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376 pages, Kindle Edition
Published October 7, 2024
"your father tells me you're..." she hesitated and glanced at cass. "comment est-ce qu'on dit qu'il emménage avec le petit..."
cass wrinkled her nose. "we'd say 'shacking up,' I think."
mariah nodded. "your father tells me you are shacking up with that young man now."
he'd started learning russian from a book, as though russian were something you picked up rather than had foisted on you.
"how did you know this was here?" sam asked.
"curiosity and snooping, mostly."
[...] "if you had a coat of arms, that would be your motto: curiositas et exploratio."
"that's a very medieval way to translate that, but I like it."
most of it felt like received victorian spiritualism to ulysses, but it was what babushka had done.
“Don’t be so bourgeois, darling. You’re a powerful magician and your lover is a retired god. Of course things are going to be a bit unusual.”
“It’s terrifying.”
“Eh, bien?” Mariah made a dismissive French noise. “It’s love. It’s supposed to be terrifying.” [p. 191]
Third in the series, and the last (for now) of the novels that focus on Ulysses and Sam. It begins with the two moving into a new apartment together, and meeting the neighbours (Vikram and Sita) who have a ghost problem -- and, it turns out, a connection to Sam's family.
Both Ulysses and Sam are growing up. Ulysses has finally left the family home, has won a prestigious prize, and is a professor: Sam has a real job, and is slowly rebuilding his relationship with his father. The magical bond between the two is intensifying and starting to cause problems, as is the return of Ulysses' brother Lazarus, home from Vietnam / Thailand and not sure how to fit himself back into his former life. And there are government officials literally chasing Sam; mutant spiders; and, in the mundane world, the university being bombed by anti-war protesters.
The building tension in this novel does make for some repetitive scenes, but it's interesting to see Ulysses somewhat less breezily competent than usual, and Sam more comfortable with the fact that he's an ex-god. There's a hint of past homophobia, and an apology for it: and discussions of marriage, and whether it's just a government mechanism for deciding which relationships are important. I found Mariah, Ulysses' mother, delightful and formidable (you may read that with a French accent if you wish) and the finale wholly satisfying. I did feel, though, that the spiders and the tentacles were insufficiently addressed.
This would probably have been a good place to stop, at least for now. But I was intrigued by damaged, prescient Lazarus, and his difficult relationship with his brother...