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Up against it: A screenplay for the Beatles
Up Against It was originally commissioned for the Beatles as the film to follow Help . But they reckoned without Joe Orton's predilection for outrageous black farce. 'The boys, in my script,' he wrote, 'have been caught in-flagrante, become involved in dubious political activity, dressed as women, committed murder, been put in prison and committed adultery.'The story behind the writing of Up Against It , Orton's bizarre encounters with the Beatles' entourage and his death on the very morning he was due to discuss the filming, is recounted in the introduction by John Lahr, author of Orton's biography Prick up Your Ears .
- GenresPlays
70 pages, Paperback
First published January 1, 1979
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About the author
Joe Orton
46 books87 followersJohn Kingsley ("Joe") Orton was an English playwright. In a short but prolific career lasting from 1964 until his death in 1967, he shocked, outraged, and amused audiences with his scandalous black comedies. The adjective Ortonesque is now used to refer to something characterised by a dark but farcical cynicism.
Joe Orton began to write plays in the early 1960s. He wrote his only novel: posthumously published as Head to Toe, in 1959, and had his writing accepted soon afterward. In 1963 the BBC paid £65 for the radio play The Ruffian on the Stair, broadcast on 31 August 1964. It was substantially rewritten for the stage in 1966.
Orton had completed Entertaining Mr. Sloane by the time Ruffian was broadcast. The play premiered on 6 May 1964 directed by Michael Codron. Reviews ranged from praise to outrage. It lost money in its 3-week run, but critical praise from playwright Terence Rattigan, who invested £3,000 in it, ensured its survival. Sloane tied for first in the Variety Critics' Poll for "Best New Play" and Orton came second for "Most Promising Playwright." Within a year, Sloane was being performed in New York, Spain, Israel and Australia, as well as being made into a film and a television play.
Orton's next work was Loot, written between June and October 1964. The play is a wild parody of detective fiction, adding the blackest farce and jabs at established ideas on death, the police, religion, and justice. It underwent sweeping rewrites before it was judged fit for the West End. Codron had manoeuvred Orton into meeting his colleague Kenneth Williams in August 1964. Orton reworked Loot with Williams in mind for Truscott. His other inspiration for the role was DS Harold Challenor. The play opened to scathing reviews. Loot moved to the West End in November 1966, raising Orton's confidence to new heights while he was in the middle of writing What the Butler Saw. Loot went on to win several awards and firmly established Orton's fame. He sold the film rights for £25,000 although he was certain it would flop. It did, but Orton, still on an absolute high, proceeded over the next ten months to revise The Ruffian on the Stair and The Erpingham Camp for the stage as a double called Crimes of Passion; wrote Funeral Games; wrote the screenplay Up Against It for the Beatles; and worked on What the Butler Saw.
The Good and Faithful Servant was a transitional work for Orton. A one-act television play completed by June 1964 but first broadcast by Associated-Rediffusion on 6 April 1967. The Erpingham Camp, Orton's take on The Bacchae, written through mid-1965 and offered to Rediffusion in October of that year, was broadcast on 27 June 1966 as the 'pride' segment in their series Seven Deadly Sins.
Orton wrote Funeral Games from July to November 1966 for a 1967 Rediffusion series, The Seven Deadly Virtues, It dealt with charity--especially Christian charity—in a confusion of adultery and murder. Rediffusion did not use the play; instead, it was made as one of the first productions of the new ITV company Yorkshire Television, and broadcast on 26 August 1968.
On 9 August 1967, Orton's lover Kenneth Halliwell bludgeoned 34-year-old Orton to death at his home in Islington, London, with a hammer and then committed suicide with an overdose of Nembutal tablets. Investigators determined that Halliwell died first, because Orton's body was still warm. Orton was cremated at the Golders Green Crematorium, his coffin brought into the chapel to The Beatles song "A Day in the Life". Harold Pinter read the eulogy saying "He was a bloody marvellous writer."
In his hometown, Leicester, a new pedestrian concourse outside the Curve theatre's main entrance is named "Orton Square." John Lahr wrote a biography of Orton entitled Prick Up Your Ears in 1978. A 1987 film adaptation directed by Stephen Frears starred Gary Oldman as Orton and Alfred Molina as Halliwell. Alan Bennett wrote the screenplay.
Joe Orton began to write plays in the early 1960s. He wrote his only novel: posthumously published as Head to Toe, in 1959, and had his writing accepted soon afterward. In 1963 the BBC paid £65 for the radio play The Ruffian on the Stair, broadcast on 31 August 1964. It was substantially rewritten for the stage in 1966.
Orton had completed Entertaining Mr. Sloane by the time Ruffian was broadcast. The play premiered on 6 May 1964 directed by Michael Codron. Reviews ranged from praise to outrage. It lost money in its 3-week run, but critical praise from playwright Terence Rattigan, who invested £3,000 in it, ensured its survival. Sloane tied for first in the Variety Critics' Poll for "Best New Play" and Orton came second for "Most Promising Playwright." Within a year, Sloane was being performed in New York, Spain, Israel and Australia, as well as being made into a film and a television play.
Orton's next work was Loot, written between June and October 1964. The play is a wild parody of detective fiction, adding the blackest farce and jabs at established ideas on death, the police, religion, and justice. It underwent sweeping rewrites before it was judged fit for the West End. Codron had manoeuvred Orton into meeting his colleague Kenneth Williams in August 1964. Orton reworked Loot with Williams in mind for Truscott. His other inspiration for the role was DS Harold Challenor. The play opened to scathing reviews. Loot moved to the West End in November 1966, raising Orton's confidence to new heights while he was in the middle of writing What the Butler Saw. Loot went on to win several awards and firmly established Orton's fame. He sold the film rights for £25,000 although he was certain it would flop. It did, but Orton, still on an absolute high, proceeded over the next ten months to revise The Ruffian on the Stair and The Erpingham Camp for the stage as a double called Crimes of Passion; wrote Funeral Games; wrote the screenplay Up Against It for the Beatles; and worked on What the Butler Saw.
The Good and Faithful Servant was a transitional work for Orton. A one-act television play completed by June 1964 but first broadcast by Associated-Rediffusion on 6 April 1967. The Erpingham Camp, Orton's take on The Bacchae, written through mid-1965 and offered to Rediffusion in October of that year, was broadcast on 27 June 1966 as the 'pride' segment in their series Seven Deadly Sins.
Orton wrote Funeral Games from July to November 1966 for a 1967 Rediffusion series, The Seven Deadly Virtues, It dealt with charity--especially Christian charity—in a confusion of adultery and murder. Rediffusion did not use the play; instead, it was made as one of the first productions of the new ITV company Yorkshire Television, and broadcast on 26 August 1968.
On 9 August 1967, Orton's lover Kenneth Halliwell bludgeoned 34-year-old Orton to death at his home in Islington, London, with a hammer and then committed suicide with an overdose of Nembutal tablets. Investigators determined that Halliwell died first, because Orton's body was still warm. Orton was cremated at the Golders Green Crematorium, his coffin brought into the chapel to The Beatles song "A Day in the Life". Harold Pinter read the eulogy saying "He was a bloody marvellous writer."
In his hometown, Leicester, a new pedestrian concourse outside the Curve theatre's main entrance is named "Orton Square." John Lahr wrote a biography of Orton entitled Prick Up Your Ears in 1978. A 1987 film adaptation directed by Stephen Frears starred Gary Oldman as Orton and Alfred Molina as Halliwell. Alan Bennett wrote the screenplay.
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Displaying 1 - 4 of 4 reviews
September 23, 2016
- the script for a beatles movie that never got made bc it was so filthy it would've 'ruined the beatles'
- written by joe orton so that makes sense
- u expect it to not be that shocking since it was written in 1967 but actually it is
- either very sexist or an attack on the whole idea of gender or both
- john lennon is constantly having sex and being bossed around by dominatrixes
- i listened to the 1997 bbc audio adaptation bc i couldn't find the script ... it's been banned a lot
- damon albarn voices an anti-matriarchy terrorist who kills the PM, who in the 1997 semi-update, is based on thatcher (mantel did it better!!) ps there's a new gorillaz album coming out soon apparently
- written by joe orton so that makes sense
- u expect it to not be that shocking since it was written in 1967 but actually it is
- either very sexist or an attack on the whole idea of gender or both
- john lennon is constantly having sex and being bossed around by dominatrixes
- i listened to the 1997 bbc audio adaptation bc i couldn't find the script ... it's been banned a lot
- damon albarn voices an anti-matriarchy terrorist who kills the PM, who in the 1997 semi-update, is based on thatcher (mantel did it better!!) ps there's a new gorillaz album coming out soon apparently
March 4, 2017
As a concept it's not out of keeping with many films made around this time. Pity it never came to fruition.
November 26, 2020
It's just as well the Beatles didn't option this play.
July 1, 2025
kinda mid very goofy. idk orton never lives up to what i want him to be. wouldve killed to see the beatles do this but that literallllyyyy would never have happened
also why not write equal roles for all the beatles? i just know george harrison wouldve gotten like noooo screentime as the one girlies husband
also why not write equal roles for all the beatles? i just know george harrison wouldve gotten like noooo screentime as the one girlies husband
Displaying 1 - 4 of 4 reviews