What do you think?
Rate this book
Famine
The fate of every soul rests upon his shoulders. His fate rests in the hands of a troubled, young girl.
It’s 1895—the cusp of the Victorian and Edwardian eras—and Bartholomew Pelletier is a gentleman and a warrior. For fifteen centuries he’s endured the depraved appetite of Famine—one of the Four Horsemen of the Apocalypse—as she’s consumed his strength and sought to unite with her fellow Horsemen. But now Bartholomew’s chance to imprison her has appeared…in the form of his young ward Matilde.
Chosen to wield the immeasurable power of the Catcher—the one entity that can capture the escaped Horsemen—Matilde is a distrustful child from an abusive and impoverished home. She must be hidden from Famine as she grows strong, learns to fight, and reaches adulthood. But Bartholomew faces a terrible For Matilde to become the immortal Catcher, he must gain her trust, and then he must end her life.
By any means necessary, Bartholomew intends to conquer his enemy, but is he willing to sacrifice the one person he loves in order to save mankind?
It’s 1895—the cusp of the Victorian and Edwardian eras—and Bartholomew Pelletier is a gentleman and a warrior. For fifteen centuries he’s endured the depraved appetite of Famine—one of the Four Horsemen of the Apocalypse—as she’s consumed his strength and sought to unite with her fellow Horsemen. But now Bartholomew’s chance to imprison her has appeared…in the form of his young ward Matilde.
Chosen to wield the immeasurable power of the Catcher—the one entity that can capture the escaped Horsemen—Matilde is a distrustful child from an abusive and impoverished home. She must be hidden from Famine as she grows strong, learns to fight, and reaches adulthood. But Bartholomew faces a terrible For Matilde to become the immortal Catcher, he must gain her trust, and then he must end her life.
By any means necessary, Bartholomew intends to conquer his enemy, but is he willing to sacrifice the one person he loves in order to save mankind?
411 pages, Kindle Edition
First published April 29, 2014
10 people are currently reading
113 people want to read
About the author
Monica Enderle Pierce
21 books193 followersMonica Enderle Pierce and her characters have been kicking the crap out of evil since 2012. She writes fantasy and science fiction. Her stories are filled with strong women, smart men, love, adventure, and magic. She has an English literature degree from the University of California, Los Angeles, and she lives in Seattle, Washington, with her husband, their daughter, a neurotic dog, and two crazy tomcats. When she's not sending characters into battle or off on an adventure, she's reading minds, seeing through walls, and reveling in the glorious Pacific Northwest rain.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 30 of 37 reviews
February 11, 2016
DNF! Read 100 pages, but couldn't get into the story. Just not my kind of book I guess...
May 15, 2014
Ever go to a fine restaurant for the first time, they bring out the appetizer, and after eating it you can't wait for the rest of the food to come out because you're thinking, "Wow! If the appetizer is this good, what's the entree going to taste like? And dessert??" You realize you're in the hands of a chef who knows what he's doing with ingredients.
That's what I experienced after reading the first two chapters of Famine by Monica Enderle Pierce. I was in the hands of an author who knew what she was doing with words. From the way she set a scene, to the subtle and patient revealing of the main character's backstory, to describing the atmosphere of the surroundings, to referring to other characters through the main character's point-of-view, everything was spot on. The most impressive part of the story was the development of the relationship between Bartholomew and Matilde. I could talk about it, but I don't want to reveal anything that would spoil the fun for you. Let me say only that their relationship is one of the most emotionally real relationships I've read in fiction in quite a while.
Not only was the story compelling and suspenseful, it was also a heck of a lot of fun to read simply because of the way Pierce used the English language. It was like watching a world-class chef prepare my meal in front of me, deftly using exotic spices to bring out the full flavor of the food. I dare say, I'm a tad jealous, and I took notes. I will also say that it's a great week when I not only fully enjoy the novel I'm reading, but I also come away learning something about the writing craft.
I feasted on Famine, and I'm hungry for the remaining installments of the story to come out. Hopefully, I won't starve before then.
That's what I experienced after reading the first two chapters of Famine by Monica Enderle Pierce. I was in the hands of an author who knew what she was doing with words. From the way she set a scene, to the subtle and patient revealing of the main character's backstory, to describing the atmosphere of the surroundings, to referring to other characters through the main character's point-of-view, everything was spot on. The most impressive part of the story was the development of the relationship between Bartholomew and Matilde. I could talk about it, but I don't want to reveal anything that would spoil the fun for you. Let me say only that their relationship is one of the most emotionally real relationships I've read in fiction in quite a while.
Not only was the story compelling and suspenseful, it was also a heck of a lot of fun to read simply because of the way Pierce used the English language. It was like watching a world-class chef prepare my meal in front of me, deftly using exotic spices to bring out the full flavor of the food. I dare say, I'm a tad jealous, and I took notes. I will also say that it's a great week when I not only fully enjoy the novel I'm reading, but I also come away learning something about the writing craft.
I feasted on Famine, and I'm hungry for the remaining installments of the story to come out. Hopefully, I won't starve before then.
September 10, 2016
This book is a solid four stars and comes close to a five. It is artistically written, the prose flowing like good poetry and not a yeast-infected urinary tract. It does perhaps become a bit too ornate and flowery for my tastes at times when less would do more, but this is the exception to the rule.
The characters are strong (Bartholomew kicks ass, and Famine makes my skin crawl). The story moves, with backstory expertly interwoven. This author knows how to write AND tell a good tale. Famine works as fantasy, and although it incorporates dome Christianity, it is hardly a course in theology. All fiction and fun, none of the preaching.
The only thing that didn't work 100% for me was the ending. It had punch, but not enough? The book is the first in a series, so we'll see.
4 Stars here; 5 Stars on Amazon, where I will have to change "ass" to "butt" probably)
The characters are strong (Bartholomew kicks ass, and Famine makes my skin crawl). The story moves, with backstory expertly interwoven. This author knows how to write AND tell a good tale. Famine works as fantasy, and although it incorporates dome Christianity, it is hardly a course in theology. All fiction and fun, none of the preaching.
The only thing that didn't work 100% for me was the ending. It had punch, but not enough? The book is the first in a series, so we'll see.
4 Stars here; 5 Stars on Amazon, where I will have to change "ass" to "butt" probably)
October 27, 2014
A Wonderful Start to a New Series!
I've never heard of this author until coming across a review for the novel. It peaked my interest and a few moments later, I decided to give it a shot and I was NOT disappointed.
I immediately noticed the author's writing style. Her words flow together smoothly, almost like a poetic prose. The author has much knowledge about the Edwardian Era! With vibrant descriptions added in the mix, I knew that I couldn't just speed read or skip paragraphs. I had to pay attention to every detail. I was intrigued.
Bartholomew is an interesting character. Not only do we get to see his inner struggles, we also get a front row seat in how he handles the dilemma he's in. I got the feeling that he's fluent in several languages. I really enjoyed him and how he dealt with issues throughout the novel, including Famine. While reading this book you can see how his relationship with Matilde is growing and developing. Trust seemed to be the big issue here. At first I didn't care for Matilde but little by little I began to understand the young girl and I saw her in a different light. She's a fighter.
I've bought many books from authors I've never heard before and I have to say, this is the first time that I wanted to reach out to an author via email and praise them for writing a remarkable book.
I will be reading the sequel to this book when it's released. 4.5 stars!
I've never heard of this author until coming across a review for the novel. It peaked my interest and a few moments later, I decided to give it a shot and I was NOT disappointed.
I immediately noticed the author's writing style. Her words flow together smoothly, almost like a poetic prose. The author has much knowledge about the Edwardian Era! With vibrant descriptions added in the mix, I knew that I couldn't just speed read or skip paragraphs. I had to pay attention to every detail. I was intrigued.
Bartholomew is an interesting character. Not only do we get to see his inner struggles, we also get a front row seat in how he handles the dilemma he's in. I got the feeling that he's fluent in several languages. I really enjoyed him and how he dealt with issues throughout the novel, including Famine. While reading this book you can see how his relationship with Matilde is growing and developing. Trust seemed to be the big issue here. At first I didn't care for Matilde but little by little I began to understand the young girl and I saw her in a different light. She's a fighter.
I've bought many books from authors I've never heard before and I have to say, this is the first time that I wanted to reach out to an author via email and praise them for writing a remarkable book.
I will be reading the sequel to this book when it's released. 4.5 stars!
September 12, 2014
omfg it ends there?!?! gsyhxgfdsdhjvcfuknxsrol review to come. Jesus. fuck. I need more now! argh
***********************************************
Read through the KindleUnlimited program, so no idea if this shows up as a verified purchase or not.
Um, WOW! So, one of my boyfriend's obsessions is the lore and myth behind the Four Horsemen of the Apocalypse. While I've read a few books where they are the main characters or the main villain, my interest in the lore didn't really peak until he started telling me all about them. Passionate excitement about the lore got me going, I must admit. And I am SO glad it did. While FAMINE is a book I would've picked up anyway, I was more eager to do so because of this new fascination with the horsemen.
Holy. Wow.
First, I send you to my little statement above all the asterisks. (Edited for amazon review due to people's delicate sensibilities and inability to handle curse words.)
Yes, this book leaves you JUST LIKE THAT. Precipice and everything as the characters are looking down over a cliff.
Monica Enderle Pierce's writing immediately sucked me in. Without seeming like she was telling me every little detail of the scene, I indeed got a full picture, so vivid I could practically smell the squalor coming out of Matilde's miserable apartment in the Sixth Ward. My curiosity was held firmly by the author as she brings Bartholomew to Matilde by way of the murder of crows, beasts he depends on and loathes at the same time.
Bartholomew has been searching for 1500 years for a vessel like Matilde. Unfortunately for her, this means that so has Famine and her cronies. Bartholomew (remind me never to name a kid or a dog that; I keep mistyping it) goes by Monsieur to protect his identity. Matilde only knows him as Monsieur despite her constant attempts to uncover who he is. If no one knows his full name and only knows him as Monsieur, then Famine has less of a chance of finding them while they are on the run.
Pierce does a wonderful job of story-telling. From the beginning, you know who Famine is, that Monsieur is somehow enslaved by her, and that the Catcher wants Matilde. But you don't quite know the details and it's parceled out to you in delicious chomps.
It's wonderful watching the relationship develop between Monsieur & Matilde, to see Mr Vernon & Mrs Henderson utterly accept Monsieur as he is and keep him ensconced in humanity.
And I had to love listening to Monsieur as he tells Matilde things like:
He remarks on organized religion and teachings like this a couple of times and I kinda pumped my fist in the air with a FINALLY! YES! He isn't atheist, of course, as his fate is entwined with the Horseman and God's will. There is a God and there are the Horsemen and there is the Catcher, and the Beacon, and the Guardian, but no there aren't winged babies and this heaven/hell crap. I thought that was wonderful and it endeared Monsieur to me even more that he is willing to tell this to a child in such a matter of fact way.
This book DOES evoke emotion. You think you're just happy getting the tale, but Pierce writes Matilde so appropriate for her age as she grows from an 8 year old to a pre-teen to an adolescent on the cusp of womanhood. While some readers may get annoyed with Monsieur, I found myself snarling at a petulant effing teenager who was grating on my nerves for her lack of respect, tone of voice, and utter lack of gratitude towards a man who, while he may not be forthcoming with hugs, took her out of the slums and is raising her to be a lady of means. While he had selfish reasons, too, and the pull of the Catcher, and of course Matilde will never have a normal life, he is caring for her, teaching her, arming her for her fate. So yeah, the teenage years bugged the hell out of me.
While I might say it often when I read a good book, I know that this one is one that will stick with me and I'll be turning over and over in my head as I wait for the next installment. I can only hope that Monica Enderle Pierce is a fast writer. And I hope it's a short series of books of this length that totally enthrall and mesmerize you. While she could stretch it out to the end of days, I'm hoping that is not the case and I will soon be treated to the ending of this story. I would love to meet some of the contacts, see how Thomas Green is doing, and what role the Greens will have to play.
I hope I didn't give you any spoilers and I hope you do read this. It was wonderfully crafted! And now I need to order a print copy as I definitely need to reread this one.
***********************************************
Read through the KindleUnlimited program, so no idea if this shows up as a verified purchase or not.
Um, WOW! So, one of my boyfriend's obsessions is the lore and myth behind the Four Horsemen of the Apocalypse. While I've read a few books where they are the main characters or the main villain, my interest in the lore didn't really peak until he started telling me all about them. Passionate excitement about the lore got me going, I must admit. And I am SO glad it did. While FAMINE is a book I would've picked up anyway, I was more eager to do so because of this new fascination with the horsemen.
Holy. Wow.
First, I send you to my little statement above all the asterisks. (Edited for amazon review due to people's delicate sensibilities and inability to handle curse words.)
Yes, this book leaves you JUST LIKE THAT. Precipice and everything as the characters are looking down over a cliff.
Monica Enderle Pierce's writing immediately sucked me in. Without seeming like she was telling me every little detail of the scene, I indeed got a full picture, so vivid I could practically smell the squalor coming out of Matilde's miserable apartment in the Sixth Ward. My curiosity was held firmly by the author as she brings Bartholomew to Matilde by way of the murder of crows, beasts he depends on and loathes at the same time.
Bartholomew has been searching for 1500 years for a vessel like Matilde. Unfortunately for her, this means that so has Famine and her cronies. Bartholomew (remind me never to name a kid or a dog that; I keep mistyping it) goes by Monsieur to protect his identity. Matilde only knows him as Monsieur despite her constant attempts to uncover who he is. If no one knows his full name and only knows him as Monsieur, then Famine has less of a chance of finding them while they are on the run.
Pierce does a wonderful job of story-telling. From the beginning, you know who Famine is, that Monsieur is somehow enslaved by her, and that the Catcher wants Matilde. But you don't quite know the details and it's parceled out to you in delicious chomps.
It's wonderful watching the relationship develop between Monsieur & Matilde, to see Mr Vernon & Mrs Henderson utterly accept Monsieur as he is and keep him ensconced in humanity.
And I had to love listening to Monsieur as he tells Matilde things like:
"Hell and heaven are concepts created by men to frighten parishioners . . . because fear is profitable and faith has become a business. Frightened people will pay to have their sins absolved." He'd found deterioration in all of God's houses.
I care nothing for the fabrications of that book. Animals possess souls, and they can and do seek revenge.
He remarks on organized religion and teachings like this a couple of times and I kinda pumped my fist in the air with a FINALLY! YES! He isn't atheist, of course, as his fate is entwined with the Horseman and God's will. There is a God and there are the Horsemen and there is the Catcher, and the Beacon, and the Guardian, but no there aren't winged babies and this heaven/hell crap. I thought that was wonderful and it endeared Monsieur to me even more that he is willing to tell this to a child in such a matter of fact way.
This book DOES evoke emotion. You think you're just happy getting the tale, but Pierce writes Matilde so appropriate for her age as she grows from an 8 year old to a pre-teen to an adolescent on the cusp of womanhood. While some readers may get annoyed with Monsieur, I found myself snarling at a petulant effing teenager who was grating on my nerves for her lack of respect, tone of voice, and utter lack of gratitude towards a man who, while he may not be forthcoming with hugs, took her out of the slums and is raising her to be a lady of means. While he had selfish reasons, too, and the pull of the Catcher, and of course Matilde will never have a normal life, he is caring for her, teaching her, arming her for her fate. So yeah, the teenage years bugged the hell out of me.
While I might say it often when I read a good book, I know that this one is one that will stick with me and I'll be turning over and over in my head as I wait for the next installment. I can only hope that Monica Enderle Pierce is a fast writer. And I hope it's a short series of books of this length that totally enthrall and mesmerize you. While she could stretch it out to the end of days, I'm hoping that is not the case and I will soon be treated to the ending of this story. I would love to meet some of the contacts, see how Thomas Green is doing, and what role the Greens will have to play.
I hope I didn't give you any spoilers and I hope you do read this. It was wonderfully crafted! And now I need to order a print copy as I definitely need to reread this one.
May 15, 2014
This was another one of those books that caused my opinion and mood to fluctuate greatly as I read. Once again this affirms my growing belief that a reader should in most cases finish a work before rating it, unless of course it's outright offensive to the reader's sensibilities. I say that because the old bit of wisdom about grabbing a reader in the first thirty pages never really seems to work for me. I have to get to the end before I know what I'm going to think.
Monica has, in my opinion, a set of themes and images that cleave fairly close to my own style as a writer so I must say that I am fairly biased from the beginning. I can also tell this book is a labor of love, and it tests the genre limits without concern. This is a GOOD thing, and once again I'm primed to give this book a high rating.
I particularly enjoyed the inclusion of telegrams as a way of showing how the main antagonist was being diverted from the protagonists. My book also covers years of stuff, and I've learned that it's very difficult to do. I can tell here Monica also struggled, but she does a mostly admirable job of explaining why they have the time to train in secret without simply being destroyed by a far more adept enemy. The only major criticism I have in terms of pacing/passage of time is that the middle (iirc around 30%) drags a bit. I'm still not sold on the Thomas character, either, who shows up during these pages. I think it added a pleasant undertone, another little subplot that the reader probably needs in order to stay engaged, but I think it could have been drawn in with bolder lines.
The main character is awesome. Bartholomew is ancient and in service to a divine struggle, a divine struggle that manages to be new and interesting even though it evokes the Four Horseman, and I could really buy in to the idea that he'd been all over the world. His speech is peppered with words from languages other than English, and it feels natural for him to talk in that fashion. He's also a bit at loose ends about how to raise a girl, Matilde, who also has a big role to play in the aforementioned divine struggle.
At this point the only other criticism I have is that I wish the beginning had more sensory details, but again I think that's a very subjective and difficult to do thing. It's too easy to have your characters stand there going, I saw X, then I smelled Y and so on. The details do come later, but I had trouble envisioning the environment at first.
I'll be up front about this: there's a certain grooming aspect to Matilde and Bartholomew's relationship. Personally, this doesn't bother me. The characters in fiction are in service to powers and forces that don't exist in reality, and thusly their behavior is often altered and it becomes difficult to hold it to real world ethical standards. That, and I enjoy grey morality in my tales when employed in certain ways. It won't bother me if they become lovers, even though he has in essence raised her. The characters seem to realize that normally this arrangement would be questionable, but given their circumstances it's merely expedient.
The battle scenes are very good. I love to both read and write action so it's always nice to come across well done fights. The end is wonderful. I LOVED the end. This is another reason that I try to get to the end of books, even if I get bored here and there or if the pacing is a bit odd to my eye.
Well done, Monica.
Monica has, in my opinion, a set of themes and images that cleave fairly close to my own style as a writer so I must say that I am fairly biased from the beginning. I can also tell this book is a labor of love, and it tests the genre limits without concern. This is a GOOD thing, and once again I'm primed to give this book a high rating.
I particularly enjoyed the inclusion of telegrams as a way of showing how the main antagonist was being diverted from the protagonists. My book also covers years of stuff, and I've learned that it's very difficult to do. I can tell here Monica also struggled, but she does a mostly admirable job of explaining why they have the time to train in secret without simply being destroyed by a far more adept enemy. The only major criticism I have in terms of pacing/passage of time is that the middle (iirc around 30%) drags a bit. I'm still not sold on the Thomas character, either, who shows up during these pages. I think it added a pleasant undertone, another little subplot that the reader probably needs in order to stay engaged, but I think it could have been drawn in with bolder lines.
The main character is awesome. Bartholomew is ancient and in service to a divine struggle, a divine struggle that manages to be new and interesting even though it evokes the Four Horseman, and I could really buy in to the idea that he'd been all over the world. His speech is peppered with words from languages other than English, and it feels natural for him to talk in that fashion. He's also a bit at loose ends about how to raise a girl, Matilde, who also has a big role to play in the aforementioned divine struggle.
At this point the only other criticism I have is that I wish the beginning had more sensory details, but again I think that's a very subjective and difficult to do thing. It's too easy to have your characters stand there going, I saw X, then I smelled Y and so on. The details do come later, but I had trouble envisioning the environment at first.
I'll be up front about this: there's a certain grooming aspect to Matilde and Bartholomew's relationship. Personally, this doesn't bother me. The characters in fiction are in service to powers and forces that don't exist in reality, and thusly their behavior is often altered and it becomes difficult to hold it to real world ethical standards. That, and I enjoy grey morality in my tales when employed in certain ways. It won't bother me if they become lovers, even though he has in essence raised her. The characters seem to realize that normally this arrangement would be questionable, but given their circumstances it's merely expedient.
The battle scenes are very good. I love to both read and write action so it's always nice to come across well done fights. The end is wonderful. I LOVED the end. This is another reason that I try to get to the end of books, even if I get bored here and there or if the pacing is a bit odd to my eye.
Well done, Monica.
May 4, 2014
Here's a new series launched by author Monica Enderle Pierce (author of Girl Under Glass), and this is another page-turner. The main character, Bartholomew, is complex: you may love him sometimes and hate him other times, but you won't ignore him and you can't help wonder what will happen next as tension builds in his race to both escape and destroy Famine, one of the four horsemen of the Apocalypse loosed upon the world and bent on its destruction. But Bartholomew can't succeed in his goal alone. He's waited a LONG time for the right person, the only person who can help him in his battle. When he realizes, however, that his success depends on a child, Matilde, and her willingness to eventually make the ultimate sacrifice, will he give up? Is there any chance she will agree? Will he go forward? Will Famine win and unite her brothers to bring about ultimate destruction? You'll love the variety of characters and the splendor of the settings. Don't miss this book! And FYI, even if she were not my daughter I'd give this book a whole row of stars.
June 13, 2014
I can't praise this book enough. Famine had me hooked at page one. Famine, a female incarnation of that particular horseman of the apocalypse, ravages the world at the turn of the century. The only thing standing between her and the annihilation of the world is a 2000 year old Roman Centurion. He holds the soul of the Catcher, the key to defeating Famine and keeping her from unleashing the other three horsemen. This book is a page turner. Even when Famine is on the other side of the world from the protagonist and his young ward, I had the sense of danger lurking around every corner. Famine is sensual, easy to read, and left me wanting more. I can't wait to get my hands on Death, the forthcoming sequel to Famine. If want a book you can't put down, you need to read Famine!
June 19, 2016
[I received a copy of this book through NetGalley, in exchange for an honest review.]
I cannot say I didn't like this novel, as its main characters in general were sympathetic enough, but for most of it I also felt like something was missing—some action, or a more regular pacing, maybe? Overall it seemed poised between urgency and a tendency to drag, which completely went against the former. In that regard, I couldn't really be invested
Interesting ideas from the start: the Four Horsemen are dark souls who mustn't escape the “zone” where they're imprisoned. One of them, Famine, is already out, and intendes on freeing her siblings. The only ones who can oppose this are a triat composed of the Catcher, the Guardian and the Beacon. Unfortunately, the Catcher is a bit diminished, the Beacon is gone, and the Guardian cannot fully assume his role until the Catcher is made anew. In the meantime, Famine and the corpses serving her are wreaking havoc throughout the world.
So. Interesting, but a bit confusing, too—it took me some time to piece out everything here, partly because some characters, like Bartholomew, assume double roles and are involved in both parties. Even though at some point, things become clearer, at first I wasn't sure at all what the stakes were exactly. Only when Bartholomew explained them (towards did the end) did it make fully sense.
I also didn't feel the supposed “urgency” throughout the novel: Famine and her cadavers seemed to find Bartholomew and the others very quickly in the beginning, then lost track... too quickly? And even if letting them go to better trap them afterward, it didn't make much sense; why not get rid of the enemy, or in this case of Bartholomew's object of interest (Matilde), as soon as possible? I get the idea beneath, and that the whole arc where Bartholomew sees Matilde grow, and tries to earn her trust, demanded several years to elapse; still, it made the pace too slow in many parts, and the end rushed and unfulfilled in turn.
Side note: The including of French words was definitely odd (we just don't do that). I know of no French immigrant who will add “oui” and other little words in their sentences when speaking in English—the only words we may add is when we don't know the English equivalent, and this wouldn't happen with such simple ones. Same with “chérie”; that's not a word you'd use to address your ward, rather your wife or a lover (“ma chérie” would be the appropriate phrase here).
Conclusion: Interesting ideas, however the pacing made it hard to focus on the story. 2.5 stars.
I cannot say I didn't like this novel, as its main characters in general were sympathetic enough, but for most of it I also felt like something was missing—some action, or a more regular pacing, maybe? Overall it seemed poised between urgency and a tendency to drag, which completely went against the former. In that regard, I couldn't really be invested
Interesting ideas from the start: the Four Horsemen are dark souls who mustn't escape the “zone” where they're imprisoned. One of them, Famine, is already out, and intendes on freeing her siblings. The only ones who can oppose this are a triat composed of the Catcher, the Guardian and the Beacon. Unfortunately, the Catcher is a bit diminished, the Beacon is gone, and the Guardian cannot fully assume his role until the Catcher is made anew. In the meantime, Famine and the corpses serving her are wreaking havoc throughout the world.
So. Interesting, but a bit confusing, too—it took me some time to piece out everything here, partly because some characters, like Bartholomew, assume double roles and are involved in both parties. Even though at some point, things become clearer, at first I wasn't sure at all what the stakes were exactly. Only when Bartholomew explained them (towards did the end) did it make fully sense.
I also didn't feel the supposed “urgency” throughout the novel: Famine and her cadavers seemed to find Bartholomew and the others very quickly in the beginning, then lost track... too quickly? And even if letting them go to better trap them afterward, it didn't make much sense; why not get rid of the enemy, or in this case of Bartholomew's object of interest (Matilde), as soon as possible? I get the idea beneath, and that the whole arc where Bartholomew sees Matilde grow, and tries to earn her trust, demanded several years to elapse; still, it made the pace too slow in many parts, and the end rushed and unfulfilled in turn.
Side note: The including of French words was definitely odd (we just don't do that). I know of no French immigrant who will add “oui” and other little words in their sentences when speaking in English—the only words we may add is when we don't know the English equivalent, and this wouldn't happen with such simple ones. Same with “chérie”; that's not a word you'd use to address your ward, rather your wife or a lover (“ma chérie” would be the appropriate phrase here).
Conclusion: Interesting ideas, however the pacing made it hard to focus on the story. 2.5 stars.
May 1, 2015
Outstanding book. First in a new series by Monica Enderle Pierce, of whom I'm a huge fan.
This tale takes a new spin on the four horsemen of the apocalypse, Famine being one of them. Bartholomew has searched for 15 centuries, trying to find the person needed to save the world from final destruction. Early in the story, Bartholomew has success, but she's just a young girl, Matilde. The "cadavers"--soldiers belonging to his nemesis, Famine, are hot on his heels locating the girl. Bartholomew saves her from the cadavers, and from the abusive and impoverished home she was living in.
For her safety, and for giving her the education and training she'll need to accept and endure what her fate will be, he takes her as his ward. The supporting cast of characters are Mrs Henderson, the housekeeper turned governess for Matilde, and Mr Vernon, the butler--and oh so much more.
Because I can't write this better than Pierce has written it, from the book's description, I'll include this tidbit: "But Bartholomew faces a terrible act: For Matilde to become the immortal Catcher, he must gain her trust, and then he must end her life.
By any means necessary, Bartholomew intends to conquer this enemy, but is he willing to sacrifice the one person he loves in order to save mankind?"
Pierce is a gifted writer. Her prose is rich and full of imagery that sweeps the reader into the scene. Sometimes it felt as though I was reading a glorious old literature book. The details, the amount of information she packs into her words, is astounding, yet it never felt stifled or awkward. Her writing remained fluid throughout the book.
Her characters are true to themselves. Each unique, each story captivating as it unraveled, a bit here, a tidbit there.
When I started to read the book,I wasn't sure about Bartholomew. A terrible task lay before him, and he did some things that earned him comparisons to a monster. And Pierce did an excellent job of starting him out distant and tough, even hard where his task was concerned. And then she started to feed the reader little morsels of Batholomew's tortured past, interspersed with little glimpses of humanity, the acts of kindness to strangers. I wanted to dislike him, but I fell in love with the character by the end of the book.
Great storytelling of a really good story! And we have three more horsemen to go.
Write faster, Monica.
Disclosure: I received a copy of this book in exchange for an honest review.
This tale takes a new spin on the four horsemen of the apocalypse, Famine being one of them. Bartholomew has searched for 15 centuries, trying to find the person needed to save the world from final destruction. Early in the story, Bartholomew has success, but she's just a young girl, Matilde. The "cadavers"--soldiers belonging to his nemesis, Famine, are hot on his heels locating the girl. Bartholomew saves her from the cadavers, and from the abusive and impoverished home she was living in.
For her safety, and for giving her the education and training she'll need to accept and endure what her fate will be, he takes her as his ward. The supporting cast of characters are Mrs Henderson, the housekeeper turned governess for Matilde, and Mr Vernon, the butler--and oh so much more.
Because I can't write this better than Pierce has written it, from the book's description, I'll include this tidbit: "But Bartholomew faces a terrible act: For Matilde to become the immortal Catcher, he must gain her trust, and then he must end her life.
By any means necessary, Bartholomew intends to conquer this enemy, but is he willing to sacrifice the one person he loves in order to save mankind?"
Pierce is a gifted writer. Her prose is rich and full of imagery that sweeps the reader into the scene. Sometimes it felt as though I was reading a glorious old literature book. The details, the amount of information she packs into her words, is astounding, yet it never felt stifled or awkward. Her writing remained fluid throughout the book.
Her characters are true to themselves. Each unique, each story captivating as it unraveled, a bit here, a tidbit there.
When I started to read the book,I wasn't sure about Bartholomew. A terrible task lay before him, and he did some things that earned him comparisons to a monster. And Pierce did an excellent job of starting him out distant and tough, even hard where his task was concerned. And then she started to feed the reader little morsels of Batholomew's tortured past, interspersed with little glimpses of humanity, the acts of kindness to strangers. I wanted to dislike him, but I fell in love with the character by the end of the book.
Great storytelling of a really good story! And we have three more horsemen to go.
Write faster, Monica.
Disclosure: I received a copy of this book in exchange for an honest review.
April 29, 2016
I really enjoyed this book, and the new take on the Four Horsemen. This story is all about Famine, and how she is one evil effing biatch. She can someone the dead and she feeds on living souls to remain strong in her immortal skin.
Bart has been running from her for many a century, just waiting for the time when The Catcher’s new vessel reveals itself so that he can kill said person so that the immortal soul of The Catcher can gain access to the body. The Catcher is necessary to help track down, subdue, and imprison the Horsemen. Currently Famine is the only one that has figured out to keep going, but she’s also looking for a way to bring out the other 3 so that they can all bring about the end of the world. And Famine isn’t too sad about forcing Bart to be connected to her forever.
What Bart finds is a poor and troubled young girl, who witnesses her entire family brutally murdered in front of her before Bart makes a split second decision and saves her. Throughout the story we’re told, by Bart, that he is just training her and waiting for the right moment to allow The Catcher access. But as time goes on, and Bart trains her and gets to know her, he finds it more and more difficult to face the reality of what he has to do.
This is going to be a four book series, but the author is currently finishing some other series’ so we won’t see the rest of this story for quite some time.
That being said, I was highly entertained and really enjoyed the author’s unique perspective on the Four Horsemen, the end of the world, and what that really means for everyone.
I was provided a copy of this book via Netgalley in exchange for my honest review.
Bart has been running from her for many a century, just waiting for the time when The Catcher’s new vessel reveals itself so that he can kill said person so that the immortal soul of The Catcher can gain access to the body. The Catcher is necessary to help track down, subdue, and imprison the Horsemen. Currently Famine is the only one that has figured out to keep going, but she’s also looking for a way to bring out the other 3 so that they can all bring about the end of the world. And Famine isn’t too sad about forcing Bart to be connected to her forever.
What Bart finds is a poor and troubled young girl, who witnesses her entire family brutally murdered in front of her before Bart makes a split second decision and saves her. Throughout the story we’re told, by Bart, that he is just training her and waiting for the right moment to allow The Catcher access. But as time goes on, and Bart trains her and gets to know her, he finds it more and more difficult to face the reality of what he has to do.
This is going to be a four book series, but the author is currently finishing some other series’ so we won’t see the rest of this story for quite some time.
That being said, I was highly entertained and really enjoyed the author’s unique perspective on the Four Horsemen, the end of the world, and what that really means for everyone.
I was provided a copy of this book via Netgalley in exchange for my honest review.
June 4, 2014
In a word… Perfection!
I received a free copy of this from the author in exchange for an honest review, and I am so very glad I did.
I absolutely adored this book. The setting is wonderful, the characters compelling, and the storyline addictive. I cannot praise the writing style enough, it is truly a page turner, to the point where I was sad whenever I was forced to put it down.
I enjoyed every moment of the adventure this story takes you on, and I look forward to the next in the series with great excitement and anticipation. I encourage you all, whatever your preferred genre or style, pick up a copy of this story – you won’t be disappointed. It has something for everyone, its scope is huge, and pleasure can be found at every level; from its simplest state to its most complex. This story is in turn; unique, fresh, fascinating and captivating. If you are looking for something new, something with intrigue and depth, then this is the one….
My sincerest thanks to the author for sharing her wonderful world with me, for letting me get to know her characters, and in advance – for the next in the series I cannot wait to read.
I received a free copy of this from the author in exchange for an honest review, and I am so very glad I did.
I absolutely adored this book. The setting is wonderful, the characters compelling, and the storyline addictive. I cannot praise the writing style enough, it is truly a page turner, to the point where I was sad whenever I was forced to put it down.
I enjoyed every moment of the adventure this story takes you on, and I look forward to the next in the series with great excitement and anticipation. I encourage you all, whatever your preferred genre or style, pick up a copy of this story – you won’t be disappointed. It has something for everyone, its scope is huge, and pleasure can be found at every level; from its simplest state to its most complex. This story is in turn; unique, fresh, fascinating and captivating. If you are looking for something new, something with intrigue and depth, then this is the one….
My sincerest thanks to the author for sharing her wonderful world with me, for letting me get to know her characters, and in advance – for the next in the series I cannot wait to read.
July 30, 2014
From the Edwardian era setting to the antihero Bartholomew's decision not to condemn a child, I was reeled in quickly with this novel. I found the style in which the author wrote to be fluid and almost soothing to read. Descriptions were rich and decadent.
While I do enjoy a good fantasy story line, my favorite aspect to this novel was the character development/relationship building between Bartholomew and Matilde. The novel was spread out over Matilde's eighth year to her sixteenth, and I feel the author did a remarkable job growing Matilde's and Bartholomew's relationship until there was eventually mutual trust between the two. It was years of two steps forward, one step back, and I could sympathize for each character's struggle in finding their place within the relationship.
I'm looking forward to the next installment in The Apocalyptics series. I'm curious to see Matilde's blossom into adulthood and how the dynamic between her and Bartholomew progresses. And, of course, I'm looking forward to how they next thwart Famine's master plan for world destruction. 4.5 stars!!
While I do enjoy a good fantasy story line, my favorite aspect to this novel was the character development/relationship building between Bartholomew and Matilde. The novel was spread out over Matilde's eighth year to her sixteenth, and I feel the author did a remarkable job growing Matilde's and Bartholomew's relationship until there was eventually mutual trust between the two. It was years of two steps forward, one step back, and I could sympathize for each character's struggle in finding their place within the relationship.
I'm looking forward to the next installment in The Apocalyptics series. I'm curious to see Matilde's blossom into adulthood and how the dynamic between her and Bartholomew progresses. And, of course, I'm looking forward to how they next thwart Famine's master plan for world destruction. 4.5 stars!!
July 1, 2014
Monica Pierce blew me away with her Sci-fi story, Girl Under Glass and she's done it again with Famine. Her attention to details and descriptive writing shined in her sophomore novel. While the characters aren't always enjoyable, they remain consistent throughout the story, and exhibit many of characteristics the people of the era shared.
Although there are some end of the world and paranormal themes woven throughout Famine, in the end, it's story about people who are simply trying to stay true to their own moral principles and survive in a changing and dangerous world.
The story is well written. Although there are a few places when the story was a little slow, I never felt the need to set it aside. It's a vivid story that will be enjoyed by anyone who loves to read dark paranormal or historical stories. The pacing and tone reminds me of some of great Western writers such as Louis L'mour.
Although there are some end of the world and paranormal themes woven throughout Famine, in the end, it's story about people who are simply trying to stay true to their own moral principles and survive in a changing and dangerous world.
The story is well written. Although there are a few places when the story was a little slow, I never felt the need to set it aside. It's a vivid story that will be enjoyed by anyone who loves to read dark paranormal or historical stories. The pacing and tone reminds me of some of great Western writers such as Louis L'mour.
June 11, 2014
I received a copy of Famine in exchange for a review. I became a fan of Monica Enderle Pierce after reading Girl Under Glass. I was very excited to read Famine and must say it did not disappoint. The author has a wonderful talent for creating dynamic and complex characters. Weaving their history and present together in such a relative way. It makes you feel very close and in touch with the characters. You are quickly drawn into their world and develop a connection with the characters. Famine shows the author to be diverse and able to cross genres skillfully. I can't wait for book two. Thank you Monica for another fabulous read.
Edited June 11, 2014 - fixed spelling errors caused my typing this review on my Ipad in the dark without my glasses on!
Edited June 11, 2014 - fixed spelling errors caused my typing this review on my Ipad in the dark without my glasses on!
December 6, 2014
Famine is a word that most of us think of when we hear of a massive draught and crops dying. It’s a lack of food production that leads to the death of hundreds, if not thousands of people. It’s a word that often is used when talking about South Africa, although some history buffs will remember the 19th century potato famine in Ireland. This historic famine caused many to leave their homeland, or die.
There is another version of Famine that many may not immediately think of when they hear the word. It is fortunate than that there are authors like, Monica Enderle Pierce, out there. She will introduce us all to the black rider, the bringer of death and destruction, the rumored third member of the Four Horseman of the Apocalypse.
Monica Enderle Pierce is the author of the book, Famine: Book one of The Apocalyptics. The book will introduce us to a myriad number of characters of which the key is not the ex-soldier Bartholomew, but a young girl named Matilde. The story will bring the reader into a turn of the century, the 20th century, struggle to stop the immortal Famine. An era that saw the birth of the automobile and overland travel done by train, or horse. A period where gaslight was used over the modern conveniences we know today.
The book will first introduce the reader to Bartholomew who for some reasons is besieged by crows. It is during these first opening passages that we find out how old the man really is. I won’t spoil his age as it is best left to the reader to find out. He despised the black winged creatures but knew they were the eyes of “The Catcher”. They wanted him to see something, or someone, and he knew he must follow to see what they wanted of him. What he sees does not leave him much hope but leaves enough curiosity that he will remember what he sees.
It is just a bit later that the reader is introduced to the main antagonist of the book, and the one whose name graces the books title. The character is the black rider, the creature that consumes death and despair where it travels. The last thing to note, there is no reason for this character to be a hideous creature, but instead it’s a lovely woman. A woman that has Bartholomew in her control and will make him do things he does not wish to do.
Famine is an imposing character no matter you may sense from the character as you first are introduce. As the reader learns more about her and her cadaver army of followers, yes I wrote cadavers her nature will come out even more.
The book takes time to introduce each character including Bartholomew’s butler and maid (Mr. Vernon & Mrs. Henderson) you will get to care for these characters. This is how Pierce writes most, if not all, of her characters within the book. They are well developed and as you learn more about each one it’s like pealing back a layer of coating to get to the original item below. This is really evident as we become to know Matilde, who will become Bartholomew’s ward.
The story of Bartholomew’s past and how he becomes involved with Famine, and the Catcher, will show what formed this man. He is torn between two voices who wish nothing more than to control him. One wishes to stop Famine, while the other is the creature herself. She wants Bartholomew to bring the Catcher to her to ensure she can raise the other horseman.
The book will follow Bartholomew, Mr. Vernon, Mrs. Henderson and Matilde as they try and escape Famine. They will go to the ends of the country to escape her and as time passes the fear of Famine will not be far away. There are many aspects of this book that make it a great read. There is the suspense that is built as word of Famine will continue to find the group. There is the stress of keeping what Matilde’s fate holds for her secret as she is trained to be ready. There are also some moments of levity that help keep the reader grounded and being pulled too far into the darkness. There could be a reason for just such writing as you will find out what could lay in the darkness as you read.
Author Monica Enderle Pierce sets up a great story that will leave you wanting more in the pages of Famine: Book one of The Apocalyptics. The character development and settings created are done masterfully. You will be able to visualize some of the homes, business, streets, and people as you read. The book does have some violence and sexual overtones so just a warning to those with younger eyes. Overall though this is a great read and great start to the series.
There is another version of Famine that many may not immediately think of when they hear the word. It is fortunate than that there are authors like, Monica Enderle Pierce, out there. She will introduce us all to the black rider, the bringer of death and destruction, the rumored third member of the Four Horseman of the Apocalypse.
Monica Enderle Pierce is the author of the book, Famine: Book one of The Apocalyptics. The book will introduce us to a myriad number of characters of which the key is not the ex-soldier Bartholomew, but a young girl named Matilde. The story will bring the reader into a turn of the century, the 20th century, struggle to stop the immortal Famine. An era that saw the birth of the automobile and overland travel done by train, or horse. A period where gaslight was used over the modern conveniences we know today.
The book will first introduce the reader to Bartholomew who for some reasons is besieged by crows. It is during these first opening passages that we find out how old the man really is. I won’t spoil his age as it is best left to the reader to find out. He despised the black winged creatures but knew they were the eyes of “The Catcher”. They wanted him to see something, or someone, and he knew he must follow to see what they wanted of him. What he sees does not leave him much hope but leaves enough curiosity that he will remember what he sees.
It is just a bit later that the reader is introduced to the main antagonist of the book, and the one whose name graces the books title. The character is the black rider, the creature that consumes death and despair where it travels. The last thing to note, there is no reason for this character to be a hideous creature, but instead it’s a lovely woman. A woman that has Bartholomew in her control and will make him do things he does not wish to do.
Famine is an imposing character no matter you may sense from the character as you first are introduce. As the reader learns more about her and her cadaver army of followers, yes I wrote cadavers her nature will come out even more.
The book takes time to introduce each character including Bartholomew’s butler and maid (Mr. Vernon & Mrs. Henderson) you will get to care for these characters. This is how Pierce writes most, if not all, of her characters within the book. They are well developed and as you learn more about each one it’s like pealing back a layer of coating to get to the original item below. This is really evident as we become to know Matilde, who will become Bartholomew’s ward.
The story of Bartholomew’s past and how he becomes involved with Famine, and the Catcher, will show what formed this man. He is torn between two voices who wish nothing more than to control him. One wishes to stop Famine, while the other is the creature herself. She wants Bartholomew to bring the Catcher to her to ensure she can raise the other horseman.
The book will follow Bartholomew, Mr. Vernon, Mrs. Henderson and Matilde as they try and escape Famine. They will go to the ends of the country to escape her and as time passes the fear of Famine will not be far away. There are many aspects of this book that make it a great read. There is the suspense that is built as word of Famine will continue to find the group. There is the stress of keeping what Matilde’s fate holds for her secret as she is trained to be ready. There are also some moments of levity that help keep the reader grounded and being pulled too far into the darkness. There could be a reason for just such writing as you will find out what could lay in the darkness as you read.
Author Monica Enderle Pierce sets up a great story that will leave you wanting more in the pages of Famine: Book one of The Apocalyptics. The character development and settings created are done masterfully. You will be able to visualize some of the homes, business, streets, and people as you read. The book does have some violence and sexual overtones so just a warning to those with younger eyes. Overall though this is a great read and great start to the series.
April 28, 2016
*Received a copy for an honest review.*
*This book may not be appropriate for younger readers.*
Famine follows the story of Bartholomew, a once mortal man who finds himself caught in a centuries old battle. For some, the lines between good and evil are blurred, and for others, there is only selfish desire. But for some, the coming events just might change everything.
When I first started reading Famine, it felt like I was reading a the script for a Noir film. "We'd be oversimplifying things in calling film noir oneiric, strange, erotic, ambivalent, and cruel.." (from Wikipedia) Only instead of a cop trying to solve a brutal murder, we have a reluctant hero trying to prevent one. I've seen some Noir films before, but I've never been a fan of the cop genre. Yet there is something about the dark, nitty gritty movies, that I find interesting. So if you'd have asked me if I would want to read a book with the same elements and a paranormal touch, I'd have no other option but to say yes.
"Where are you heading Matilde?" (Bartholomew)
"Away" (Matilde)
"I see. Away is an enormous place. Have you family there?" (Bartholomew)
But as much as I loved the tone of the book, the characters was where this book really sored. Based on the summary and the little teasers the author posted from this series, I had some ideas about these guys before I started it. And yet, by time I finished, the author managed to make me like them more than I thought I was going to.
Bartholomew is a man trapped. He is at Famine's beck and call. His only real hope is Cather's rebirth, so to speak. When we first meet him, he's a man who appears to float from vice to vice. But when he meets Matilde, we get our first opportunity to see that maybe there is more to him than it might suggest. But he is still a far cry from a dashing hero, and I liked that about him. The author did a great job with his character growth over the time he took care of Matilde. It wasn't a sudden change, nor was it a drastic change, but it was realistic, and it brought the story to a point I had expected.
Matilde is a complex littler girl. Her backstory is rather depressing, her future in question, and yet, she has this strength that you cannot help but admire. The book is divided up in sections, and time passes between each one of them allowing her to grow. In a sense, the novel is her coming of age story, if a coming of age story involved a destiny thousands of years in the making.
"I don't appreciate your sense of humor, Monsieur." (Matilde)
"Non? Very well. I will have it removed." (Bartolomew)
There is so much I could say about the plot of this novel, but most of it involves spoilers, so I'll refrain. But from the moment I dove into the world, I was intrigued. Who was this Catcher he mentioned? What's an Apocalptic? Why did he follow Famine if he hated her? How does Matilde fit into all of this? I just HAD to know. The present aspect of the story blended with the bits from his past that offered a lot on insight into the characters really well. The book was well written and flowed at a nice pace.
I'm really glad I got the opportunity to read and review this novel. This book is certainly a great start to a series, and I am looking forward to finding out what happens next.
*This book may not be appropriate for younger readers.*
Famine follows the story of Bartholomew, a once mortal man who finds himself caught in a centuries old battle. For some, the lines between good and evil are blurred, and for others, there is only selfish desire. But for some, the coming events just might change everything.
When I first started reading Famine, it felt like I was reading a the script for a Noir film. "We'd be oversimplifying things in calling film noir oneiric, strange, erotic, ambivalent, and cruel.." (from Wikipedia) Only instead of a cop trying to solve a brutal murder, we have a reluctant hero trying to prevent one. I've seen some Noir films before, but I've never been a fan of the cop genre. Yet there is something about the dark, nitty gritty movies, that I find interesting. So if you'd have asked me if I would want to read a book with the same elements and a paranormal touch, I'd have no other option but to say yes.
"Where are you heading Matilde?" (Bartholomew)
"Away" (Matilde)
"I see. Away is an enormous place. Have you family there?" (Bartholomew)
But as much as I loved the tone of the book, the characters was where this book really sored. Based on the summary and the little teasers the author posted from this series, I had some ideas about these guys before I started it. And yet, by time I finished, the author managed to make me like them more than I thought I was going to.
Bartholomew is a man trapped. He is at Famine's beck and call. His only real hope is Cather's rebirth, so to speak. When we first meet him, he's a man who appears to float from vice to vice. But when he meets Matilde, we get our first opportunity to see that maybe there is more to him than it might suggest. But he is still a far cry from a dashing hero, and I liked that about him. The author did a great job with his character growth over the time he took care of Matilde. It wasn't a sudden change, nor was it a drastic change, but it was realistic, and it brought the story to a point I had expected.
Matilde is a complex littler girl. Her backstory is rather depressing, her future in question, and yet, she has this strength that you cannot help but admire. The book is divided up in sections, and time passes between each one of them allowing her to grow. In a sense, the novel is her coming of age story, if a coming of age story involved a destiny thousands of years in the making.
"I don't appreciate your sense of humor, Monsieur." (Matilde)
"Non? Very well. I will have it removed." (Bartolomew)
There is so much I could say about the plot of this novel, but most of it involves spoilers, so I'll refrain. But from the moment I dove into the world, I was intrigued. Who was this Catcher he mentioned? What's an Apocalptic? Why did he follow Famine if he hated her? How does Matilde fit into all of this? I just HAD to know. The present aspect of the story blended with the bits from his past that offered a lot on insight into the characters really well. The book was well written and flowed at a nice pace.
I'm really glad I got the opportunity to read and review this novel. This book is certainly a great start to a series, and I am looking forward to finding out what happens next.
April 17, 2014
4.75/5
I was not sure what I would get when I opened this book up. I read the synopsis and I understood that much but what would this book really be like? I didn't know. I just knew that I loved Monica's previous work (Girl Under Glass) and was eager to see what tale she would weave next. I wasn't disappointed and found myself immediately engrossed in the story as her words transported me in time and place to late 1800s New York, or more specifically the 5 points section.
Before I even found myself knee deep in the story I found myself wrapped in the words like a warm blanket. The story was so well crafted and developed. I can tell the words are all carefully and thoughtfully selected to bring the story to life and it does. There is a vividness to the life of these characters, a feeling that is invoked. Not only that but I feel like I learn something as I am reading. I now know that a grouping of crow is called a murder.
We follow Bartholomew, getting to know him and the ties that bind him. We are quickly introduced to Famine and her distasteful soldiers, the cadavers. There is no escaping the dislike he has for her and you quickly have it too. There is not pity for this women. She is EVIL, and sadly has a hold on Bartholomew. How and why she has this hold on Bartholomew is not something instantly revealed but rather slowly told as the story unfolds.
Along with Famine we meet Matilda, an unsuspecting young girl thrown into the battle for the world because of her unwavering spirit. She is destined to become the next Catcher, but at the tender age of 8 Bartholomew can't bring himself to do that to her. This story focuses on his training and care for her over the course of time as he waits for her to become strong enough and have had enough normalcy to finally become what he knows she must, even if he doesn't wish it on her.
I enjoyed the time spent getting to know Bartholomew and Matilda. We grow attached to them both and the anticipation of what is to come grabs you. The ending ratcheted my anxiety up through the roof with an epic battle. I instantly wanted more and can't wait to find out where this story will go. I am definitely invested in this tale. I only wish there had been more story as it almost seemed too short for the story to end where it did even though I understood why it did.
I definitely recommend this book for those looking for a paranormal read with depth and soul that will bring everything to life with each word read. Well done!
I was not sure what I would get when I opened this book up. I read the synopsis and I understood that much but what would this book really be like? I didn't know. I just knew that I loved Monica's previous work (Girl Under Glass) and was eager to see what tale she would weave next. I wasn't disappointed and found myself immediately engrossed in the story as her words transported me in time and place to late 1800s New York, or more specifically the 5 points section.
Before I even found myself knee deep in the story I found myself wrapped in the words like a warm blanket. The story was so well crafted and developed. I can tell the words are all carefully and thoughtfully selected to bring the story to life and it does. There is a vividness to the life of these characters, a feeling that is invoked. Not only that but I feel like I learn something as I am reading. I now know that a grouping of crow is called a murder.
We follow Bartholomew, getting to know him and the ties that bind him. We are quickly introduced to Famine and her distasteful soldiers, the cadavers. There is no escaping the dislike he has for her and you quickly have it too. There is not pity for this women. She is EVIL, and sadly has a hold on Bartholomew. How and why she has this hold on Bartholomew is not something instantly revealed but rather slowly told as the story unfolds.
Along with Famine we meet Matilda, an unsuspecting young girl thrown into the battle for the world because of her unwavering spirit. She is destined to become the next Catcher, but at the tender age of 8 Bartholomew can't bring himself to do that to her. This story focuses on his training and care for her over the course of time as he waits for her to become strong enough and have had enough normalcy to finally become what he knows she must, even if he doesn't wish it on her.
I enjoyed the time spent getting to know Bartholomew and Matilda. We grow attached to them both and the anticipation of what is to come grabs you. The ending ratcheted my anxiety up through the roof with an epic battle. I instantly wanted more and can't wait to find out where this story will go. I am definitely invested in this tale. I only wish there had been more story as it almost seemed too short for the story to end where it did even though I understood why it did.
I definitely recommend this book for those looking for a paranormal read with depth and soul that will bring everything to life with each word read. Well done!
July 22, 2014
Bartholomew Etienne Pelletier has been looking for someone for the last 1,500 years. After enduring centuries of pain, torture and suffering on and off again at the hands of Famine, one of the Four Horsemen who could destroy the world, he has finally found his source of salvation. A young girl named Matilde will be the next Catcher. She will help to keep the world safe from the horsemen. Her parents and toddler brother are killed by some of Famine's soulless cadavers she keeps as company and Bartholomew saves Matilde. He is determined to keep her safe while he trains her and gets her ready to be what she will most certainly become. It is too much to ask of a child what she will have to endure, so he waits and watches.
This was a most fascinating read. I have never read an apocalyptic book where the story was spun quite in this direction before. It is totally new to me and different makes it very interesting! First of all, Famine is
one of the horsemen and she likes to eat flesh. In fact, she really likes to flay off pieces of Bartholomew's flesh and eat it. This is part of the torture he has endured for so very long. Famine can also make him do what she wants when she is in close proximity. However, with the finding of Matilde, her hold lessens upon him. The Catcher also has a certain hold on Bartholomew since he is also bound to her spirit as well. Famine creates cadavers and keeps them as company. They are much like zombies that can talk and have some small amount of brains. They are equally as difficult to kill as zombies are. Famine has taken their souls and now they are nothing but dry, clanking bones within leathery flesh. In a way, it's kind of nasty really. There are some grisly parts to the book no doubt. But it also shows the resolve that Bartholomew has created to keep himself going after so many centuries. This certain hardness has also put him in a spot to be rather alone until he finds the girl. Although he struggles with it, he finds his harsh exterior being crushed slowly and systematically by the orphan now under his care. And one of the most surprising parts of the book? Finding out why he is called the Penumbra, or almost shadow. But I am not going to tell you that little tidbit! You will have to read it yourself to find out more!
Facts about Bartholomew:
Has many scars.
Has endured much pain and suffering.
Determined.
Has a sword called a gladius.
Was a Roman soldier.
Was married.
Bound to Famine and the Catcher.
Really old.
Good looking for his age.
Not interested in long term relationships.
This was a most fascinating read. I have never read an apocalyptic book where the story was spun quite in this direction before. It is totally new to me and different makes it very interesting! First of all, Famine is
one of the horsemen and she likes to eat flesh. In fact, she really likes to flay off pieces of Bartholomew's flesh and eat it. This is part of the torture he has endured for so very long. Famine can also make him do what she wants when she is in close proximity. However, with the finding of Matilde, her hold lessens upon him. The Catcher also has a certain hold on Bartholomew since he is also bound to her spirit as well. Famine creates cadavers and keeps them as company. They are much like zombies that can talk and have some small amount of brains. They are equally as difficult to kill as zombies are. Famine has taken their souls and now they are nothing but dry, clanking bones within leathery flesh. In a way, it's kind of nasty really. There are some grisly parts to the book no doubt. But it also shows the resolve that Bartholomew has created to keep himself going after so many centuries. This certain hardness has also put him in a spot to be rather alone until he finds the girl. Although he struggles with it, he finds his harsh exterior being crushed slowly and systematically by the orphan now under his care. And one of the most surprising parts of the book? Finding out why he is called the Penumbra, or almost shadow. But I am not going to tell you that little tidbit! You will have to read it yourself to find out more!
Facts about Bartholomew:
Has many scars.
Has endured much pain and suffering.
Determined.
Has a sword called a gladius.
Was a Roman soldier.
Was married.
Bound to Famine and the Catcher.
Really old.
Good looking for his age.
Not interested in long term relationships.
May 24, 2014
You should definitely read this book!!!
Why do I say that you ask? First, I have to say when I saw Famine show up on my Kindle...I did a dance. A happy dance. I have no shame. I've been excited to read this book for a while now. I've read Ms. Pierce's other book "Girl Under Glass" and it's companion short story "A Sad Jar of Atoms" (which are both equally fantastic btw and definite reads) so I couldn't wait to see what she came up with next.
Famine (which is nothing like "Girl Under Glass") captured me from the very first chapter. Bartholomew was well written and completely and utterly fascinating…even though he’s a bit scary at times his need to protect Matilde and his love for the people he cares about, brings such a richness to the story. Matilde is what a great heroin should be. She’s not whiny, angsty or annoying, which seems to have become an unfortunate theme with young girls and women in books these days. Instead, she’s intelligent, stubborn, strong, vulnerable, witty and coquettish – without being over the top. And Mr. Vernon and Mrs. Henderson…what can I say? They are both such strong supporting characters and add such fun and depth to the story. Every detail is thought out and written beautifully. The detail Ms. Pierce put’s into her writing is fantastic. From the descriptions of the landscape to the clothing and architecture, it’s like being literally sucked into the book. Yes, it is actually that good.
Even though the book is not a comedy, there are little delightful bits of humor sprinkled all throughout the story, which helps add balance to the rather dark plot line. I was so sucked into the story that when I read the last line I kept scrolling hoping there was more hidden somewhere else. Alas, there was not, but regardless, I can NOT wait for the next three books.
Bottom line…should you read this book? Definitely and by any means necessary. :)
Why do I say that you ask? First, I have to say when I saw Famine show up on my Kindle...I did a dance. A happy dance. I have no shame. I've been excited to read this book for a while now. I've read Ms. Pierce's other book "Girl Under Glass" and it's companion short story "A Sad Jar of Atoms" (which are both equally fantastic btw and definite reads) so I couldn't wait to see what she came up with next.
Famine (which is nothing like "Girl Under Glass") captured me from the very first chapter. Bartholomew was well written and completely and utterly fascinating…even though he’s a bit scary at times his need to protect Matilde and his love for the people he cares about, brings such a richness to the story. Matilde is what a great heroin should be. She’s not whiny, angsty or annoying, which seems to have become an unfortunate theme with young girls and women in books these days. Instead, she’s intelligent, stubborn, strong, vulnerable, witty and coquettish – without being over the top. And Mr. Vernon and Mrs. Henderson…what can I say? They are both such strong supporting characters and add such fun and depth to the story. Every detail is thought out and written beautifully. The detail Ms. Pierce put’s into her writing is fantastic. From the descriptions of the landscape to the clothing and architecture, it’s like being literally sucked into the book. Yes, it is actually that good.
Even though the book is not a comedy, there are little delightful bits of humor sprinkled all throughout the story, which helps add balance to the rather dark plot line. I was so sucked into the story that when I read the last line I kept scrolling hoping there was more hidden somewhere else. Alas, there was not, but regardless, I can NOT wait for the next three books.
Bottom line…should you read this book? Definitely and by any means necessary. :)
December 30, 2014
Genre: Fantasy
Author: Monica Enderle Pierce
Book: Famine (Book One of The Apocalyptics)
My Star Rating: 5 out of 5
Will I read I read it again? Yes
Intro: The fate of every soul rests upon his shoulders. His fate rests in the hands of a troubled, young girl.
It’s 1895—the cusp of the Victorian and Edwardian eras—and Bartholomew Pelletier is a gentleman and a warrior. For fifteen centuries he’s endured the depraved appetite of Famine—one of the Four Horsemen of the Apocalypse—as she’s consumed his strength and sought to unite with her fellow Horsemen. But now Bartholomew’s chance to imprison her has appeared—in the form of his young ward Matilde.
Chosen to wield the immeasurable power of the Catcher—the one entity that can capture the escaped Horsemen—Matilde is a distrustful child from an abusive and impoverished home. She must be hidden from Famine as she grows strong, learns to fight, and reaches adulthood. But Bartholomew faces a terrible act: For Matilde to become the immortal Catcher, he must gain her trust, and then he must end her life.
By any means necessary, Bartholomew intends to conquer this enemy, but is he willing to sacrifice the one person he loves in order to save mankind?
WOW. This book surprised me and I am so glad to have read this book. Normally I don’t like the end of the world, or the Apocalypse. But I must say the cover of the book and the blurb got me to read it. And I loved it. I did notice I was a bit confused at the beginning of the book, but later on during the chapters it will explain who and what Bartholomew is.
I loved all the characters in this story. Although this book ended on a cliff hanger (of course it does –how else to get the reader to come back and read bk 2,3 and 4??) I didn’t mind this cliff hanger EXCEPT the next book is not out yet! Can’t wait for more.
I was given this book to read and give an honest review. This review is my honest opinion and I have fully read this book.
Author: Monica Enderle Pierce
Book: Famine (Book One of The Apocalyptics)
My Star Rating: 5 out of 5
Will I read I read it again? Yes
Intro: The fate of every soul rests upon his shoulders. His fate rests in the hands of a troubled, young girl.
It’s 1895—the cusp of the Victorian and Edwardian eras—and Bartholomew Pelletier is a gentleman and a warrior. For fifteen centuries he’s endured the depraved appetite of Famine—one of the Four Horsemen of the Apocalypse—as she’s consumed his strength and sought to unite with her fellow Horsemen. But now Bartholomew’s chance to imprison her has appeared—in the form of his young ward Matilde.
Chosen to wield the immeasurable power of the Catcher—the one entity that can capture the escaped Horsemen—Matilde is a distrustful child from an abusive and impoverished home. She must be hidden from Famine as she grows strong, learns to fight, and reaches adulthood. But Bartholomew faces a terrible act: For Matilde to become the immortal Catcher, he must gain her trust, and then he must end her life.
By any means necessary, Bartholomew intends to conquer this enemy, but is he willing to sacrifice the one person he loves in order to save mankind?
WOW. This book surprised me and I am so glad to have read this book. Normally I don’t like the end of the world, or the Apocalypse. But I must say the cover of the book and the blurb got me to read it. And I loved it. I did notice I was a bit confused at the beginning of the book, but later on during the chapters it will explain who and what Bartholomew is.
I loved all the characters in this story. Although this book ended on a cliff hanger (of course it does –how else to get the reader to come back and read bk 2,3 and 4??) I didn’t mind this cliff hanger EXCEPT the next book is not out yet! Can’t wait for more.
I was given this book to read and give an honest review. This review is my honest opinion and I have fully read this book.
January 13, 2015
Today, I am reviewing the Paranormal/Urban Fantasy story Famine by Monica Enderle Pierce. The first in the Apocalyptics series, this is a story in which the four Horsemen of the Apocalypse have been released from their imprisonment in the Outer Darkness, and so God has sent three soldiers to retrieve them – the Catcher, who will consign their souls back into the Darkness; the Guardian, who is to guard the Catcher; and the Beacon, who guides the Catcher in the journey. Bartholomew is the nascent Guardian who must fight off Famine and find the next vessel for the Catcher.
He’s been looking for fifteen centuries.
I give this book a 4.75/5. Here is my breakdown.
Characters: 5/5. Everything about these people was perfectly spun. No extraneous characters existed, and I found myself thrilling to the development of each. The book takes place over the span of about a decade, and each individual grows and changes throughout the story.
Plot/Storyline: 5/5. Absolutely outstanding! I was immediately grabbed by the story, and it held my attention till the end. It was unpredictable and compelling, with a large amount of suspense and thrill mixed in to the character development. I enjoyed the hell out of this book.
Flow: 5/5. Wonderful and clean. Onward and forward, with the perfect blend of description and dialogue and action. I was never bored, always wondering what was coming next. Well done, Monica!.
Spelling/Grammar: 4/5. A solid, well-edited work. A few typos were noticed (homophones being the largest offender) but in no way detracted from the story.
Overall: 4.75/5. Why did I put this off for so long? I’ve had this book on my reading list since May, yet other things seemed to take precedence every time I thought about it. I finished it in a few hours of reading, and I’m chomping at the bit for the next in the Apocalyptics series!
He’s been looking for fifteen centuries.
I give this book a 4.75/5. Here is my breakdown.
Characters: 5/5. Everything about these people was perfectly spun. No extraneous characters existed, and I found myself thrilling to the development of each. The book takes place over the span of about a decade, and each individual grows and changes throughout the story.
Plot/Storyline: 5/5. Absolutely outstanding! I was immediately grabbed by the story, and it held my attention till the end. It was unpredictable and compelling, with a large amount of suspense and thrill mixed in to the character development. I enjoyed the hell out of this book.
Flow: 5/5. Wonderful and clean. Onward and forward, with the perfect blend of description and dialogue and action. I was never bored, always wondering what was coming next. Well done, Monica!.
Spelling/Grammar: 4/5. A solid, well-edited work. A few typos were noticed (homophones being the largest offender) but in no way detracted from the story.
Overall: 4.75/5. Why did I put this off for so long? I’ve had this book on my reading list since May, yet other things seemed to take precedence every time I thought about it. I finished it in a few hours of reading, and I’m chomping at the bit for the next in the Apocalyptics series!
May 19, 2014
*I was given a copy of the book in exchange for an honest review*
I had been reading snippets of this book in Sunday snippets, so when the chance came up to review it, I hopped on board pretty fast. I'm glad I did.
Famine is a dark and twisted tale, just how I like it. There is true evil in the world and even as Matilde is protected from it, she's simultaneously exposed to it as is age appropriate.
Bartholomew is a distant and rough character that you can see softening from the time he realizes that Matilde is his long sought-after Catcher. Determined to protect her from her fate until she is old enough to understand and choose it herself, he takes steps to protect and train her. I love anti-heroes and Bartholomeus had enough rough edges that never truly faded to make him the perfect example.
Matilde, oh where to begin. Such a rough start to life and although she ends up well-cared for, that doesn't mean her life will get easier. Her training is hard and never ending, for the task ahead of her is going to be difficult. But she has strength beyond measure, sometimes hidden and sometimes all too clear.
The author has a skill with words and dialogue that paint a picture and give a marvelous view into the characters and the world. The story was a unique turn on the four horsemen and I am always up for unique.
Looking forward to the continuing story. Is it done yet?
I had been reading snippets of this book in Sunday snippets, so when the chance came up to review it, I hopped on board pretty fast. I'm glad I did.
Famine is a dark and twisted tale, just how I like it. There is true evil in the world and even as Matilde is protected from it, she's simultaneously exposed to it as is age appropriate.
Bartholomew is a distant and rough character that you can see softening from the time he realizes that Matilde is his long sought-after Catcher. Determined to protect her from her fate until she is old enough to understand and choose it herself, he takes steps to protect and train her. I love anti-heroes and Bartholomeus had enough rough edges that never truly faded to make him the perfect example.
Matilde, oh where to begin. Such a rough start to life and although she ends up well-cared for, that doesn't mean her life will get easier. Her training is hard and never ending, for the task ahead of her is going to be difficult. But she has strength beyond measure, sometimes hidden and sometimes all too clear.
The author has a skill with words and dialogue that paint a picture and give a marvelous view into the characters and the world. The story was a unique turn on the four horsemen and I am always up for unique.
Looking forward to the continuing story. Is it done yet?
May 27, 2014
This book was not what I expected, it was so much more. A villain so perfectly scripted you don't just hate her, you loath her, not to mention her evil minions. The heroine of the story worms her way into your heart as you watch her grow. I think she had me wrapped around her little finger from the moment I first met her in the alley. And Bartholomew is...well, he is Bartholomew!
I cannot wait to see where this story goes, There are four horsemen of the apocalypse and we've only met one. So please Monica, get to work on the next book!
I was given a copy of this book, so that I might read it, and to communicate my honest thoughts about it. If I can impart one thing only it would be this...put it on your reading list now! C'mon, get it on there...what are you waiting for?
I cannot wait to see where this story goes, There are four horsemen of the apocalypse and we've only met one. So please Monica, get to work on the next book!
I was given a copy of this book, so that I might read it, and to communicate my honest thoughts about it. If I can impart one thing only it would be this...put it on your reading list now! C'mon, get it on there...what are you waiting for?
June 9, 2014
I devoured (sorry, couldn't resist the pun) this book in one sitting. Cadavers are creepy, Famine is a nasty piece of work. Young Matilde growing up just to find out why she is to fight the evils they represent, and the curious Bartholomew leading the way made for an interesting dynamic. Mr Vernon and Mrs Henderson trying to maintain the households and lives of them all made for an interesting family. Fighting not only Famine's evil, but also racism, misogyny, and men who are just plain mean, this was a fast and incredibly fun read for me. Finding big hearts and kindness in a world of evils, battles both big and small, and I enjoyed every bit of it. Truly looking forward to more of the story!
May 9, 2015
Such a Great Read. I feel so fortunate to have lucked onto this story. Monica Enderle Pierce had me with a Murder of Crows... Which like, umm happens on the first or second page... After that I just rubbed my hands together and thought bring it on. I was not disappointed. I liked the characters. I liked the setting and her style of writing. And, the crows, I did mention that there were crows, right. I loved the ending. I am looking forward to book II in the series.
So I say, go ahead, drop what you're doing get the book now. This should be your next read. Yes, the book is really just that good!!!
So I say, go ahead, drop what you're doing get the book now. This should be your next read. Yes, the book is really just that good!!!
August 31, 2016
I loved Famine. This well written book has an imaginative and fresh storyline with the Four Horsemen of the Apocalypse. It manages to be detailed without being tedious, satisfying my curiosity but leaving me wanting more. I really enjoyed the well-paced character development, which showed both flattering and unflattering qualities, making the characters more lifelike and less like fictional heroes or villains. I can’t wait to read the next book in this series.
January 29, 2015
I love this book - I read it in 2 breaks. Beautifully written, each page is a visual work of art. The idea for these characters are fresh and new (to me). I have never read anything like it! The vivid descriptions on scenes and setting between 1800's and Roman times is effortless to read.
Monica is now one of my favorite Dark Historical Fiction authors.
I can't wait for the next book in the series.
Cheers.
Monica is now one of my favorite Dark Historical Fiction authors.
I can't wait for the next book in the series.
Cheers.
June 14, 2016
3.5 stars
Full review to come!
Full review to come!
June 16, 2017
I havered over this book on Netgalley, and finally decided to be optimistic and request it. I really ought to have learned by now to go with my gut. This isn't a bad book, though it has problems; it's just not for me.
Hopefully, the errors that kept nudging me out of the story were fixed before publication, but I have no real way to check. There was a bit of tooth theme with some; in the middle of what was supposed to be a pretty intense scene, I was sitting there wondering what exactly "dental molding" was. I looked it up: it's "DENTIL". What a difference a vowel makes. Then a little while later the butler is polishing his boss's beige toothpicks, and again I sat there going "Wha-?" The ensuing paragraph indicates that these are shoes, which makes more sense than, you know, actual toothpicks, but I wandered around the internet for a good bit of time without finding any style of shoes that has ever been called "toothpicks". I don't know. Anybody?
The problem that made me put the thing aside for a while, if not forever, is comma abuse. It was starting to make me alternately whimper and grumble every time it showed up, which was just about every other page. In common English usage there are places a comma is not used, such as in places where two adjectives are used to describe something. The author constantly uses two adjectives to describe people, places, and things, and in about ninety percent of these instances a comma is improperly used. "White, linen"; "shiny, black"; "droopy, old wives" (!); "massive, framed"; "palm-sized, tin". And on, and on, and on. It drove me crazy. And it's not consistent – now and then it's done correctly ("black leather case").
I have to say exposition is done pretty well; the background for the story is provided well enough to keep me afloat in what's going on while maintaining mystery and tension, and I daresay holding back a few surprises.
I'm not sure I can give that much credit for characterization. The jury is still out on whether I like Bartholomew enough to spend the rest of the book at his side. There's a whiff of iZombie about him – he consumes souls, or parts of souls, or something like that, and takes on some of the character of the person off whom he's fed. And since he chooses blackguards to drain, he becomes a bit blackguardly. The servants felt a bit stereotypical, though the governess was beginning to take on some personality when I gave up. The villain, Famine, was … just another fairly standard all-powerful blood-sucking (is there a name for it? Homnivorous? Hey, that is a word) monster; there were the standard incredibly nasty hard-to-kill henchmen.
And then there was the little girl. Matilde is a child from the slums of New York's Five Points who is destined to be … important, endangered by Bartholomew's attention but then saved by her and adopted by her. She gave me pause. There were times when her dialogue came off as a young girl raised in the slums ... and there were times when her dialogue came off as a middle-aged upper class matron. Sometimes in the same paragraph. And was "Matilde" a plausible name for a child from that neighborhood, with parents who did not seem to be French immigrants? As far as I could tell it wasn't even "Mathilda" given a French accent by Bartholomew.
I just have too many books in my to-be-read pile to keep on fighting. It wasn't the worst thing in the world, but … no, thanks.
The usual disclaimer: I received this book via Netgalley for review.
Hopefully, the errors that kept nudging me out of the story were fixed before publication, but I have no real way to check. There was a bit of tooth theme with some; in the middle of what was supposed to be a pretty intense scene, I was sitting there wondering what exactly "dental molding" was. I looked it up: it's "DENTIL". What a difference a vowel makes. Then a little while later the butler is polishing his boss's beige toothpicks, and again I sat there going "Wha-?" The ensuing paragraph indicates that these are shoes, which makes more sense than, you know, actual toothpicks, but I wandered around the internet for a good bit of time without finding any style of shoes that has ever been called "toothpicks". I don't know. Anybody?
The problem that made me put the thing aside for a while, if not forever, is comma abuse. It was starting to make me alternately whimper and grumble every time it showed up, which was just about every other page. In common English usage there are places a comma is not used, such as in places where two adjectives are used to describe something. The author constantly uses two adjectives to describe people, places, and things, and in about ninety percent of these instances a comma is improperly used. "White, linen"; "shiny, black"; "droopy, old wives" (!); "massive, framed"; "palm-sized, tin". And on, and on, and on. It drove me crazy. And it's not consistent – now and then it's done correctly ("black leather case").
I have to say exposition is done pretty well; the background for the story is provided well enough to keep me afloat in what's going on while maintaining mystery and tension, and I daresay holding back a few surprises.
I'm not sure I can give that much credit for characterization. The jury is still out on whether I like Bartholomew enough to spend the rest of the book at his side. There's a whiff of iZombie about him – he consumes souls, or parts of souls, or something like that, and takes on some of the character of the person off whom he's fed. And since he chooses blackguards to drain, he becomes a bit blackguardly. The servants felt a bit stereotypical, though the governess was beginning to take on some personality when I gave up. The villain, Famine, was … just another fairly standard all-powerful blood-sucking (is there a name for it? Homnivorous? Hey, that is a word) monster; there were the standard incredibly nasty hard-to-kill henchmen.
And then there was the little girl. Matilde is a child from the slums of New York's Five Points who is destined to be … important, endangered by Bartholomew's attention but then saved by her and adopted by her. She gave me pause. There were times when her dialogue came off as a young girl raised in the slums ... and there were times when her dialogue came off as a middle-aged upper class matron. Sometimes in the same paragraph. And was "Matilde" a plausible name for a child from that neighborhood, with parents who did not seem to be French immigrants? As far as I could tell it wasn't even "Mathilda" given a French accent by Bartholomew.
I just have too many books in my to-be-read pile to keep on fighting. It wasn't the worst thing in the world, but … no, thanks.
The usual disclaimer: I received this book via Netgalley for review.
Displaying 1 - 30 of 37 reviews