Some interesting insight and plenty of useful discography information, but this unfortunately joins the ranks of “Misery and Purity” and “Le Livre Brun” by relying to too much on personal opinion and speculation than new research. As a book-length collection of album and concert reviews, it’s fine, but Chimenti is too in awe of his subject to articulate what makes Death In June such a mysterious and compelling project, let alone to address the the larger political, musical, and cultural changes that have shaped this iconoclastic band over the years.