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Marvel Masterworks: The Fantastic Four #26

Marvel Masterworks: The Fantastic Four Vol. 26

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Collects Fantastic Four (1961) #278-285 and Annual #19, Avengers Annual #14, Marvel Graphic Novel #18: The Sensational She-Hulk and material from Secret Wars II #2.

Writer/artist John Byrne is bringing down the house - literally! The new face of Doctor Doom turns toward the FF and destroys their home and headquarters, the Baxter Building. With no safe haven, no equipment and no place to regroup, the team then faces an all-out riot in New York! The Hate-Monger and Psycho-Man are twisting the emotions of the city's people - and only a trip into the Microverse can put an end to the violence! These adventures expertly tap straight into the heart of the characters, illuminating why the Fantastic Four are enduring Marvel icons! Plus: Byrne's SHE-HULK graphic novel and an Avengers crossover that will have major implications for the future of the Skrulls!

377 pages, Kindle Edition

Published August 21, 2024

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About the author

John Byrne

2,970 books366 followers
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John Lindley Byrne is a British-born Canadian-American author and artist of comic books. Since the mid-1970s, Byrne has worked on nearly every major American superhero.

Byrne's better-known work has been on Marvel Comics' X-Men and Fantastic Four and the 1986 relaunch of DC Comics’ Superman franchise. Coming into the comics profession exclusively as a penciler, Byrne began co-plotting the X-Men comics during his tenure on them, and launched his writing career in earnest with Fantastic Four (where he also started inking his own pencils). During the 1990s he produced a number of creator-owned works, including Next Men and Danger Unlimited. He also wrote the first issues of Mike Mignola's Hellboy series and produced a number of Star Trek comics for IDW Publishing.

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Profile Image for John Peel.
Author 444 books167 followers
December 18, 2024
Johnny Byrne was still going strong on the Fantastic Four with this latest collection. Impeccable artwork, of course, but his plotting was a little off this time around. In most of these stories, the set-up is fine, but all of the villains seem to be beaten awfully easily. And Sue Storm-Richards seems to be continually facing identity crises. And what's this thing he has for having She-Hulk strip?
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