This is the worst of the lot so far. The mystery itself was fun enough. There were a few fun plot twists. The investigation was messy, par of the course for the series. However, the relationships between the characters, especially the one between Cleo and Harry, usually made up for that for me. That was not the case for this book.
Cleo running away/becoming avoidant post the cliff hanger kiss of the last book is not unexpected. That it is accompanied with little to no yearning or any real thinking on Cleo’s part at all is a massive let down. It makes the chemistry of the last few books and Cleo’s own motivations behind all of her actions in the last few books feel unimportant. If she is no longer going to work with Harry as an investigator, what does her future look like? How is she planning to become financially independent? After all, her avoidance of Harry is based on her fear of marriage and her wish to be independent. At least, that is what can be assumed based on previous books. In this one, she does not seem to give that wish much thought, which is wild considering all her actions in this book seem to be caused by that wish.
Her actions occasionally make sense, but they are accompanied by so little insight into her thought process etc that they feel divorced from any emotional motivation whatsoever. Considering that basically all of her previous actions have been emotionally driven, it makes it hard for her to feel like the same character at all. It makes Cleo’s avoidance of Harry feel less character motivated more like an authorial excuse to write more books, which is a shame.
Similarly, a large B plot of the story is the hotel manager stepping away from his work. Cleo’s uncle is concerned that the man is looking for another job. Cleo is concerned that something is wrong. It is understandable that she does not want to investigate the man for her uncle. It makes much less sense for her to never voice her concern given her warm relationship with the man in the previous books. He might not have told her anything, but he would likely have appreciated her concern. Her not talking to him at all, outside of mentioning a job at another hotel, feels very out of character. In truth, that entire B-plot feels rather half-assed. The stakes are high considering Cleo’s relationships with everyone involved, but, again, the lack of any emotional thought or action on Cleo’s part neuters the tension or any associated consequences. She expresses her concerns to Harmony and realizes she shouldn’t have. As readers however, we never really feel or hear those concerns. We do not see the consequences of Cleo speaking with Harmony. There is just such a lack of detail in this plot, in the book in general, that it is hard to get invested. It is a shame as there was so much promise for this book. Hopefully, the next one is better.