Lucy Rey’s life is a train wreck, and I do not use this cliched term lightly. Her low self esteem and confidence has led her to make terrible decisions about relationships. Now, finding herself in kind-of-a-broken engagement, a job she abhors, and rental leases she cannot afford, she answers an ad for a mysterious job (Bearer of Bad News) in the Dolomites with all sorts of flashing warning lights going off.
Despite the zaniness I just spelled out, the context of this novel is engaging: the lost art, jewels and people of WW II, which has been the focus of many governments and individuals over the years. The novel is filled with characters who are searching for connections, of clues that will help them find an emerald necklace, but more importantly, the stories of two best friends in Berlin, one Catholic, Liane Terwiel, and one Jewish, Sophie Baum, and later, one baby, Samuel. The author uses the investigations of a fictitious organization, the “Department of Lost Things,” to build the back story, move the plot forward, and imbeds the work of young Resistance fighters to heighten the tension, never allowing the reader to forget the horrors of this war and the bravery of so many.
In the small town of Ortisei, Lucy meets a number of people, most of whom are guarding secrets and some, as she is, estranged from family. The story threads connecting the people in Ortisei and two great friends back in Nevada frantically doing research for Lucy keep a fast pace. The mystery surrounding Lucy’s grandmother who raised her, a retired American film star, Genevieve Saint, to some of the other characters was complicated and compelling.
One of the characters explains to Lucy he is doing research on intergenerational trauma, revealing the effects of trauma suffered in the past affecting relatives in future generations, even if they have never met. What is not said out loud is that this might explain the behaviors and lives of many in the novel. Taking a break from my reading, I spent some time mapping the various characters with their family’s traumas identified, and how they are functioning (or not) in the present. I found this aspect of the plot fascinating and a courageous one for the author to tackle. Who works through the trauma? Who finds strength through resilience?
One final note. Despite some big questions resolved and hope restored for most, many of the characters are left with work to do on their relationships and determining their next steps, a slice of authenticity for this debut novel.
Lucy Rey’s life is a train wreck, and I do not use this cliched term lightly. Her low self esteem and confidence has led her to make terrible decisions about relationships. Now, finding herself in kind-of-a-broken engagement, a job she abhors, and rental leases she cannot afford, she answers an ad for a mysterious job (Bearer of Bad News) in the Dolomites with all sorts of flashing warning lights going off.
Despite the zaniness I just spelled out, the context of this novel is engaging: the lost art, jewels and people of WW II, which has been the focus of many governments and individuals over the years. The novel is filled with characters who are searching for connections, of clues that will help them find an emerald necklace, but more importantly, the stories of two best friends in Berlin, one Catholic, Liane Terwiel, and one Jewish, Sophie Baum, and later, one baby, Samuel. The author uses the investigations of a fictitious organization, the “Department of Lost Things,” to build the back story, move the plot forward, and imbeds the work of young Resistance fighters to heighten the tension, never allowing the reader to forget the horrors of this war and the bravery of so many.
In the small town of Ortisei, Lucy meets a number of people, most of whom are guarding secrets and some, as she is, estranged from family. The story threads connecting the people in Ortisei and two great friends back in Nevada frantically doing research for Lucy keep a fast pace. The mystery surrounding Lucy’s grandmother who raised her, a retired American film star, Genevieve Saint, to some of the other characters was complicated and compelling.
One of the characters explains to Lucy he is doing research on intergenerational trauma, revealing the effects of trauma suffered in the past affecting relatives in future generations, even if they have never met. What is not said out loud is that this might explain the behaviors and lives of many in the novel. Taking a break from my reading, I spent some time mapping the various characters with their family’s traumas identified, and how they are functioning (or not) in the present. I found this aspect of the plot fascinating and a courageous one for the author to tackle. Who works through the trauma? Who finds strength through resilience?
One final note. Despite some big questions resolved and hope restored for most, many of the characters are left with work to do on their relationships and determining their next steps, a slice of authenticity for this debut novel.
The Master by Colm Toibin
As an English major, I gave little attention to the authors’ lives; the text was the focus, and critical analysis, the task. In “The Master, Toibin shares the details of Henry James’ life, mostly focused on four?? Years, gleaned through his study of James’ letters and the writings of those who knew him best and anyone else?
moving the curtain back and
While the stories behind where did the stories come from the details of how stories emerged from real life experiences was appealing, what interested me most was Toibin’s delicate /// treatment Sometimes the stories sat with James for a time,
Childhood and travels motivated by his father’s needs
Father’s influence
Relationship with sister, Alice
Civil War why didn’t he and William enlist haunting or not question
Brothers in Civil War, one died
Closeted gay man?
The novel soon drew me in as the story of a man, his inner thoughts, his experiences, evolution, growth,
and most of the time I forgot I was reading about A Famous Writer. Say something about his contributions to literature, development of a character
“Hope is not optimism, which expects things to turn out well, but something rooted in the conviction that there is good worth working for.” Seamus Heaney
“The arc of the moral universe is long, but it bends toward justice,” an abbreviated quote from 19th century abolitionist and Unitarian minister, Theodore Parker of Massachusetts