For the other volume of back-ups, there’s a stronger variety of writers (in comparison to the first volume, Steve Moore only contributes a Great Intelligence story and one with the Sandminer robots from The Robots of Death) and a varying page count - the first three from this volume are in four two-page instalments and the others are mostly one four-to-six page affairs. John Peel, apparently renowned for his gratuitous OTT fan-reference memberberry shlock, acquaints himself far more than I was expecting given his reputation, bland Dominator story notwithstanding (wish the Androids of Tara follow-up was published instead!) mostly putting enemies in historical times like a Sontaran being trapped in an Egyptian pyramid - he’s even named Styx after the Greek goddess in a move that was seemingly unintentional - and a Sea Devil being entangled with pirates which produces a better story in four pages than Legend of the Sea Devils did in a whole episode’s runtime, Paul Neary gets a chance to write two; a brief and silly K9 romp and one where a crew of Dæmons reach the edge of the universe and suffer the psychologically-harrowing consequences. Even main-strip writer Steve Parkhouse contributes two detailing the further adventures of Doctor Ivan Asimoff and the Free Fall Warriors from his own stories, and Gary Russell’s City of Devils gives a better realisation of K9 and Company than the TV version ever did.
But the big selling point of the volume is, as I suspect, the ones written by Alan Moore (credited here as The Original Writer partly due to his beef with the comic industry) - David Lloyd even draws all of his stories bar one. Black Legacy (another one I remember via the Altered Vistas animations … wish the non-Dalek Chronicles productions showed up on YouTube one day!) has some fantastic horror motifs which overcome the fact that Moore doesn’t get the Cybermen since he has them showing emotion front-and-centre, but he gets the Autons spot-on in the equally-spooky Business as Usual. The most fascinating, however, is his stories set during ancient Gallifrey, initially depicting the Time Lord experiment that sent Omega to the antimatter universe and with the first visual appearance of Rassilon before revealing itself to be about a time war between the Time Lords and the Order of the Black Sun. They’re like tasters of a grand epic that I wish Moore had been allowed to do a twelve-issue miniseries on, they’d have probably been regarded as some of the richest grandest comic material in Who history.