Update: $2.99 kindle special. The history of these women - is fascinating! A great price - worth reading!! 🤿🐟
“As the Korean saying goes, *Haenyos* do the work of the dead in the land of the living”.
“Every woman who enters the sea carries a coffin on her back. In this world, the undersea world, we tow the burdens of a hard life”.
Women harvest together, sort together, and sell together. The sea itself is communal.
With no breathing equipment, the deep-sea diving Korean women (*Haenyos*), hold their breath for two minutes, diving 65 feet deep to harvest seafood: abalone, shellfish, sea urchins, octopus, conches, sea slugs, sea cucumbers, oysters, and squid.
Years ago, Haenyos officially retired at age 55. Today, it’s hard to find Haenyos under the age off 55.
In recent years, their numbers are decreasing dramatically. It’s estimated that the haenyo will be gone in twenty years unless more women step forward.
Diving as these women do can be very dangerous. Strokes are common with years of diving.
Dr Shin, ( a minor character), says: “You Haenyo learn from your mothers and grandmothers, but what they taught you is the worst thing you can do. All those short breaths, followed by a deep dive, where you hold your breath the entire time, and then the quick rise to the surface. And then you do it again and again and again? It’s terrible and very dangerous”.
Air-Bubbles can get into the women’s veins and lungs and cause brain damage.
One of the characters, *Yu-ri* - did have an accident. “Yu-ri went into the sea one person, and came out another”.
Another character died in the sea. Two tragedies early in the storytelling....
Yet...Haenyeo - female divers in the Korean Province of *Jeju*, are known for their strength, their independent spirit, their iron will and determination. Their identity was strongly associated with diving. The dangers didn’t influence their thinking. The sea was their life!
Originally, diving was an exclusively male profession. By the 18th century, women divers outnumbered the male divers.
Gender roles were reversed. Since women divers were the primary breadwinners - their husbands took care of the domestic needs: he looked after children, did the shopping, and cooked the meals.
Ritual foods....
“Soup with titlefish, White radish, and seaweed, a bowl of seasoned bracken, turnip and green onion buckwheat pancakes”.
Or....Black pig grilled with soy paste and cabbage kimchi.
Or.....Sea urchin soup. .....etc.
The HISTORICAL ‘FACTS’ were FASCINATING to me. I was naturally curious about the extraordinary diving women - (their culture, their relationships with their mother’s, grandmothers, husbands, and their respect for the sea), the island itself: *Jetju* - the history between the Japanese and Koreans - and the horrific Bukchon Massacre.
Lisa Sea brought awareness to devastating historical events that were essentially kept secret for years - Japanese rule, resistance, and retaliation. A riot spread like a forest fire.....
In the same way author Tatiana de Rosnay - in “Sara’s Key”, exposed secrets that the French had hidden ( tried to keep secret), - that France participated in roundups - French police knowingly sent Jews to the gas chambers to Auschwitz. .....
Lisa Sea exposed a very dark time in Jeju’s history - (tried to keep secret).
American soldiers discovered 97 bodies that were killed and buried by the government. They also encountered police who were executing 76 villagers. Between 14,000, and 30,000, people died as a result of the rebellion.
The FICTIONAL STORY .....centered around a friendship between two girls ....both Haenyo divers - their coming of age together - with their trials and tribulations started out interesting. ( both from very different backgrounds: both independently interesting females), but didn’t always hold my interest. I felt ‘their’ story was ‘literary-ordinary’. It wasn’t awful....but ‘common’ storytelling.
I have no idea - how history and fiction work together. I read a great quote from another book reviewer not long ago: she enjoyed the facts of the story - the fiction - and not knowing the difference between either.
I thought that was GREAT insight.... with an overall great reading experience.
For me - I ‘was’ aware of what was FACT and what was FICTION.
I often don’t care if the history is perfect. If I’m enjoying the story and the characters, I’m simply enjoying the book.... but this time the HISTORY was my favorite.
I found the history fascinating, and interesting, .....
The Haenyos are BEAUTIFUL WOMEN - inside and out......with AMAZING PHOTOS that can be found online. The older women are women, I would enjoy sitting with sharing tea.....( get to know them more).
The women’s languages interested me - their dispositions - work ethics- etc.
“ The Villiage of Widows”.....was a fascinating chapter in this book.
I wanted to know more about role of the village leaders, their resistance to traditional education, ( and why THE SEA trumped everything else in their lives).....when often they were left with physical pain from decades of the water pressure....to their ears, joints - headaches and even painful hips from the “Tewak” they carried.
A Tewak is a flotation device about the size of a basketball that sits at the surface of the water with a net hanging beneath it to catch the harvest. Its HUGE ....( see photos online)
I liked learning about a vocal practice the women did called “Sumbisori”. It’s a breathing technique used by whales and seals. The diving women practiced too as it allowed them to dive deeper below sea level.
I was also interested in political upheavals. They were gut wrenching: I learned a lot.
My only - ‘slight’ - criticism was the fictional story. It was ‘fair’ for me. Good...just not over-the-top extraordinary. Doesn’t really matter - as I got what I wanted from this book - An awakening to new history .... which I’ll still be interested in - years from now. Lisa Sea gave me ( and I believed), other readers a great gift with “The Island of Sea Women”.
I also agree with the reader who said.....”I’d read the phone book if Lisa Sea wrote it”.
ME TOO!
Sincere thanks to Scriber Publishing, Netgalley, and Lisa Sea