Sandro Botticelli actually has several apprentices, from senior apprentice Nino to rookie Datus. But the person we’re concerned with here is Mella, the chicken girl. Her duties include feeding and tending the chickens and collecting their eggs to make tempera paint with. She also cleans paintbrushes and does other small chores around the studio. Mella dreams of becoming an artist herself someday, starting by being Botticelli’s apprentice.
Mella’s got a certain amount of talent, already being pretty good at drawing sketches. But in Florence in the Fifteenth Century, girls aren’t allowed to be apprenticed to artists, so few people outside her immediate family have ever seen her work.
One day, during a busy time when all the apprentices are busy, Nino entrusts Mella with purchasing crushed lapis lazuli for pigment. Along the way, she winds up adopting a stray dog. Although she is canny enough to not be cheated by the merchant, Mella fails to secure the stone dust carefully, and the dog eats half of it. (This results in the dog getting named “Blue.”) This causes Nino to decide that Mella should not be given more access to apprentice duties.
However, Botticelli sees Blue, decide that he wants the animal added to the fresco he’s painting at the Vatican, and assigns that task to Nino, who then delegates it to Datus. Datus hasn’t had any drawing lessons yet, so does miserably on the base sketch, then when he spots drawings that Mella has done, passes them off as his own. Even with those as a guide, his painting of the dog is…bad.
But the damage has already been done. Datus is now considered someone who can draw, and can’t admit he stole the sketches. Nor can Mella, who’s only the chicken girl, publicly claim her work. This understandably sours their relationship.
Botticelli’s studio is then invited by the wealthy Mona Rossa to participate in a painting contest. The master is distracted by his father’s death, and delegates the basic painting to the apprentices, and the job lands on Datus. He must swallow his pride and ask for assistance from Mella. But in a time and place where she can’t be recognized for her artistic talents, is it even worthwhile for Mella to help out?
This book is a children’s historical fiction graphic novel. As the author explains in a detailed afterword, relatively little is known about Botticelli’s life, so there’s considerable wiggle room to put in a story like this.
The art is cartoony, and it’s easy to remember which character is which. Mella is your typical plucky girl protagonist, talented but held back by social expectations, and keenly feeling the injustice of her position. Datus is well-meaning, but in over his head and willing to take unethical shortcuts. He improves over the course of the story.
Botticelli himself appears relatively little, being busy off page, so the most important adult character is Mona Rossa. She’s a widow, which allows her freedom to conduct her own affairs as administrator of her late husband’s estate. It’s a bit lonely, but marrying again would make her subordinate to her new husband and no longer able to make her own decisions.
There’s a fair amount of time devoted to showing how paintings are made, from the making of panels to getting the polishing just right.
A particularly fun sequence is when Datus and Mella visit the crowded and noisy workshop of his family, with multiple conversations going on at the same time in the cramped quarters. It’s a good contrast to the relatively spacious and quiet panels of the rest of the story.
The ending is bittersweet. Some rules can’t be so easily changed, but Mella is able to get recognized for her talent and allowed to pursue her gift.
Content note: Period institutional sexism, a bird dies. Other deaths are discussed. Kids about ten and up should be fine, younger readers may need some things explained.
There’s a glossary at the beginning to explain some art terms and Italian words, and an extensive afterword that discusses topics brought up in the story and suggests further reading.
I found the book quite good. Recommended for budding artists and art history buffs alike.