Nico Fierrezza is next in line to be king of Niroli and is called back to his home country to speak with the king...and maybe to be wooed towards taking the throne by a woman of the king’s choosing. Following him to Niroli, completely unbeknownst to Nico, is his former secretary, Carrie Evans, who he had no strings attached sex with (without telling her that) and left up-the-duff. So she’s off to tell him face-to-face about their baby issue. It’s only after she arrives and has the trouble of sneaking into the royal palace and all that entails that she wonders if she shouldn’t have sent a solicitor letter. But she finally finds Nico who is surprised to see her, but happy to take advantage of their mutual lust. Then she tells him she has his bun in her oven and he’s furious that she’s lying (evidently he was told he’d be infertile after a childhood illness). Instead of considering her job done now he knows and doesn’t believe and just leaving, she decides to stick around until he acknowledges his kid. But she has to watch him wooing it up with the OW and fight off his lustful advances while she waits for this miraculous event to happen. After a doctor’s appointment and a little test of his fertility, Nico finally accepts that the baby MIGHT be his. He tells Carrie this so she can fall happily into his arms, agree to join him in emotionless matrimony, and still give him the sexy times he craves with her. He’s surprised that she doesn’t...and even more so when she hies off back to London. At this point he realizes he loves her and needs her in his life so he goes off after her. He’ll have to work pretty hard to earn back her trust (but not her love for reasons described below).
So this isn’t awful awful, but it pushes the bounds of believability, reaching levels of cheesiness at some points. For example, when the heroine’s hotel is on fire and she rushes forth with empathy for the hotel owner and takes over scrubbing the kitchen floor for the poor woman (the hero’s mother as it turns out). And he finds her in this Cinderella position. Later when she has a wardrobe mistake, facilitated by the jealous OW, Carrie comes back in a new dress and re-enters the ballroom, just like Cinderella again, with all males stopping in their tracks and lusting after her. It read a bit like a fanfiction where the heroine is very Mary Sue and they go through multiple angsty events. The only positive in this story I think is that our heroine, Carrie, actually does grow a bit of a backbone before the end of the story.
Oy vey. This heroine had problems...with a capital P. First of all, she seems to love people who treat her like shit. First there’s her aunt who resented her didn’t like her at all, but heroine quits her job (for reasons) and stays home without pay to care for her aunt...even paid for aunt’s treatments. Then the aunt dies and heroine still wasn’t loved, but the heroine ponders how she loved and will miss her aunt. Then there’s the hero who ignores the heroine for two years while she pines desperately from afar until suddenly he decides she’s sex-worthy. Then he dumps her ass most cruelly...and does it again when she shows up to tell him she’s pregnant. But she still loves him most ardently. Why, I can’t imagine, but she claims does. I’m sure this is to show us that Carrie is so pure that she can love even the cruelest of people, but all it shows me is that she has no self-respect. Meanwhile, I’m pretty sure she has no idea what “love” actually is. She seems to think it’s admiration or lust something, but you can’t really be “in love” with someone you don’t know (like the hero). And while she claims to know him inside and out, she’s rather surprised and put out when he does things that are already a part of his nature. It’s kind of disgusting how she gushes mentally about how much she loves him while simultaneously recalling how he chucked her aside. And she’s so delusional she’s able to spin all his negative qualities (like being a womanizer) into absolutely positive traits, almost as if she’s excusing the hero’s behavior towards her. And yet, in the end, she’s all about changing him, like those traits she loved so much don’t work now that she’s won his love and affection and about to be bearing his royal offspring.
And let’s face it, calling the hero a hero is just not accurate. He’s described as emotionless and unfeeling...which is pretty spot on. He can casually use and guiltlessly discard a woman who has worked with him for two years and been nothing but loyal. Then, after the night in question, she resigns and for 3 months, he doesn’t give her another thought. He doesn’t look for her or worry about her, he just says, “we missed you.” But according to the end of the book, he’d loved her all along and just hadn’t known it. Yeah. Sure. I seriously doubt it works that way - I can believe loving someone and not admitting it, but having no idea? He also mistakes lust of love. How else to explain his sitting at the ballroom and looking at a now beautiful Carrie and thinking “I have to be inside her,” instead of “I really want to get to know her.” The fact that he wanted sex with her even though he thought she was lying isn’t proof of love. I’m not sure we actually ever get any proof of his love for her - even his actions at the horse race don’t prove much since he still managed to win.