The longer this went on, the less I liked it. In the first half, I was still thinking this could be a four- or even a five-star read, if it stuck the landing, but it all fell apart so disastrously by the end.
I have so much to complain about that I'm not even sure I can put together a review with coherent flow. Bullet point time!
The Good:
* Even without having read the first four books in the series, Cypress Hollow is a town with a lot of personality, and this work felt very different from other "small town" romances I've read. Points for originality.
* Both Abe and Fiona start out as quirky but believable characters, and believably compatible. There was a reason I was on board with this story early on, and it's because they do have real chemistry at first. There are cute moments, and I did like Abe at the beginning, though it didn't last.
The Bad:
* Abe is hung up on his ex who left him at the altar eleven years ago, to the point where the first time he hops into bed with Fiona he calls her the wrong name. I'm not annoyed about this because it makes him a jerk, I'm annoyed with the author because it's really stretching. Eleven years ago? Is he still pining for her or not?
* Fiona is ALSO hung up on Abe's ex, because when she's prettied up apparently she looks enough like the ex to draw comparisons from random townsfolk. Which sends her off into an inferiority spiral that is just exhausting to read.
* Abe's ex then manages to get herself cheated on by her husband, the man she left Abe for, and in retaliation she blatantly tries to seduce Abe, but that plot line never goes anywhere, and no character ever seems to acknowledge her behavior. Abe doesn't fall for it but also doesn't call her on it, and Fiona, despite the inferiority complex she's developed, is mildly annoyed at the time but never brings it up again, EVEN WHEN THE WOMAN LATER BEFRIENDS HER. Really, Abe's ex just takes up way too much of the story.
* Fiona's intermittent "swearing" using entirely nonsense words isn't cute and quirky, it's just dumb. It makes her sound like a child learning to talk badly. They're not even the same words, it's a new one every time and they're all awful. They chipped away at what liking I had for Fiona every time they appeared.
The Ugly:
*The first time Fiona nearly died was understandable because of a semi-heroic rescue attempt and some extenuating circumstances. The second time? Definitely Too Stupid To Live Syndrome. And why does she need to nearly die twice? Isn't that excessive? Is nearly killing Fiona again really the only way to erase the idiocy (see my point below) of the final conflict?
* The central conflict that sets up Abe and Fiona talking--should we save the lighthouse or tear it down--is ignored for most of the book while they deal with more personal issues of personality, Abe's ex, family drama, etc. Then at the very end it's trotted back out for one last showdown where BOTH leads act like irredeemable idiots, no better than viciously mean children, and I'm supposed to believe a) they got that worked up over the lighthouse only to have it not matter at all to them anymore after Fiona nearly gets killed again, and b) that either of them can forgive the horrible things they said to each other in front of half the town?
* Knitting is a central theme of this series, and I'm keenly aware of this because many, many years ago when I was a die-hard knitter and was much more involved in the online knitting community, I "knew" the author as a knit blogger. When I saw this book available for free and recognized the name, I grabbed it on that strength alone, because her blog was charming and personable and I got kind replies the few times I left comments. But this book has NOTHING to do with knitting, until very late in the story when someone tries to make Fiona learn to knit again after doing poorly at it as a child, so the constant chapter-intro knitting quotes from the fictional town's fictional knitting goddess supreme felt wildly out of place. Had I read the first four books I doubt I would feel as strongly about this, but when the individual books are designed to be able to be read as stand-alones, this kind of tonal clash doesn't work, and can't be carried on the backs of the other books being more knitting-related. This one isn't. This one barely has a thing to do with knitting for 95% of the story and that five percent that touches on it can't support the weight of cutesy thematic chapter openings.