AHHH! This book. So. Good.
You know those books that are so good that you don't want to do them dirty by writing a lame book review? Yeah, that's this book.
This book follows the lives of two women simultaneously: Rachel Jackson who is the wife of a Republican politician running for re-election in red state Arizona in the present day, and Marit Sletmo: Rachel's great, great Aunt who immigrated to Eau Claire, WI (shout out EC!) from Norway with her brother and sister in the early 1900s after a fire destroyed her hometown and her parents were no longer able to care for them.
Shortly after arriving in Eau Claire, Marit's older brother, Jorgen, has her committed to the Eau Claire mental asylum after he catches her kissing a friend on the cheek. Marit knows a big secret about Jorgen that he can't risk getting exposed, so, as her new legal guardian, he claims she is suffering from hysteria and lesbianism, and needs to be locked up.
The topic of women's rights is heavy in this book. Marit spends a great deal of her life with her rights continuously being stripped away every time she fights to get them back.
Meanwhile, Rachel is trying to play the role of doting wife to her Republican nominee husband, but neither Rachel nor her husband really buy into the message they are trying to sell. Both are miserable and living lies. Rachel sets out on the course to find out more about her great, great Aunt as sort of a distraction from the political race. But then Rachel's life gets a major upheaval thrown in that rocks her world! I personally LOVED the plot twist.
Women's rights, gender identity, gangsters, murder, tuberculosis nursing, unethical priests....all themes in this book. The Cemetery of the Unknown is a real place in Eau Claire, though it's called Old Orchard Cemetery and it too houses those who died while living in the asylum and working at the county poor farm.
As someone who hails from the Eau Claire area and is about as Norwegian as one can get without actually have been born in Norway, this story about characters living on the fringes of society trying to find their identities that transcended traditional norms of acceptability really resonated with me.