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336 pages, Kindle Edition
First published April 1, 2025





A year after the events of Book One. Vera is still running her tea shop and still competing with Winifred and her bakery. But with no dead bodies around, Vera is bored. So when she bumps into a girl looking for her missing friend, Vera is delighted to have a new mystery to poke her nose into. Even better when she discovers, thanks to snooping where she shouldn’t, that this missing young man was a famous influencer and is now dead. Yay for more murder investigation work!
The story comes to us in the third-person perspective of various characters, including Vera.



Those little youngsters barely out of their diapers are not your friends, they are your adopted children. Do you even have friends your own age?There are just too many side characters. Most of them blur into a single interchangeable needy child whose only real function is being dragged around by Vera and catering to her every whim. The found family element feels less earned this time around and more automatic than organic. She feeds someone once and suddenly they’re emotionally enmeshed and reorganising their entire life around her. They all lack distinct voices (even the existing characters who make cameos) and don’t feel individually significant.
If you do not have a mother, you may slip and slide into my DMs.Those are real words. Said with full confidence. She's "very much up to date with young people these days. She is basically an honorary Gen Z." It's hard not to laugh and lovingly shake your head while going, "Oh, Vera. What are you like?"
“This whole writing a book thing is so easy, no wonder Sana’s mother writes four of the things every year. Vera is sure she can bang out at least six books a year if she wanted to.”At this point Vera's mentally built a publishing empire off a single sentence (that she wrote in her head) and is of course diminishing someone else’s work in the process.
“I always thought that when people tell me I am sexist, they mean I am very sexy... Aiya. And here I have been thinking: Oh good job, Vera, over sixty years old and people still finding you sexy, like Michelle Yeoh.”It’s exactly the kind of self-assured misfire that defines her and prevents me from ever fully hating her.
She has plenty of family, of people she considers her children or nephews or nieces or grandchildren, but peers? Goodness, what a sobering thought.That’s one of the few emotional beats that actually sticks.
“You know, is good to underpromise and overdeliver.”