From Studio to Stage: Reminiscences of Weedon Grossmith

by Weedon Grossmith

Indulge in the luxury of a unique, premium leather-bound book designed for elite readers and collectors of rare, old books. We specialize in printing hard-to-find books not listed in our store, aiming to bring rare books back to the shelves and preserve literary history for future generations. We welcome your comments and suggestions to continually improve our offerings. Our exceptional editions feature genuine leather binding, handcrafted using original leather in various colors, including Red, Green, Blue, Magenta, Tan, Deep Brown, and Black. Customize your book by choosing any color and sending us your preference. The exquisite golden leaf design on the spine, front, and back, complemented by edge gilding, gives the book a truly distinguished appearance. We use high-quality, natural shade paper for black and white printing, with pages sewn bound for enhanced durability and longevity. The original edition was first published Long Back [1913] and faithfully reprinted in 2024. Each page has been meticulously processed to ensure readability, preserving the original content while addressing occasional issues such as blurs, missing pages, or black spots. Our dedicated team strives to restore these historical treasures to their former glory. The book is in English, contains 471 pages. If it is multi volume set, then it is only single volume. We offers custom labels in different colors for further personalization. A folio edition is available in size 12x19 inches upon request. Please note that leather is a natural material, and slight variations in color or texture may occur. Complete - “Collector’s Edition” From studio to stage; 1913 [Premium Leather Bound] by Grossmith, Weedon,

463 pages, Leather Bound

First published September 27, 2015

About the author

Walter Weedon Grossmith (9 June 1854 – 14 June 1919), better known as Weedon Grossmith, was an English writer, painter, actor, and playwright best known as co-author of The Diary of a Nobody (1892) with his brother, music hall comedian and Gilbert and Sullivan star George Grossmith. Weedon Grossmith also illustrated The Diary of a Nobody to much acclaim.

Grossmith trained as a painter, but was unable to make a living in that capacity and went on the stage largely for financial reasons. He was successful as an actor and as an impresario, and wrote several plays. As an actor, he specialised in comedy roles, and his typical characters, harassed and scheming, became so identified with him that the "Weedon Grossmith part" became a regular feature of the theatre of his day.