The poetry of Tom Postell, believed lost since a tragic death in 1980, appears here in its first authorized, comprehensive volume. While Postell ran with the masters of Beat, Black Power, and Hardbop in the 50's and 60's, he has remained elusive, enigmatic, unsung. His poems provide an astonishing look into how issues of race, music, and the political avant-garde intersect at this pivotal moment in post-WWII America. Essays and hybrid work by giovanni singleton, Derrick Harriell, and Aldon Lynn Nielsen complement interviews, typescripts, and archival photos, making this retrospective of Postell the first of its kind.
ABOUT TOM POSTELL
Tom Postell, born Thomas Freeman Postell Jr., was a Black American poet born in Cincinnati in 1927 and closely associated with the Beat Generation, Black Mountain School, and Black Arts Movement in New York City's Greenwich Village from 1953 to 1969. A close friend and mentor of poet Amiri Baraka, Postell's circle included musicians like Ornette Coleman and Archie Shepp and fellow poets like Allen Ginsberg and Ted Joans. Hindered by institutionalization, mental health struggles, and substance abuse, Postell disappeared from the literary scene in 1970, leaving a trove of innovative work thought lost upon his death in 1980.
"Postell wrote moon poems that would concern the authorities. A nature poet, jazz poet, love poet, and surrealist raconteur. He was multitudinous, hilarious, occasionally terrifying and always interstellar. In the pages of this iridescent collection, his voice arrives as if from another planet, another place in space-time, to call us forward.” —Dr. Joshua Bennett
"Tom Postell emerged from the mid-1960s Village literary scene as a self-sculpted, deft, barely-listened-to imaginal incessance. And yet, with this surprising new collection of unheralded poems, his work continues to radiate with incantatory significance. —Will Alexander
His poems reveal his interior world that is overflowing with imagination and passion, compared with interviews of his exterior presentation - to many he seemed like very ordinary, stoically-based man. He details jazz and growing up in NYC and this book of poems cements what I think a good description, that NYC is only for 5 times of people - immigrants, creatives, gays, rich people, and people of color.
Things that caught my eye:
wearing baggy pants to church lotus squatting buffaloes bird blows the saxaphone storm of architectural sound mountains of oversimplifications redundant oasis melts in your breath mailer cuts his wife whimper after the moon too nonchalant to terrify us tuned with stereophonic sound people that give up their virginity to a rolling stone tongue of ocean / stuttering jazz a cloud of smoke / or thoughts that choke whispering out of nothingness a song tear the muscles from the sea / and leave them bare friendly sex heat burns our bare hearts black. Where is your resting place? rain. Oppression. I love beauty; but I am afraid autumn hair roan rumbling down the body transgresses the brain I sucked her out of a hole in an orange Remember her / I don't believe she really cared If I work, I am too tired to write If I write, I starve, I'll stand beneath the sky And curse God Once upon a time i was a sober fox Martian phantasmagoria Antecedent invisibilities You've got to be a freak to get to hell