Having read Staples’s previous novel I knew what to expect coming into this story, and not only was I not surprised but, lo and behold, we are continuing the story of the main character in This Town Sleeps in a stealth sequel. Truthfully, this novel stands on its own without that novel, and considering how much of an ensemble story this was I understand why it wasn’t marketed as a sequel. The writing was haunting and lyrical, flirting with perceptions of reality and surreality in ways that were fun and immersive. All the individual characters I cared about and they felt genuine, grounded. That, though, is part of the problem. The story itself is vague, and while we see the various POV characters being affected by the same supernatural forces they really have independent stories, and the floating between them didn’t give me enough of any one of them. I felt like each had more story, and more narrative, to share, and the multiple POV wasn’t additive in that way. I suppose it was additive when you try to step back and look at this as not the story of those particular characters but the story of a place, a [peoples, something culturally inherited and systemic, both, and these characters just the temporary warm bodies in the path of something bigger. However, if that is the story being told then I think the sense of place, the environment, needs more personality and depth. The result is an amorphous story that introduces compelling characters and an exciting core premise but then spreads it too thin to ever let it develop teeth.
I liked the emotionality and vulnerability to the story, as well as to the writing and characters. There is a weariness to the tone that feels like it captures a lot and when combined with some of the feverish narrative distortions the vibes for the story are strong. I think that the real thing that kept me from really enjoying this story is that there didn’t feel like any sense of urgency or reasoning for these things to be happening now, to these people. I can roll with the tentative relationships with individual characters as we float among various people experiencing the same force in different ways. But why now? Why these people? When the mystery of the events is revealed, by the end, it isn’t the case that this is something new, or something directly related to the people we follow. I can’t help but compare this to This Town Sleeps which also has a haunting or two at its heart, but the way those supernatural events are connected to the main character make sense, there is some rationale grounding our characters to the events of the narrative. Here, by the end, we may have an idea of why this supernatural entity is doing what it is doing but I didn’t feel like there was any satisfying reason why it is happening now, to these people, at this time. Which meant that, beautiful and lyrical writing aside, everything felt too ethereal and had nothing tying it all together. So characters, subplots, environments, hauntings, fever dreams, dating apps, ancestral spirits, curses & blessings, these were all just floating in the ether and didn’t coalesce into much more than vibes and ideas. Everything feels so dispersed that you can’t even really say that narrative is sacrificed for a vibe-based character study because we don’t spend enough time with any one character to really celebrate their victories or mourn their losses (even though we do get to see some change in them, I suppose, by the end). Every aspect of the story feels so gentle as to be slipping out of reach.
The writing is beautiful and the ideas, about identity, inheritance, trauma, responsibility, appropriation, colonization, devotion, affection, vulnerability, honesty, self-acceptance, and more are all interesting. Having read both of his novels, now, I still am interested in seeing what he writes next as I appreciate his ideas and style, even if not everything came together for me this time around.
(Rounded from 2.5)