Lots Going on Here
There is so much going on in this novel that it takes a bit of effort to unpack it all. Set in 1883 on the Mexico/Texas border, the book has been described as a "visionary neo-Western", and that characterization captures some of its flavor. This isn't just a Zane Grey or Owen Wister oater, or an ambitious, more literary, horse opera. It feels much more like the basic outline of that sort of book has been laid out, but then embellished, improvised on, and extended to create something much more ambitious and interesting.
And so, you get, (in descending order of how dominant an ingredient it is) -- an historical fiction, a mystery, a western sheriff procedural, a colorful/dusty western adventure, a sweet and gentle romance, a Mexico/U.S.A. history lesson, a cultural tour, a ghosts and spirits story, and a horror/occult tale. This is set against a background that fluctuates between magical realism and gritty slice of life realism. And it all is meant to put our hero's existential angst into high relief. It helps that our hero's brooding isolation makes sense, and that the reader is sympathetic to his plight. If that's "neo-Western" I'm all for it.
The writing can be lyrical, thrilling, or evocative. To be fair, it can also be a bit clunky and repetitive, and the author sometimes has to rely on character monologuing and narrative explication to keep the story moving or to make a cultural point. I suppose that's a small price to pay when you get a romance, a multicultural tour, occult horror, mysticism, ghosts, history, gunplay, barn burning, revolution, family curses, and heroic suffering all in one book.
So, I wasn't quite sure what to expect when I picked this up, but Ruiz didn't let me down, and I liked his new style Western.
(Please note that I received a free ecopy of this book without a review requirement, or any influence regarding review content should I choose to post a review. Apart from that I have no connection at all to either the author or the publisher of this book.)