(Please note: I read an advanced reader copy of this book, courtesy of NetGalley, in exchange for an honest review. #SpellsStringsandForgottenThings #NetGalley)
2 Stars - ⭐⭐
Young Lightcraft witch, Calliope, continues to reel from her mother's sudden disappearence and abandonment, even fifteen years later. She and her two sisters, Thalia and Eurydice, manage a cozy life in their hometown as owners of a local tea and bookstore, but their inability to do magic without sacrificing memories puts a painful twist in the reality of their situation.
When a Shadowcrafter named Lucien and disquieting signs point to the upheaval of the sisters' guardianship over an old and dark magic, Calliope takes it upon herself to protect her family's magic, the town and her sisters. But, she finds herself accidentally bound to Lucien, who has an agenda of his own. Together, they need to face their prejudices toward one another to use magic to save the ones they love.
Author Breanne Randall enlists the curious premise of magic at a cost in this enemies-to-lovers, "Pride and Prejudice" meets "Charmed" inspired novel. "Spells, Strings, and Forgotten Things"is her second novel.
Cutting right to it, unfortunately this book was not for me. My thanks still go to NetGalley, Penguin Random House, and Breanne Randall for the opportunity to read this, but the list of reasons for me to like it did not beat out the growing gripes as to why I didn't. This book was hard for me to enjoy. Craft of writing wise, there was simply too much for me to excuse and as a reader, there were disorienting decisions made that for the sake of honesty and professionalism, I think need to be addressed.
The magic system in this, while intriguing in theory, relied too heavily on cliches and missed the mark one too many times due to over explanation and plot convenience. The mix of formal, magic-forward language with the modern banter and bickering, between Calliope and Lucien most of all, was often jarring and made it difficult to get into the story. The dialogue and character voices were two dimensional or completely unrealistic, lacking the entertaining element I think it was meant to have, to a point I noted several times "Who talks like this?". Calliope in particular, characterized for her ceaseless talk, stubbornness, and self-made martyr from suffering of her own creation, was hard to like. The most compelling characters, in my opinion, are Thalia, Eurydice, and Lucien, so I was frustrated with how this story overall was executed.
The plot itself was frustratingly predictable and drawn out unnecessarily. The pacing varied from too rapid —skimming over key action by barely describing what was happening to get to the next thing without fully processing what was going on— to so slow it was dragging on with no end in sight. The highs barely stuck around, so it didn't allow enough time to escalate again to root for the main characters during the lows. It was a whiplash of "Someone's died" to "Here's some more banter", that it made it hard to care about the characters, their wants, needs, and goals.
Specifically relating to the latter in terms of poor timing, the spicier scenes need to be addressed. The smut is forced. "The world is ending, let's f***" got real old real fast. It felt out of nowhere and it was clear that bickering is just their foreplay, when the real foreplay should have been character development. The romance is fickle given that you can't tell if it's because of their bond or because they are truly falling in love. The two hot and heavier scenes were well-written sure, but what purpose did they serve in the larger picture of the plot? Calliope's whiplash attitude from charming to infuriated constantly was incessant, and reading "Little Muse" over and over made it lose its meaning that I wanted to throw my phone any time it came up again. I didn't feel that draw or wave of blush with the two of them. (Also SPOILER: him making flowers literally bloom when he makes her climax was positively ridiculous.)
The "________" meets "_______" formula got old for me very quick. It was too reliant on nostalgia and popular media that it missed opportunities for originality that could have truly driven the literary craft side of things that I think this was going for. It was like this book can't make up its mind as to whether it wants to be a cozy genre fiction or dark academia fantasy epic. It felt like a weak market grab, especially since I could see the ACOTAR influences here. I think this ended up being a way to stay up to date with the current market and that was disappointing as a reader. I understand that three sisters and Shadow Daddy's aren't exclusive to ACOTAR, but simply calling Lucien a shadow daddy doesn't make him one.
Lastly, without spoiling anything, the bit with the aunts was infuriatingly convenient and felt careless. It seemed like a matter of plot convenience, and all in all, the whole book felt like a Plot Stew: just throw in whatever you want and assume it will taste good without any thought for what might /actually/ taste good.
The redeeming factor of reading this for me was the end. It was the only time I felt a proper sense of characterization and chemistry, and made me wonder if there was a different, better story that could have been started there instead. I understand that two more books are in the works for this series now, and unfortunately, I will not be reading them. Like I said, this wasn't for me but I hope others can enjoy.