This is a thought-provoking and helpful read. It's a reminder to stop focusing on doing and focus instead on being and creating and living a life of intention, not production. So much of life seems like a checklist, with everyone asking, "what do you do?" and each of us feeling like our existence matters only because of what we accomplish. This isn't an answer book, but a reminder to slow down and live in the present and be intentional about what we're creating with our life. Here are some quotes I liked:
"Read... not as a user manual but rather in the same way you would read a message in a bottle washed onto the shore: just let the words land with you wherever you are (p. 13)."
"I studied under Benedictine nuns to learn the mysteries of the contemplative life and how to accompany others (p. 14)."
"'Who are you being when you are not out there doing? How alive can you stand to be exactly where you are, as you are?' (p. 16)"
"The more you turn away from arbitrary checkboxes and gold stars, the more flexible and energetic your capacity for making grows (p. 17)."
"When we forget our natural creativity, we are not well (p. 18)."
"Humans are meaning-making creatures who want our time to count (p. 19)."
"When will I stop worrying about running out of time, money, energy, and love so I can do what I really want to do? (p. 20)"
"We are not producers for some faceless boss in the sky evaluating our value, our input-output ratio--even if the aim is noble and of service to others (p. 20)."
"I'm inviting you to evaluate your time and effort creatively, not productively. As a maker, a fully alive collaborator in a vast web of creation, effort takes on a whole new meaning (p. 21)."
"It is a never-ending relationship with every season of growth, including silent hours in which it appears no new life will sprout, when nothing is happening (p. 22)."
"How did productivity become the measure for making meaning in our lives (p. 25)?"
"In the same spirit with which your phone reports your daily steps, screen time, and GPS location, ever-more-accurate measurements become necessary as markers for our earthly status (p. 26)."
"'When white-collar people get jobs, they sell not only their time and energy but their personalities as well' (p. 28)."
"In addition to your actual job descriptions, paid or unpaid, you must decide what it is to do--since you swim in endless options and opinions about the one best way. We are now all project managers, all the time (p. 29)."
"Even as we live in the land of productivity, it's time to remember who we really are (p. 29)."
"A maker is someone who cooperates with reality to draw out more life: someone who receives the stuff around them not as objects to extract value from, but as an unfolding world to playfully connect with (p. 30)."
"A maker does not simply do more but makes more meaning from every act, which your soul cannot help but do when you let it (p. 31)."
"Mere doing is always demanding you answer the question 'What do I do about that?'--where that is a feeling or an unanswerable question such as 'What is my soul's purpose?'... You can only do or not do (p. 33)."
"Whether you are making yourself tea, a spreadsheet, or a political speech, the quality of action is one of an intimate relationship between the maker and the world--as opposed to doing, where are you acting on it and running from it (p. 35)."
"You will never feel free within the limits of your time, money, and the goodwill of others until you make peace with the fact that there will come a day when the limits win (p. 36)."
"The world cannot be full of life for a producer when they are focused on avoiding death (p. 37)."
"The way to stop being trapped by lack is to embrace it: your lack of time, breath, and motivation. To see the way that all things are collaborating creatively for abundant life, stop arguing with all the edges (p. 38)."
"Be calm but don't get pushed around. Stay disciplined but don't be rigid. Be sensitive and aware but don't need anything. Be unique but not weird. Live in the house everyone else wants, but be true to yourself! (p. 41)"
"'There is nothing to get done except allow your thoughts on the page, even and especially when they don't make any sense' (p. 45)."
"Real rest is mentally releasing the need to solve a problem, including an emotion (p. 58)."
"Maybe you're a field that needs to be fallowed--leaving the soil unsown with seeds of expectations for a growing season or more (p. 59)."
"You have to set your will down a little in order to rest, to embrace the composting part of your life where all of the unconscious materials and minerals get to form fertile soil. You get to leave decisions alone for a while (p. 60)."
"Unproductive time becomes not-working time, a feeling of being in an airport waiting for your next flight... No one feels restored. No one has more energy... Any work without a 'ta-da' at the end, without a product, gets lumped into not-work. That's why the efforts of caregivers, who tend to living beings, are so easily overlooked and underpaid, and maternity leave can be mistakenly called a 'vacation' (p. 61)."
"Making takes effort, but not the kind we're used to as we put out fires and react to notifications (p. 62)."
"Stare out the window. Chop vegetables. Close your email and dial the phone number, type the letter, or sketch. Weed the flower beds. Go to a coffee shop and drink tea and expect to find the person at the table next to you inspiring your short story. Turn the music up in your living room and move the sofa. This is how we make time. At the end of the day, you will have reminded yourself of who you are: one who not only works but receives and gives in equal measure from the life of the world (p. 62)."
"As a producer, when you procrastinate, your inner middle manager berates the rest of you for what you're not doing. You're not simply resisting action; you are resisting your own resistance to action. Two equal and opposite forces within you have locked horns. No wonder you're exhausted (p. 63)."
"I both love and hate the email notifications popping up on a Saturday while waiting in line at a busy coffee shop (p. 66)."
"Everything happens so much. With us and without us. Everything happens so much. Yet you exist (p. 67)."
"If I never get anywhere else other than where I am now, what would be worth it for me to respond to? (p. 69)"
"Producers can desire what it takes to stay productive, but anything beyond that is a luxury (p. 70)."
"A desire is also uncomfortable for your producer self because you can't hold the sensation in your body without doing something about it (p. 70)."
"As a producer, you must take your desires literally, so as to deal with them as quickly as possible (p. 71)."
"Certainty is currency in the land of productivity. If you are what you do, you better be sure of what you choose to do (p. 72)."
"That was our task: aliveness (p. 73)."
"What if we looked at our time this way: Is it alive? If not, why not? If the answer is no, that doesn't mean we must make it alive again. We must see why. Maybe it was alive, but something has changed (p. 74)."
"The maker's trust comes not from rigid plans or infallible methods but from staying awake (p. 75)."
"Producers often struggle with big decisions, and too many decisions feel big (p. 76)."
"We cannot evolve with mere doing. Creating happens when we've unlearned how everything is supposed to go. Creating requires responding to what is: improvising with reality (p. 77)."
"Her relationship with her business shifted from a complicated math problem to a collaborative art project (p. 80)."
"You can't feel fully, creatively human unless you can tolerate deep shadow and light at once, because our days on a most basic level require both (p. 83)."
"The productive 'best life' creates two opposing options: the one says aim for the version of you that transcends all your current limitations. It says, tune in to your best self (p. 87)."
"This is not to say that there's no place for a plan (p. 91)."
"Who are you being when you are doing nothing? Who are you being before you've done anything and after you're done? Ask your best friends. Your pets. They feel your presence and find it beloved. That is why there is no such thing as doing nothing--the great sin of our culture--because there is no such thing as being nothing. I want to convince you that the quality of being trumps your actions every time (p. 96)."
"Unlike the land of production, which can only be driven by data and scientific materialism, the inner knowing offers a more holistic, interconnected, and profound understanding of our world and ourselves (p. 98)."
"Try shutting your eyes and you'll find it's even noisier within the mind (p. 100)."
"For the doing self, your inner knowing is very embarrassing. It makes you vulnerable to nature, other people, and bodily sensations. This creativity is disgustingly hopeful and uncynical. It's inefficient and unreasonable (p. 101)."
"A creative life thrives and withers in direct correlation with the truth. Not a mathematical truth or anything so provable--the truth of what is alive in you and what is not (p. 103)."
"When you ask yourself what you want to experience after finally producing enough, you find that you are seeking the qualities that your inner knowing already has in spades: peace, connection, curiosity, wonder, generosity, to offer a short list (p. 105)."
"What happens when you're done? And then what? What way of being are you holding hostage under the ransom of more doing (p. 107)?"
"What if your distractions are the socially acceptable shape of your creative power (p. 109)?"
"When the focus is on doing or not doing, your relationship to that action that you wanted becomes transactional instead of intimate (p. 110)."
"Our inconsistencies are golden places, holding valuable information about where we are and who we are (p. 111)."
"You can work out consistently because you're afraid if you don't, then you'll lose control. Or you can have a relationship with your body that is expressed and explored in movements (p. 111)."
"Telling yourself what not to do keeps you out of a creative life because it places terms and conditions on your wholeness (p. 116)."
"Presence makes real growth, not just 'change,' possible (p. 118)."
"Are you afraid of failure, or are you afraid of how you'll punish yourself if you fail (p. 126)?"
"These are the secret threats you have been taught were 'motivation':
Do it or you will go broke.
Do it or you will lose love.
Do it or you will be a loser.
Do it or you will have to give up forever.
Do not do it or you will prove them right.
Do not do it or everyone will suffer.
Do not do it or they will leave you.
Do not do it or everyone will see what you're really like (p. 127)."
"'How are you really? What do you need?" (p. 129)"
"I would much prefer to be a disciple of what is alive in me, to 'stick to it' by following a thread of something: learning, or life, or intention (p. 132)."
"We are all disciples of something, though not necessarily on purpose (p. 133)."
"All your work to ensure a neat ending in unnecessary (p. 136)."
"'If I had no idea what others would say and no outcome was determined, what would I see? What would I want? What would I think? What would I do?' (p. 139)"
"Your anger is what passion feels like when it's been ignored too long (p. 143)."
"If you treat the mistakes of your past with tender are and reverence, you can trust that future-you will treat present-you with the same respect... You were fully human then, you are fully human now, and you will be fully human in the future. There is nothing to run from (p. 145)."
"When we believe we are what we do, then we think we are responsible for making our very selves--that our life is a product to project manage (p. 146)."
"A maker knows we are not isolated actors. We are collaborators, made up of history, the earth, time, and each other. We become who we are in the presence of others (p. 147)."
"The role of a maker is to listen to yourself and the world around you. Maybe that sounds like a passive act, as if you're a bored but tolerant psychoanalyst nodding while a patient discusses her dreams. A more apt metaphor is this: you're sitting in a boat, holding one end of a delicate line in the water. On the other end is a heavy. flailing fish: the truth trying to climb up out of the water into the air with you (p. 147)."
"Their listening told me I was real--even when I struggled to believe it myself (p. 148)."
"You need the dark side of your mind like a painter needs a canvas to paint on (p. 156)."
"Silence isn't just an absence of noise, it's a posture of attention with the body (p. 157)."
"As stillness practices like meditation and prayer tend to show us, you will notice more sensations in your body that you were too busy doing over to find. You must also sit in the discomfort that you will never do silence enough, because that's the way it is with infinite things. This makes us not want to do t at all; this makes us not want to put ourselves in the way of it. Don't be precious about it. If you want up early to watch the sunrise for eight minutes every day, or turn your phone off, don't let it be an achievement. Don't let it become another obligation that you need to uphold (p. 158)."
"We cover our boredom with stress because that makes it feel more important (p. 159)."
"Every kind of boredom is a signal that some form of life is being ignored somewhere (p. 160)."
"Making: how to bring your inner world to the outer world (p. 163)"
"I define creativity as cooperating with reality to draw out more life (p. 165)."
"'If you think creativity is only for artists... think again' (p. 167)."
"Creative beings are often assumed to be willing to work at their passions harder, longer, and for less pay (p. 168)."
"To be a human is to have a divine spark of life within you to tend, nurture, and apply transformative effort. If you ignore it, throw it down the stairs into the basement of your consciousness, it will burn your house down (p. 169)."
"There is a cost to abandoning the spark of life within (p. 169)."
"A maker is driven by love... Your work is not you. You are in a living dynamic with the material of life, so ask yourself: What is the quality of that dance? To be intimate with your efforts means you have to deliberately reach out to the world and let the process change you (p. 172)."
"Intention is the invisible way you extend yourself toward a new way of being (p. 173)."
"Intentions differ from goals, but the difference can be subtle... Intention shifts your gaze. Your intention helps you slip past the how, past the bad infinity of the marketplace, past the boss, past the habitual self-consciousness that blocks your presence (p. 174)."
"What do you hope to learn, to experience in all your efforts? What would make showing up worth it for you if you released the result as an offering? Sincerely stretch your attention toward this possibility and see what magic unfolds (p. 175)."
"Connection--not correctness--creates momentum (p. 177)."
"We think failure means the game is over (p. 181)."
"Ideas don't run out. When you use one, three more appear (p. 184)."
"As a maker, you learn the difference between living with abundance and having enough (p. 184)."
"You are as brilliant and beautiful as your heroes and as ignorant and annoying as the person you least like at your dinner party (p. 186)."
"An inspired life can't decide in advance what part of life is worth paying attention to (p. 188)."
"Real humility is detaching from how important or unimportant, how good or not good, enough or not enough, you might be in order to surrender to the divine spark... Truth and beauty are not frivolous. Creating is responsible... It is a gift to be alive (p. 190)."
"Making makes you come alive (p. 191)."
"If only you could stop caring about the unanswered emails, dirty dishes, garden gathering weeds, the promotion that isn't yet yours, you would be content (p. 192)."
"Delight tends to dissolve our urge to control. It takes a cooperative approach toward reality. When you allow yourself to delight in something, you are open to being charmed by it. Unexpectedly and pleasantly transformed by it (p. 192)."
"Delight is not a diversion. It is not a task you can fail to put on your to-do list; it is a part of your nature that will find its way into your life (p. 193)."
"We work to repair the world, and... hope for a more beautiful future (p. 197)."
"Keep going. Inch by inch is enough. We need what you can see from where you are (p. 199)."
"In every 'unproductive' period of your life, the divine spark within you has always been committed to your fullest expression, no matter where you ended up. You have found exactly what you needed where you were and brought it with you (p. 201)."
"Trust how life has already prepare you instead of willing yourself to perform each day (p. 201)."
"You will never know how much there is within you until you allow yourself to be seen making meaning, making your presence felt (p. 201)."
"Show yourself and others the way that you, and only you, can give effort, intention, purpose (p. 203)."
"Our efforts will travel beyond us, because nothing true is wasted (p. 203)."
"Do not rush to make big plans or set yourself a program you must fulfill. Remember that the desire to make something new, to extend yourself in any direction, means that you are already the person who can hold this idea and see it through (p. 204)."
"Letting go of... the outdated self-images, the unsustainable relationships, the efforts whose time has come--isn't a defeat. It's an act of creative courage (p. 207)."
"Passion reminds us that our control is limited and our heart extends outside our body (p. 208)."
"Congratulation yourself for the willingness to love (p. 209)."
"You must have courage to look so closely at the mundane and love it enough that it tells you what else is happening, that which was hidden by productive fantasy (p. 211)."
"The future demands your imagination, your particular way of regenerating the earth (p. 211)."
"You aren't meant to know how your efforts matter. Trust that the impulse to plant, water, and weed is plenty. No checking notifications required. While you are sleeping, the beauty and wisdom you let flow through you when you were awake is finding its way to where it is needed (p. 213)."
"The sparks you made will fly long after you close your eyes for the last time (p. 214)."