Why I read it: Seemed like a good romcom, it's been on my to-read list since 2023, and it's on Kindle Unlimited.
Thoughts: It was a... decent... romcom. I don't typically like romcoms -- at least not contemporary romcoms; Yield Under Great Persuasion felt like a romcom at times, and that one is still in the top ranks of my heart, as are K.J. Charles's various historicals, etc., so it really feels like contemp romcom is not for me and has to work twice (or thrice) as hard as historical/fantasy romcom. Anyway, the blurb really undersells how serious this book gets, too. Like, yeah, there are romcom shenanigans (they sneak out of accommodation so they can go see the sunset in Venice, they get ridiculously competitive with each other, they individually have "Oh no" moments, etc.), but there are serious themes at play here: grief, sexuality, homophobia, manipulation, familial abuse, consent issues.
I really liked the protagonists and their shared Nigerian background. I felt that was really well-realised throughout the story without it being the only thing they had in common. I also really liked the conflicts they each had with their families, and which felt particularly relatable to me. I'm not Nigerian, but I am a first-gen immigrant from a East-European culture where familial bonds are very similar to what Ejiro and Obiora (but particularly Ejiro) experience; there's the same reliance on food-as-placeholder-for-love, the same expectations that children "owe" their parents for their upbringing, the same shaming from parents if children "fail" them in any respects, the same sort of expectations that children will end up in careers picked (or emphatically suggested) by parents, etc. So I really, really liked how Ejiro and Obiora worked through those issues, because it mirrored how I worked through some issues, and in particular there is a moment where Obiora finally breaks through and makes Ejiro see that the way they're currently living is making no one happy -- their parents want/expect more from them, they want other things entirely but are afraid of their parents' reactions and of their parents withdrawing their love in retaliation -- and it's simply not sustainable. He says this: "Something's got to give. If our parents get upset, then that's okay. They won't be upset forever. But if we keep on like this? That's our lives we're talking about, Ejiro. Our happiness." It's very much the same thing I said to myself in the lead-up to forcing myself have difficult conversations with my mother, and to see it laid out in a book like this really, really pleased me. I also liked that there is pretty uncompromising follow-through from both characters on the family front.
Anyway, the romance itself was also good. I talked so much about their family stuff because their identities are so closely tied to said family stuff, so the protagonists have to work through different things to get to a point where they can meaningfully engage in romance, but the romance was also well-realised. I really liked the mutual slow-burn attraction. I liked that it started at different points for each of them, and ooooh I loved Obiora coaching Ejiro through learning things about himself: first there's some stuff about consent and sexuality vs sensuality (Ejiro realises he's demisexual and that's just the beginning of his journey, really), then Ejiro is like, "Wait, am I bi?", then Obiora is so patient even after they are officially in a relationship. Mind you, I'm not praising him for being patient with the person he loves; that's the bare minimum of any relationship. I'm just praising the fact that it was well-written and believable in the context.
The sex was... okay? I was joking with my husband that I need to have a separate rating system for sex scenes that doesn't just say how spicy they are (to me this is like a two- or three-pepper spicy: the language is descriptive without being purple, the emotions are good, there is a little bit of kink but not much/blink and miss). In my estimation that rating system goes like this: why oh why do I have eyes and am literate > this is boring and repetitive > this is fair to middling > this is engaging, novel, and relevant to the story as much as the non-sex bits are > this has broadened my horizons and/or awoken something in me > I'm actually going to remember this. On that scale, I'd rate Cupid Calling at a "fair" and "relevant to character development". The pining and yearning leading up to the sexy bits was more entertaining, and I could've used way more of that tbh.
The gimmick of the novel itself has me split, though. On the one hand, a romcom needs a gimmick. "Two men join a Bachelorette-type reality show and fall in love with each other" is as good as any. On the other hand, things happen over the course of the reality show, which is directed/produced by a well-known, well-respected, influential Black director, that had me thinking "you guys are way under-reacting to how bad this is" while simultaneously thinking "this would make for a BORING show". Like, there is an overall aura of... gods, I don't want to call it "wokeness", but I can't think of a different word for it. When they're shooting the first episode, a contestant gets eliminated on the spot when he picks up the bachelorette and is going to throw her into the pool despite her many and loud protestations. In another episode, a contestant also gets eliminated on the spot when he says homophobic shit and the bachelorette is very emphatic about that. These are all fair and good things.
But then when the bachelorette kisses Ejiro without his consent, I feel like maybe not a big enough deal is made of that. I mean, I get that PDA and kissing at the end of/during dates is normalised, so that's fine; the context in which it happens is okay, she didn't, like, force herself on him despite him saying "no" (Ejiro's problem is that a previous relationship made him feel like saying "no" is a character fault he has to work on, which later gets its own self-actualisation moment). Ejiro deals with it with Obiora's help, and with that he manages to make himself bring it up with the bachelorette, and the bachelorette is appropriately distressed and apologises. And then the producer of the show is essentially like, man, you should've said something about it at the time, which hit a weirdly sour note for me. She even does a whole PSA about it to the bachelors afterwards (without naming Ejiro as the prompt for it), telling them that if at any point they feel weird/uncomfortable/bad and they want things to stop, they should just signal to the crew and it'll happen. Never is there any acknowledgment from the director herself or anyone else that that sort of thing is REALLY HARD to do in the best circumstances, on a normal one-on-one date or in a relationship, and that doing it WHILE BEING FILMED FOR NATIONAL TV/NETFLIX is EXPONENTIALLY HARDER AND HUMILIATING and contestants may choose to stay and suffer rather than indicate that they feel bad about something. Of course, the other contestant also have zero issues hardcore making out with the bachelorette on their dates and no further word on consent is said during the competition, which honestly just made me feel weirder.
Then there's the bit where the surprise guest for one episode is a celebrity couples' psychologist, who proceeds to tear all the contestants and the bachelorette to shreds with her, frankly, rude and invasive analysis. Keeping in mind that most people need multiple sessions to even begin to trust their therapist and receiving this sort of needling treatment right out the gate would deter them from ever going again........ folks, it was not good. Again, there was an acknowledgment afterwards that that went harder than the producer thought it would, but the general tone was like, suck it up, buttercup, it's for your own good. So that was weird too.
Still on the topic of wokeness, the stuff about sexual and romantic orientation felt didactic and boring sometimes. It also beggared belief that in this apparently very LGBT+-friendly fictional version of the UK, they would actually with a straight face ask a character about demisexuality on live national TV and he would answer and the producer and audience would be like, "wow that's so interesting". Very Special Episode vibes all around.
Finally, the contest itself was boring. There was some excitement at first, but then the novel settled into dealing with Obiora's mounting obsession with each Ejiro and Ejiro's mounting distress in realising his sexuality is not what he thought it was, and kind of forgot about the actual competition. Where are the fucky challenges? Where is the actual spirit of competition? Why is it all just boring dates (when the boring dates are even mentioned)?
Finally -- and this time for real finally because I'm running out of steam and willpower to keep writing this review -- I thought the story went on for way too long after the end of the contest itself. The author seemed really keen on solving every single issue the characters had before she closed off the novel, and that accidentally made the last quarter or so really boring for the most part, and I say "for the most part" because there were the two meaningful moments (Obiora talks to his family about his grief [the resolution to this made me tear up] and Ejiro tells his homophobic abusive mother he's not going to do what she wants with his life) that were still well worth including. But everything else could have been completely missing and I would've been like, "wow, what a good and satisfying ending!" rather than how I am now, "wow, way to not believe in the character growth path you so clearly laid out for your characters throughout the story".
Would I read more from this author: Yes, even though nothing else she's written so far appeals to me. But if I saw her name attached to a future release that appealed, I'd get that for sure.
Would I recommend it: Yes.
Keep or cull: It's KU and I don't think I like this enough to reread/buy it, so I guess culled by default.