Adam Jan Dutkiewicz worked as a feelance art critic from June 1992 until November 2005 for The Advertiser newspaper and has also worked for Business Review Weekly, Art Monthly Australia online and The Independent Weekly. In 1997 he was awarded a scholarship by the University of South Australia to undertake a doctoral degree at the South Australian School of Art in visual art history and theory. He is the author of numerous catalogue essays and a contributing author for the monograph Franz Kempf: Thinking on paper (2002); co-author of Alexander Sádlo: Experimental Journey — An Artist in Three Countries (2007) and Malcolm Carbins: Silent Depths (2010; and author of Mervyn Smith: Watercolours (2004); A Matter of Mind: an Introduction to the Art of Wladyslaw Dutkiewicz (1918-1999) (2006); Brian Claridge: Architect of Light & Space (2008); Ludwik Dutkiewicz: Adventures in Art (2009); and Lidia Groblicka: Suburban Iconographer (2010). He recently published a volume titled The Path to Salt, a photographic essay on the salt fields at Dry Creek, north of Adelaide, accompanied by a related short story. In 2013 he published the biography of his father: Wladyslaw Dutkiewicz: A Partisan for Art.