During the final months of the First Krakoan Age, there was a sense that Marvel was over-compensating with the amount of issues across multiple titles to cement that we were approaching the end of the X-Men's most exciting era in years. Following Jonathan Hickman’s run on the main X-Men title (as well as his departure from the era itself), Gerry Duggan took over the book where he explored the eponymous group of a team of superheroes to reflect a positive image on the mutants for humanity as they reside in New York.
Throughout this run, threats including the human supremacist organization Orchis have tried to diminish that public image by revealing secrets that the mutant nation has kept from the rest of the world. Following the 2023 Hellfire Gala, Orchis has made their move as they invade Krakoa, causing the mutants to evacuate from their utopia as they seek refuge elsewhere. Whilst Cyclops is on trial and facing the death penalty, whatever is left of the X-Men are now a resistance against Orchis, who has unleashed Nimrod who relentlessly adapts in its quest to eliminate mutantkind.
Although the five issues here serve as a continuation of what Duggan has been doing throughout his run, they are happening around the same time as he was writing Fall of the House of X, which feels like the main event while these issues feel more like tie-ins that fill in the gaps. Reading this volume in isolation is not ideal, even if you are a fan of this run alone, which has always been fun, even if it never reaches the depth of Hickman’s writing, or even Duggan’s other X-colleagues.
The strength of this run has always been Duggan’s handling of characters, and with this volume, there are some interesting interactions between the X-Men, a number of which have been split off in different locations. As Synch and Talon face the fallout of their past with the High Evolutionary, we get to see closure towards this romantic relationship, which does end in tragedy, but it cements those two mutants as being one of the high points of the whole era, even going back to Hickman’s involvement. While there are allies to help the X-Men, such as Spider-Man and Iron Man, you are here for the mutants themselves as Kamala Khan, Kitty Pryde, Magik and Emma Frost steal the show.
There is a lot going on, not least from the numerous antagonists that pop up, ranging from Nimrod, the High Evolutionary and MODOK, it is a good thing that artists Phil Noto and Joshua Cassara make this a visually coherent read. As one of the most prominent artists during the Krakoan Era, Noto’s work has always been serviceable, but never was a particular favourite of mine. On the other hand, Carrara’s more detailed work really shines in the last two issues here with a great deal of action that showcases the variety of powers displayed in spectacular fashion; even Wolverine gets some awesome moments.
Ending on a cliffhanger, it does seem weird that the last volume of Duggan’s run does not include X-Men #35, which serves as the ending of the whole era. While this trade feels more like filling in the gaps within the larger storyline, it still serves as a satisfying conclusion to Duggan’s super-heroic take on the X-Men.