I received a copy of this book via Goodreads for an honest review. However, due to some strange mix-ups I had to wait much longer to get a copy of the manuscript than is normal. Mrs. Peikoff and her publishers were extremely understanding and helpful, and as a result I was looking forwards to this novel with some relish. Unfortunately, I was to be disappointed with the result in the end. The book started out quite compelling, but slowly lost me as a reader as I continued forwards through the story.
*SPOILERS*
The plot of No Time to Die follows a diverse set of characters in a dual cat and mouse game of intrigue; one scientific – the search for the theorized Master Controller Aging Gene – the other legal as we follow the FBI’s attempt to reign in the elusive Network, a secret community of Scientists, Patients and others who are attempting to push Science to the cutting edge beyond the legal (and perhaps moral, depending upon your viewpoint) boundaries. We open the novel to a murder of a scientist. This murder is in theory claimed by Galileo, the name taken by the leader of the Network, who seems to enjoy taunting the FBI with their inability to make headway against his organization, and is the first time a death has been attributed to the group that so far has only disappeared Scientists who have overstepped their legal authority. Next we meet Zoe, who has a rare genetic disorder that stopped her from physiologically aging at 14 – she’s almost 21 – and is desperate to find out what is wrong and ‘be considered an adult.’ And finally, we are introduced to Natalie (and Theo, her son) who is a scientist at Columbia, a colleague of whom has disappeared with the Network, and who makes a career ending mistake when she finds out about Zoe.
After the introduction to the characters and their motivations we plunge headlong into the action. Natalie gets fired from Columbia due to making the school look bad (probably the most realistic moment in the entire novel). Zoe and Natalie meet, and attempt to use the Columbia facilities to sequence Zoe gene – something which would not be, technologically speaking, as simple as the book portrays; and while it is not very important here it does become slightly annoying as the novel proceeds and individuals are able to do things in time periods that have no realism. Zoe is portrayed as a child, even though she is legally an adult and obviously not mentally incapacitated, in order that Natalie get arrested and incarcerated. Then Natalie is bailed out of jail by Galileo and she, Theo and Zoe begin their trek to the headquarters of the Network.
Meanwhile, the lead investigator Les Mahler proceeds to become more and more obsessed, break countless laws and regulations in his pursuit of the mysterious Galileo, and slowly descends into psychopathy. He even goes so far, as to kill a prison guard in get it blamed on Galileo, a moment where we find out that he was also responsible for the opening murder, and has an intense hatred of all that Galileo stands for. Unfortunately though, we are not really able to get a proper sense of his motivations because this is not truly explored properly, nor is his psychotic break. Since Les has a very high position in the government, with massive bureaucratic power at his disposal, and that takes time, ability and drive many of his actions don’t seem logical especially since Galileo seems to be in the cross hairs already. It was, at this point that the book for me began to fail, as the portrayals of the characters became muddled or, like Les, one-sided caricatures, and the twists became obvious.
Zoe, the medical miracle, is an adult trapped in a child’s body. It is for this reason that she goes to seek medical help that may, or may not, lead to serious problems with her family. However, her decision making is one of a rationale mature human being. Then, suddenly, in part 2 of the novel she seems to regress and her actions become one of a child, and as people see her as a child she seems to act that way. Consequently, her growth as a character is because she regresses. Certainly, her inability to find acceptance in her peers has caused serious problems, but her flip-flopping between childlike behavior and adult behavior becomes annoying quite quickly.
Natalie, the Scientist obsessed with her work is also some paradigm of single motherhood, and even when her obsessions with work land her in serious problems her son ‘gets it.’ Or, as in a later non-plot point her excitement over the scientific breakthrough that should lead to major consequences with Zoe, in the end turns to naught, even when Zoe is going to leave. In fact, it just adds to the verbiage not the story.
Finally, the hero, Galileo. He’s a man who wants to help scientist push the boundaries of knowledge and human achievement. However, he, like every character doesn’t actually think of the ramifications of his actions, and he comes off like the father figure that Zoe wishes she had – perfect, always one step ahead of everyone. Consequently, the ‘big reveal’ as to who he is, is so obvious that you would think Mrs. Peikoff would have just dropped the secret earlier, but sadly no.
In the end, the main problem with this novel is that it focuses more on the glorification of the pursuit of science than dealing with any serious discussion of the legal, moral or social ramifications of what these people do and why. Every character is either for or against something, and even when Zoe seems to question the reason why there is no discussion, it’s just subtly dropped in the story. Consequently, the hero has no substance, the villain becomes a cardboard cutout, and everyone is blissfully happy with their blinders on. Therefore, the book itself becomes drool since there is no tension, and everything that leads to the climax is boring since the ending is already assured. Having said all that, I think Mrs. Peikoff has good writing, and when she wants to create suspense it exists, but until she creates characters that have true human qualities, that doubt and question, the book will be more of a slog through the snow drift of words than the thrill of the chase.