It's hard to not repeat myself when it comes to describing just how much I'm enjoying this series. And this one is my new favourite (although I'm going to hazard a guess that my sappy heart will burst for the next one). A locked room mystery, set outside the village and the bookshop for the first time, and no real 'fantastical' elements save our three fictional men, who are now absolutely at home in the 'real' world. This feels like the absolute definition of cozy crime, and I absolutely LOVE it!
Where the storyline is based around the writing and publishing process, there is a confidence there that shows the author's knowledge of the points being described. I can't know if any of the critiques being thrown at Mina (or indeed some of the other issues raised) are based on the author's experiences, stuff she's heard about from fellow writers or if it's truly fictional, but the vast majority has a ring of 'this could actually be true' about it. And when you throw in the comments about self-publishing (which also harks back to an earlier book in the series) and GenAI (*spits*), it does give the reader strange yet believable insights.
By this point in the series, you are used to the formula and know what to expect where Mina and her boys are involved. Except this time, they aren't just suspects because the local constabulary are a bit inept. The is a real possibility that one or more of them may be the perpetrator, and I love the sense of unease this brings to the tale. You keep telling yourself that it couldn't possibly be, but the intrigue just keeps stacking up and there's a part of you that wonders... and you'll just have to read the book to find out whether they do or not!
As for the other suspects, we have our usual selection of slightly random personalities who all have motive, but this felt like the most grounded selection to date. Sure, a couple of them do have some elements of 'extra' in their personality, but this just meant the author could have fun with them while making sure they had clear and sensible motives. Likewise, the victim was made so unlikeable that I certainly thought they had it coming!
Equally, we're at the point in their relationship where the characters work like a well-oiled machine. They still have their fallings out, disagreements and spats, but ultimately it's in this book that you really see how each of the individual relationships within the polycule strengthens the whole. The only thing that I need to see more of is a sated and satisfied post-coital Morrie and Heathcliff... they butt heads and clash in the best way, but I would love to see them all snuggly and soft with eachother in the afterglow. But of course, they're only like that when it's just them... 😊
I also adored the fact that we got more of an insight into Quoth's raven side. Obviously he spends a lot of his time in bird form, but to get to see him interact with others of his kind and start to understand why he might prefer spending his time on the wing is just beautiful. I fear a Quoth plushie raven may shortly make its way onto my bookshelf, because he's definitely and firmly on my book boyfriend list.
Finally, although a big moment of this book was (more than) hinted at in a previous book, to actually see it come to fruition was glorious. It's not unexpected by the reader, and yet it comes in a very unexpected point, but it totally fits within the plotline and definitely gives you a sense of what Mina must be feeling!
Oh, and I'm even more intrigued by the next series of Steffanie Holmes' work after reading this one! But right now, I'm skipping merrily to go pick up book nine and hope to report back later with a melted heart and a huge smile.