A couple of things to know going in:
First: Iron Mountain was an iron mine in New York where the government records, documents, valuable items of all kinds, etc., were stored, the idea being that these things would be shielded in the event of a nuclear attack. Unsurprisingly, it also had fallout shelters specifically constructed for executives of oil companies and their families. (Such shelters were created elsewhere around the country.)
Second: The Report from Iron Mountain was written in 1967 as an antiwar satire. It was meant to capture the tone and perspectives of reports made by the Rand Corporation and other such braintrust organizations. “The Report” presented itself as having been commissioned during the Kennedy administration to answer the question of what the impacts would be if the Viet Nam War were to end and general world peace be achieved. The conclusion made by the Report was that world peace would be disastrous for social and economic stability, that if war was to end some other mechanism would have to be created to keep the country functioning and preserve the existing power structure. Among the possible mechanisms proposed: invention of an invasion by extraterrestrials, environmental disasters, something called “blood games”(think Hunger Games), even slavery.
Third: Subtitles are getting longer and longer. But that's neither here nor there.
What started out as an antiwar, left wing satire -- a bit of an antic lark in a culture replete with them -- "The Report" ended up living a very different life than what its authors intended or even guessed at. A dark and dangerous life that is with us today.
"Ghosts" begins with the writing of the Report itself and the nature of the time in which it was conceived: hundreds of thousands of America soldiers fighting in Viet Nam, a rapidly expanding anti-war movement, a tense White House. Among the individuals involved in the project were Leonard Lewin (a writer), Victor Navasky (journalist, editor of The Nation), John Kenneth Galbraith, E.L. Doctorow and others. Doctorow — at that time editor-in chief of The Dial Press, and later a renowned novelist — published the Report as non-fiction, for reasons Tinline explores. In the crazed culture of the time, when it was released in book form it instantly became a NY Times bestseller. Understandably: The public, knocked off balance by high death counts, government lies, and assassinations, was deeply receptive to suggestions that there were secret plots from the government and people, known and unknown, in high places.
There’s a lot more to the story of the Report’s beginnings than this, of course, but what Tinline is particularly interested in is less the Report itself than its extraordinary history after its release, from the early 1970s through our own time.
It was like a game. Was the Report real or not? No matter how hard the fabricators of the Report tried to convince the public that it truly was a satire, they made little headway. Profound distrust of the government was growing. Hadn’t President Eisenhower himself warned about a “military-industrial complex” that might exert too much power over the country? Had Lee Harvey Oswald really acted alone? Hadn’t the Johnson Administration lied again and again about how the war was going in Viet Nam? Then there were the whispers, many of them true, of domestic spying by the CIA and FBI. The Report had to be real, people said: why, the publisher itself described it as “non-fiction.”
Some groups would eventually, reluctantly acknowledge that the book was written as satire but they’d immediately turn around and say it didn't matter because what the Report talked about was really happening: the government (or a combination of the government and the “military-industrial complex”) was planning all kinds of things to take full control of the American people. People were talking about “black helicopters” and imminent mass arrests and concentration camps. Tyranny was just around the corner, they said. (Tinline refers to this kind of fact-averse thinking this way: “feels-as-if"; that is, If it feels real, it is real.” Needless to say, the phenomenon is demonstrated to us everyday.)
The war ended, of course, but The Report lived on. In a strikingly short time, Tinline writes, it became a critical sourcebook for all manner of conspiracy thinking from both the Left and Right (but mostly the Right). It was touted by John Welch Society acolytes, as did anti-government militias, fringe groups, Sovereign Citizen advocates, and fans of Oliver Stone’s paranoid movie that said the assassination of JFK was an inside job. It seemed to find validation in the awful events at Waco and Ruby Ridge. In the aftermath of those tragedies, Timothy McVeigh set off a bomb at the Alfred P. Murrah Federal Building in Oklahoma City, killing 167 people. Shortly after that attack, a journalist spoke with members of the Oklahoma Militia. They denied any involvement in the bombing but didn’t waver in their belief in the threat that McVeigh was fighting against:
The federal government, they explained, had “come under the control and domination of a group of wealthy coconspirators,” and was poised to “declare war upon its own citizens,” seize their guns, and crush their liberty. This was just part of a plot to hand the subjugated United States over to the forces of the United Nations.”
When the journalist asked how the militiamen knew about the threat, they replied, “Have you read Iron Mountain?"
Since its release many decades ago, the Report has had an enormous influence on various groups. For these people, everything in the news — every new conflict, every new peace initiative, every mention of a “new world order,” every technological breakthrough — was further evidence of the plots against America the Report warned about. Books, pamphlets, and videos asserted that the Report was “real” and was “being implemented.” Advertisements challenged: if the Report really was a hoax, “Why is the establishment media so upset over IRON MOUNTAIN? What information does it contain that they must DEBUNK THE ENTIRE REPORT? Do they have something there are trying to HIDE FROM THE AMERICAN PEOPLE?”
“Ghosts” examines the “conundrum of why a left-wing satire… ended up as a bible for the far right.” Somehow -- influenced by events, cultural shifts, and the actions of disaffected and unsettled individuals -- the Report became tightly woven into the DNA of militia groups and anti-government movements. People who hadn't yet been born when the Report was written and for whom the Viet Nam War was ancient history found fodder for their anxieties in its pages. Or at least what people said about it. A well-intentioned, non-binding UN plan for sustainable development called Agenda 21 suddenly became evidence of the sinister plot the Report warned of. Notables like Glenn Beck, Ted Cruz, the Republican national platform, condemned it, said Agenda 21 was irrefutable proof the Report was legit. More recently, Alex Jones would pick up the argument. And then there was QAnon. Later still, the threat would be embraced at the highest levels: it would be called the Deep State -- the shadowy individuals Donald Trump (who most certainly has never heard of the Report or Agenda 21 but has breathed deeply the poisoned air surrounding them) called "villains and tyrants who are looking to destroy our country."
Part of the history of the Report has taken a particularly disturbing, if entirely unsurprising. Many of the organizations -- perhaps even the majority -- that have held up the Report as proof the government and business elite are plotting against ordinary citizens also hold up The Protocols of the Elders of Zion — itself a hoax, to be sure, but of a very different and pernicious kind -- as further proof. As Tinline writes, "Both Protocols and Report seems to confirm the same deep story about invisible elite conspiracy. The 1990s far right promoted both books -- even sold [the Report] as new 'Secret Protocols.' Today, some racist conspiracists use the fact of Navasky and Lewin's Jewishness as 'evidence' that their hoax really does reveal an evil plot."
I wasn't aware of the Report before reading this book. Or perhaps I simply forgot about it over the years. (Perhaps I was brainwashed to forget? Hmmm.) Having read Tinline's book, I am now very aware of how persistent its influence has been. And how terribly complicated are the processes by which societies understand what is real and what isn't, what is true and what lies.