A Guardian, Financial Times, CBC, and Observer Best Book of 2025
The poems in Wellwater, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.
Having grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.
Prize-winning and internationally celebrated poet Karen Solie grew up on her family's farm in rural Saskatchewan. She was educated at the University of Lethbridge and the University of Victoria. She has taught English at the University of Victoria and poetry at the Banff Centre for the Arts Writing Studio. Solie has also served as writer-in-residence at universities and arts centres across the country, including the University of Alberta and the University of New Brunswick. Karen Solie is one of Canada's leading contemporary lyric poets.
As a fellow transplant from the Canadian Prairies to Toronto, I connected deeply with these poems. This collection contains beautiful poetry about nature, poems with a stirring environmental message, and poetry about the realities of day-to-day life in Toronto (like the experience of being told to smile by a stranger and sworn at when you ignore him). Reading these made me feel more deeply connected to the province I hail from as well as the wonderful, imperfect city I now call home.
3/5 Beautiful, modern, and full of anxiety, stress, fear, and grief over the changing world.
Out of the 42 poems, I only liked 18 of them. I found myself questioning some of them after I finished, I just couldn't get what I had just read. Many I found ended too short, even ones I liked, as if they never got finished.
Here are the ones I enjoyed: The Trees in Riverside Park "The trees are grand hotels closed for the season. But below ground, social life is taking place." 8 That Which Was Learned in Youth Is Always Most Familiar A beautiful poem about a child's wisdom
Red Spring A poem about crops, chemicals, and outcomes. Akin to Percy Schmeiser v. Monsanto. "{. . .} the earliest stage at which herbicides
may be applied — Luxxur™ for problematic grass weeds — as white-railed fawns sleep inside wild chokecherry"
Autumn Day Stark realities of trying to buy a home.
Toronto the Good Returning to a place you used to live and seeing how unlivable it is now.
On Faith "There was no reason not to believe the overgrown wells in abandoned yards
still held water that, like all things forgotten, was ruined and dangerous."
Parables of the Rat "And maybe a soul is a satellite, a small idea orbiting a larger one, a device to translate a signal and send it back.
The rat is still a rat. There is no getting around what we are."
Next Life "[. . .]the spirit of her belongings, any remnants of utility and charm,
had chosen to accompany her into the next life. The world used her right up, along with the little she'd been given. But everything she'd been given she found a use for."
The Snowplow "[. . .] The plow is a child of the north, like Romanticism. And what a dad-rock moment
here on the sidewalk, watching the blade at it's superb angle push everything before it"
The Grasslands All that is Canada's grasslands; the good and bad; past and present. All of it: beautiful. "until settlement — as settlement does, without consultation, in violence and paperwork — by the Dominion Lands Act of 1872"
Antelope I don't even know, but the imagery was great.
Smoke About the wildfires. "though what arises is not clarity but a set of new misgivings. Is this how the world will be and not just how it is?"
Berkeley Hills, 2022 The personification of laurels was wonderful. "Like girls do, the laurels grow from the soil of a deep reserve."
Anne Dufourmantelle " [. . .] names are the nearest we can get to truth."
The Barrens I don't even know, it was just cute and I liked imagining the rabbits losing their keys in alleyways.
Prime Location "it inhales the amnesia of spores, light filters through its soaped windows like light through the soaped windows
of all the deconsecrated churches awaiting resurrection as condos"
Orion "Smoking in the yard two weeks before Christmas out of the wind, under Orion, inhaling anger, exhaling sorrow, which is how anger metabolizes, the end product always a sorrow of remorse or failure. I would give this anger to Orion, whom I've only recently learned to identify"
I was looking for a new poetry book to read and after learning that this author grew up in Saskatchewan I knew I wanted to read this book! I loved Wellwater by Karen Solie! These poems contain great action and I loved the mentions of Canada. My fave poems are That Which Was Learned in Youth Is Always Most Familiar and Toronto the Good. I also loved this line in Flashlight: “for Pete’s sake, death is not Saskatchewan”. I’d love to read this author’s backlist now too!
"...it's beautiful, when sleeping populations open their eyes/and nitrogen is fixed inside the earth."
Woven around competing perspectives on land, home, and property, WELLWATER's free-verse explorations of environmental themes both beautiful and disquieting remind me at turns of John Kinsella's poems. Solie's style of verse, meditative and loosely structured, means that the poems sometimes blurred into each other when I read them, though a few stood out for their particular beauty: I loved the epiphanic conclusion of "That which was learned in youth...", the economical storytelling of "Smoke" (this may have been what prompted the comparison to Kinsella, whose "Bushfire Approaching" also responds to a wildfire), and the direct but effective satire of "Prime Location".
I hadn’t yet been introduced to the work of Canadian poet Karen Solie, so I was especially pleased to receive an advance copy of Wellwater, Solie’s newest poetry collection, due to be published in the US in early May 2026.
Karen Solie writes powerful, lyrical poems about environmental, cultural, and economic issues and how they influence . . . where we live, how we live. Not to be read quickly, her collection is meaty and requires a level of immersion and attention for full impact. I was especially taken with The Grasslands. In fact, I will look forward to purchasing my own copy of this collection when it comes out in May just to have that particular poem in my personal library.
Thank you to Farrar, Strauss and Giraux and to NetGalley for providing an advance copy of this book in exchange for my honest review. The collection will be published May 5, 2026.
An exceptional book by a highly talented writer. I've long admired Solie, but I think this is her best book yet. "That Which Was Learned in Youth is Almost Most Familiar" is a favourite; utterly charming and also profound. What a lovely read.
Thank you so much to Netgalley and Farrar, Straus and Giroux fro sending me this book! The poems in this collection are so clever, written in such a brilliant way that takes your breath away at the same time as hitting deeply into your core and soul, such a magnificent expirience!