Unica Zürn tells the story of fifteen-year-old motherless Katrin, an aspiring writer, who lives with her father, also a writer. The novel is set in an imaginary world, a metropolis called Linit, split into three levels: Oberstadt (Hightown), Mittelstadt (Middletown) and Unterstadt (Lowtown), overlooked by a Volcano where the artists live and crossed by the river Emil. Presented as a book for children, apparently written for her own daughter (named Katrin), Katrin also draws on the personal biography of Zürn herself, in terms of her relationship with her father and the city of Berlin after WWII, and her experience with people on the margins of a society characterised by great tensions.
Unica Zürn was a German author and painter. She is remembered for her works of anagram poetry, exhibitions of automatic drawing, and her photographic collaborations with Hans Bellmer.
This predates Zürn's surrealist writings. It's her attempt at what we'd call a YA novel, for 50s Germany. It's pretty odd, with a number of head-scratching moments. Not surprisingly, there's a dominating and problematic father. But is it worth the time for even a Zürn fan like me? I'm not sure.
Incredible. For a young reader like Rilke’s book is for a young poet. It reminded me a lot as well of Lesabendio, two microworlds oriented around a vertical axis where a cast of characters debate the possibility of artistic autonomy and hurt each others feelings and get into hijinks and end up somewhere new.