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1000 ögon #4
Nyckeln
En skräckserie i ett modernt Uppsala... Nyckeln är en fristående fortsättning på 1000 ögon. Fem sammanlänkade berättelser om hopp, förtvilan, skräck och olycka, med en märklig nyckel i centrum...
48 pages, Paperback
First published January 1, 2012
3 people want to read
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Displaying 1 - 2 of 2 reviews
May 12, 2022
Fristående fortsättning på "1000 Ögon"-sviten. Här tecknad av ett flertal olika aktörer och inte bara av Daniel och Jonas som tidigare. Detta medför olika stilar men allt passar förvånansvärt bra tillsammans. Dessutom så upplever jag att handlingen är snäppet vassare i denna serie än dom föregående delarna i "1000 Ögon"-sviten. Efter dessa så gjordes det även 3 album till, utgivna på ett nytt förlag. Dessa ska jag låna från bibblan och läsa framöver, vilket jag ser fram emot.
March 23, 2014
Ok, so this was a step in the right direction.
Nyckeln (The Key) is a continuation of the trilogy 1000 ögon, written by the same persons but illustrated by a number of artists. Strangely this works better than the earlier volume, partly because the script is better and more tightly woven, but also since it gives me as a reader the possibility to see new art by several up and coming artists. Well, Ola Skogäng isn't really up and coming and his clean art also shines in this volume. But I also liked the, for me, new artist Reine Rosenberg, who draws in a style that looks like it was inspired by Peter Bergting.
This was much more interesting than the former volume and I am now looking forward to reading the next installment to see if there has been further development in art and storytelling.
Nyckeln (The Key) is a continuation of the trilogy 1000 ögon, written by the same persons but illustrated by a number of artists. Strangely this works better than the earlier volume, partly because the script is better and more tightly woven, but also since it gives me as a reader the possibility to see new art by several up and coming artists. Well, Ola Skogäng isn't really up and coming and his clean art also shines in this volume. But I also liked the, for me, new artist Reine Rosenberg, who draws in a style that looks like it was inspired by Peter Bergting.
This was much more interesting than the former volume and I am now looking forward to reading the next installment to see if there has been further development in art and storytelling.
Displaying 1 - 2 of 2 reviews