'Counterculture' emerged as a term in the late 1960s and has been re-deployed in more recent decades in relation to other forms of cultural and socio-political phenomena. This volume provides an essential new academic scrutiny of the concept of 'counterculture' and a critical examination of the period and its heritage.
Sheila Whiteley has an international reputation as a feminist musicologist, writer and researcher into issues of identify and subjectivity.
She was awarded the first Chair of Popular Music in the UK in 2000 for her work in gender, sexuality and culture and she continues to influence generations of academics, researchers and musicologists.