Scripture declares in Psalm 103:1, “Bless the Lord, O my soul: and all that is within me, bless his holy name.” This is something that as believers we should long to do with every fiber of our being, both in the way we live and also through the avenue of corporate worship in the body of Christ. After all, we do have much to be thankful for and our God is most certainly worthy of our worship. The issue that is often under discussion in recent years is the manner in which corporate worship should be conducted. With the rise of the seeker sensitive approach and the increased use of technology as well as various forms of musical expression, some are asking the valid question of whether worship has strayed too far from what some declare as its Reformed roots. Dr. Terry Johnson, in his book Worshiping With Calvin, desires to outline why he believes modern worship formats and forms of musical expression are far from traditional Reformed methodology and practice, suggesting in turn the need to take a look at what the Reformers such as John Calvin had to say on this subject.
As one who has attended churches that were very traditional (i.e. Reformed in the manner that Johnson describes) and others that utilize more modern Christian worship methods, I can honestly say I have seen the good, the bad, and at times the ugly when it comes to how worship services can be conducted. Far too often there is the perception that worship can be a free for all, a proverbial do what you please approach to offering our praises to God to include running around the sanctuary, uncontrolled laughing, and quite frankly falling down at random. This is a problem that must be addressed and a book such as Worshiping With Calvin is an effort that I hoped would be a needed corrective. While there are some elements of this book that are helpful and that do provide the reader with solid biblical teaching on the reality that not all forms of expression are valid when worshiping God, the overwhelming focus of this book seemed to be a polemic against all forms of modern worship, regardless of whether those modern forms have theological viability.
For example, Johnson notes “The Reformers believed that Scripture’s own self-testimony is that Scripture alone is the final authority in all matters of faith and practice.” There is nothing to argue with there. He goes on to state that passages such as Deuteronomy 12:32 and Proverbs 30:6 warn us not to add or take away from the Word of God. Again, there is nothing to argue with in that statement. Johnson then proceeds to add a quote from Calvin’s Institutes to what the Deuteronomy and Proverbs passages state in order to suggest that modern forms of worship that do not utilize verbatim Scripture word for word is something that is in violation of Deuteronomy 12:32 and Proverbs 30:6. He quotes Calvin with “when the worship of the Lord and the precepts of salvation are concerned.” This begs the question as to just how Johnson views acceptable worship, in particular what he is declaring as Reformed worship, the only form of worship that in his opinion can be rectified with Scripture. Are those who label themselves as Reformed rappers, artists such as Lecrae or Trip Lee, individuals who utilize their God given talent of rap to reach out to the African American community in a way that speaks the truths of Scripture while bringing glory to God artists that are out of line with Reformed worship methods? It seems for Johnson, only hymns that are directly lifted from the pages of Scripture are acceptable.
He asks the question “is it wise to discard the historic and time-proven elements and forms of Reformed worship and ministry in favor of unproven alternatives shaped by popular culture?” That certainly is another valid question given that as believers we are commanded not to be influenced by the shifting winds of popular culture. However, did not the hymn writers of old utilize their current musical methodologies in their hymn writing, in particular the various musical instruments of the day? Were those considered as unproven alternatives shaped by popular culture? To some extent, Johnson answers that question with “Granted, some accommodation of popular culture is inevitable and probably necessary. Still, when the biblical depth of Reformed worship is exchanged for the accessibility of the new worship, we still want to know what is being lost in the process.” That is certainly a valid point but again it begs the question as to what criteria is being used to determine what is lost or what is gained for that matter. Johnson seems overly focused on presenting a negative the “decision to do one thing (sing a song or a series of songs, stage a skit, feature liturgical dance)” suggesting that in doing so other things have to be given up such as the need to “read the Bible, pray, sing a psalm”. The reader is left wondering if singing a series of songs, having a skit to drive home a point of Scripture or properly and appropriately conducted dancing before the Lord is unbiblical. After all, King David danced before the Lord with all his might.
Johnson also pleads for the public reading of Scripture in the tradition of the Reformers. Such a suggestion is quite excellent and an activity that should be more of a part of church services, something done perhaps by more than just the Senior Pastor. Johnson also pleads for the use of psalm-singing, suggesting it is a tragedy that “many churches today do not use hymnbooks and to not sing hymns.” He also decries the lack of use of hymns noting “There is some danger that a whole generation, brought up in mega-churches and their imitators, their church musical exposure being limited to youth groups and seeker services, will reach adulthood ignorant of the church’s entire treasure of music and lyrics.” As if that was not bad enough, Johnson weeps over the fact that he believers “there is a growing concern that congregational singing itself is dying a slow death.” It is his belief the “band/stage/entertainment format compounds the problem” returning to a comment made earlier in the book concerning his angst that no Christmas hymns are sung during Christmas services given only “contemporary” Christmas music is played for the congregation.
As one who attends a church that more often than not does not use a hymnal, I must submit I have not noticed, at least in the congregation I attend, a lapse in theological focus or what can be understood as true biblical worship with the use of the band/stage/entertainment format. Now my church is not seeker sensitive in their approach so the entertainment part is minimal at best, even in the youth group setting. Trying to equate a lack of hymn usage as the reason for the decline in the church’s focus on matters pertaining to God seems like a bit of a stretch. The Reformers desired a return to God and Scripture as the final authority. Blasting those churches who dare to sing modern worship songs as being outside the Reformed framework, especially given many of the modern worship songs are noting but replete with stanzas that give all the glory and honor to God, albeit with some drums and a guitar and maybe even some modern forms of music, seems a bit much to try and prove. In that regard, Johnson seems to be forgetting that Reformed worship can include modern musical expressions, especially those that are again properly focused on what worship is all about, giving glory and honor to God.
The Reformed approach to worship can include rappers such as Lecrae and Trip Lee as well as artists such as David Crowder or Chris Tomlin, individuals who have provided the body of Christ with excellent, God centered, Gospel centric worship songs that are being song and should be sung in our churches today. While there are certainly many issues that need to be addressed regarding worship to include the overly focused entertainment seeker-sensitive methodologies that are more concerned with having a “fun time” instead of offering up our voices in praise to God, trying to excoriate all forms of modern worship as falling under the umbrella of being seeker sensitive or outside the framework of what is considered Reformed beliefs, simply falls short as a completely valid argument.
I do appreciate the zeal and fervor Johnson has for the body of Christ doing Bible things in Bible ways, especially when it comes to how we worship a holy God. With that said, it seems as if Johnson goes a bit too far by generalizing all modern worship as something Calvin would be rolling in his grave over, an argument that for this reader has some elements of truth to it, but not to the extent being presented for the most part in this book. I will take to heart the fact that all things must be evaluated in the light of Scripture, something Johnson does make a point to reminds us of and rightly so. Is there much we can learn from church history and from the Reformers? Absolutely there is much to glean from their approach and their writings. With that said, would they reject all forms of modern worship? I humbly submit the answer would be no. Is there a need for a corrective? Yes, but I am afraid Johnson has swung the proverbial pendulum a bit too far in the opposite direction on some points.
I received this book for free from EP Books via Cross Focused Reviews for this review. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 : “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”