It’s interesting that the title of this little French novel is THE RED NOTEBOOK. It’s really, after all, a book about a mauve purse.
Funny, that a male author should choose to write a story centered around a purse. (Or, maybe it would be more accurate to describe him as choosing to write a story about the contents of a purse and, ultimately, its owner).
For a man should never go through a woman’s handbag—even the most remote tribe would adhere to that ancestral rule. Husbands in loincloths definitely did not have the right to go and look for a poisoned arrow or a root to eat in their wives’ rawhide bags.
A woman’s purse is sacrosanct territory. I’ve got three kids, and not one of them would be foolhardy enough to go probing through my handbag. They’re smart enough to know that I’d immediately remove it from their hands, and with eyebrows arched, inquire, “What is it you think you need?”
The woman from this story, Laure, doesn’t want any man going through her purse, either, but she is, unfortunately, mugged at the novel’s beginning, and her designer handbag is purged of its credit cards and obvious (to a thief) value, and is left on a dumpster.
Enter Laurent, a fortysomething bookstore owner (former investment banker, so we can check off the boxes that all bookish ladies who read this are thinking ooh la la--he loves books and he knows how to make money), who comes along the next morning, after poor Laure’s violent altercation with a robber, and finds her abandoned purse near his store.
Here’s where the story gets a little weird. For some reason, one that makes no real sense, this normal man, Laurent, goes to the police station to turn in the bag yet is told by police that he’ll need to wait for hours before someone can get to him. He leaves, and never returns. Basically: he keeps the purse.
And, in a scene I found highly amusing, Laurent goes through each item of this purse, with a silent reverence. This is a stranger’s purse, one that he found in an alley on a dumpster, and yet everything in it is perfect.
I wish I could include a picture of my purse that is on a chair, next to me, at the moment. It’s black, has a huge scratch down the front, the bottom is lined with squashed receipts, a dusty tissue, an epipen, a regular pen, a new wallet that broke the first week I bought it, and a stuffed little make-up bag that is currently filled with 7 lipsticks/lip glosses and a pretty mirror that I once bought in China. (Oh, and keys and my phone, which I dropped on a rock two weeks ago and now has shattered glass and tape on it).
I can only imagine that if a man found my purse right now and burrowed through it, he’d assume I was a hot mess, and he’d be just about right.
But, Laure. . . well, Laure’s just too damned sophisticated to have even so much as a single tampon in her bag. (Note to Antoine Laurain: no woman in her early 40s doesn’t have at least one tampon, pad or panty liner in her bag, and seriously, not even a single tissue in there with some blotted lipstick on it?? Come on!)
This has all reminded me of two very funny stand-up comedy bits. The first one is with Joan Rivers (seriously, look it up, it’s hilarious), where she is advising women who have gone through menopause to make sure they always keep at least one tampon in their purse. She recommends taking the tampon out of the purse, several times, throughout a meal with a man, and, if needed, dip it in ketchup and swing it around a few times like a lasso. Meaning: men, even in their 60s, 70s and 80s think that their romantic partners should still be menstruating and capable of making babies. Give up the ghost, y’all, and how about working on that beer gut of yours instead of demanding our perpetual youth?
Anyway, the other comedy bit is from a man (I want to say Ray Romano or Kevin James, but it’s escaping me at the moment), where the comedian makes the observation that his wife never wears the “pretty panties” anymore, the ones she wore when they were first dating, and that now everything she has is ripped or stained. Reality bites, doesn’t it?
The truth is, there’s almost ZERO reality in this story. The woman is idealized to a ridiculous degree; the male lead needs to be nothing more than “fairly tall, slim” and capable of making a good income. The reader is asked to overlook glaring plot points throughout the story (don’t even get me started on the medical inaccuracies from the hospital scenes!).
And yet. . . as the quote declares, at the start of the story: There is little but the sublime to help us through the ordinary in life. --Alain (Émile-Auguste Chartier).
I don’t think this little novel was trying to be THE GRAPES OF WRATH. It was a pre-pandemic offering, and there’s some delicious escapism here, for sure.
Also, some great lines, like this one: I’ve always liked men who can go from looking serious to warm in the space of a few seconds.
Poor Laurent. I wonder if he’ll ever find where Laure keeps all of her crumpled receipts and feminine products? (Not even a single dirty dish in her sink, when she wasn’t even expecting company! Who can compete with such perfection?!)
3.5, rounded up