and now for something completely different. …
Monty Python's Flying Circus began in 1969 on the BBC. The show began in the United States five years later on PBS stations. It was the top public TV program in New York by Feb 1975.
Six years before Saturday Night Live went on the air, Monty Python's Flying Circus brought its own innovations to TV comedy. The program included cold openings and absurd sketches without punchlines. This book of diary entries requires some knowledge of Monty Python's works from 1969-83.
Mercifully, this book abridges Michael Palin's original diaries, which ran for six hundred pages. I'm interested enough to read this quick abridgment, but not interested enough to read hundreds and hundreds of pages.
Nonetheless, Palin, who may be the most literate of the Pythons, wrote about the diary as a literary style. Palin regards diaries as works-in-progress rather than achievement explained or reputation gained. His diary entries offer direct and immediate thoughts, unvarnished by time.
For those mystified by the troupe's style, Palin writes about the cumulative effect of Monty Python that a single showing of its Flying Circus program could not convey. Python's style comes, in part, from the humor of frustration and from the irritation of constantly being diverted by trivia, wrote Palin.
Palin offers insight to his companions. John Cleese, for example, became a curmudgeon early on, although he was good at "corpsing," a British term for breaking up the others during a sketch. Eric Idle, meanwhile, earned praise as a good analyst who, time and again, identifies the weak and strong parts of sketches. Although Idle can have his moments, Eric "is like the top scholar of the year at the Dale Carnegie School of Positive Thinking," wrote Palin.
Interesting book. I'm familiar enough with the body of work that the diaries made sense. I did well in high school comedies and improv. So, I enjoy learning about the creation of humor for the stage and film.
This book released last summer, when the troupe produced its 2014 farewell film, "Monty Python Live (Mostly)." Highlights of the show, directed by Eric Idle:
— "The Galaxy Song," which ends with a cameo by a grinning Stephen Hawking, a surprisingly touching moment when the nurse held up his hand so that Stephen could wave to everyone, which brought sustained cheers.
— "Always Look on the Bright Side of Life," the final all-star encore before waving a final goodbye. Twenty thousand fans joined in the familiar chorus during the singalong, which could have gone on longer. But the song did not begin well. It was "received coolly" when Eric Idle first played it for the others in 1978. Now it is Monty Python's best-known song, often sung at funerals.
If vaudeville were alive today, it might look like this farewell production. Great staging and set design. Otherwise, it is (mostly) tired material better performed by these guys in their twenties, not by men in their seventies.
It is easy to find Python in its prime. For a good best-of, try Monty Python Live at the Hollywood Bowl, taped in 1980. "The sketches were well performed and quite well filmed," wrote Palin. "Performances very strong, especially Eric."