. I want to see these characters learn and grow from their challenges. How about some professional development for Yuki or Lindsay? For example, I think it would be good to give Yuki a different kind of storyline. It seems that every plotline she’s involved with is prosecuting the case of her career. It’s time to develop her in other ways that are outside of the courtroom. Show that she’s more well-rounded and has other aspects to be explored. In addition, Yuki’s husband Brady has turned into a mid-level manager who has disappeared, and Rich has faded into the background as Lindey’s partner. There’s more that can be explored with these characters and their relationships.
My biggest frustration is that this series could be better if Patterson and Paetro focused more on character development and took some risks rather than settling for proven formulas that are losing some of its strengths and uniqueness. For me, the Epilogue captured the magic of the characters and the heart of what makes this series greatest strength – their relationships. It delivered the emotional payoff that the three storylines lacked.
Overall, after all that constructive feedback, I give it a grudgingly passing grade but most of that is due to legacy and the relationships these characters have built with me rather than the comfortable state that their current storylines and weaker endings have been delivering.