After Kohaku was an idiot, Ohji decided to be honest and straightforward, to Yoi’s shock. But, she made her choice and she and Kohaku get along fine, although Yoi’s ongoing issues with her image are causing more problems than usual.
Be advised that I firmly think every choice made for the leads in this series was wrong, so if you have come into this already enamoured of their relationship then you’re going to enjoy this more than my grumpy review would suggest.
Watching a heroine have her individuality stomped out so she can be “girly” like everybody else never sits well with me. I wish they’d just have Yoi run away and join the Takarazuka Revue playing male roles and stuffed her into the cast of Kageki Shojo instead.
When Yoi comments about feeling dissatisfied and frustrated, I’m with her 100%. The premise of this story annoys me and there’s a part of me that is giving it a brutally hard time because of how ridiculous I think it is.
At least if you’re judging this on the ‘hotness of the male’ scale you’re doing great. This manga loves its male lead and Yamamori’s art has always been on fire when it comes to looking good, so no shock there. And Kohaku is believably awkward as he tries to balance his hormones and cool side with taking things at Yoi’s pace.
Of course, between that dumb contract and Yoi’s decisions to not ask for anything or try to be a bother when she could and should be monopolizing Kohaku’s time as much as he’d let her, there are just reams of pushing back, coming together, and pushing back.
Yoi even tries to get out of that dumb contract from earlier and Kohaku won’t let her get a word in edgewise. Why? Because the plot demands it, that’s why. This is nothing new for shojo, but I expect better from somebody who’s done way better work.
From the ‘brilliant and I would say classic’ Daytime Shooting Star to the ‘reluctantly admitting it’s growing on me’ Tsubaki-chou Lonely Planet to this one, it’s kind of been a slippery slope for me with this mangaka. This is Yamamori’s most conventional tale and, ironically, least engaging.
Some of it is great! Kohaku’s apology at the start is especially great, even if his jealous ass behaviour is also grating. There’s a lot of brewing stuff with Yoi’s introverted friend Tone that commits the cardinal sin of making me think the story would be better if she was the lead over Yoi.
All the costuming, courtesy of the school festival, is fun and silly, though Yoi never sticking up for anything she actually wants persists even with the school pageant. So much of this story feels like her having a strop because she either won’t say what she wants or isn’t being treated like enough of a gender stereotype.
Sometimes the shojo vibe comes through and does what it should and in interesting ways. Kohaku might be one of my least favorite leads in a long while, he’s kind of a boar, but he knows how to close the volume with a bang, at least.
Like I said, I think I’ve had so many chips on my shoulder for this story that I could open a McDonald’s on my clavicle, so it does offer something for somebody who finds these two interesting. Sadly, I don’t as often as I would like.
3 stars - couple of banger moments and the usual art triumphs (although I prefer the mangaka’s earlier style still) keep it from the dregs, but boy I wish I enjoyed this as much as everybody else seems to.